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Color name
RGB 198 90 36

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 90 36 it is the complementary color RGB 57 165 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 90 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 90 36 shade: RGB 203 90 31, RGB 220 108 50, RGB 237 126 69, RGB 254 144 88 and RGB 255 162 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 90 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 90 36 shade: RGB 198 90 36, RGB 181 72 17, RGB 164 54 0, RGB 147 36 0 and RGB 130 18 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 90 36 shade: RGB 198 90 36, RGB 198 46 36 and RGB 198 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 90 36 shade: RGB 198 90 36, RGB 198 133 36, RGB 198 177 36, RGB 175 198 36 and RGB 131 198 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 90 36 shade matches the following richer shades: RGB 198 90 36 and RGB 217 83 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 90 36 shade: RGB 198 90 36, RGB 179 96 55, RGB 160 102 74, RGB 141 109 93 and RGB 122 115 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 90 36 shade: RGB 198 36 68, RGB 198 47 36, RGB 198 90 36, RGB 198 133 36 and RGB 198 176 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 90 36 shade: RGB 128 58 23, RGB 163 74 29, RGB 198 90 36, RGB 218 111 57 and RGB 225 136 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 90 36 shade: RGB 198 90 36, RGB 111 198 36 and RGB 36 47 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 90 36 shade: RGB 198 90 36, RGB 36 198 90 and RGB 90 36 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 90 36 shade: RGB 198 90 36, RGB 111 198 36, RGB 36 144 198 and RGB 122 36 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 90 36 shade: RGB 198 90 36, RGB 63 198 36, RGB 36 144 198 and RGB 171 36 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

Complementary color

CMYK 74 / 25 / 0 / 14

HEX #39A5DB

RGB 57 165 219

HSL 200, 0.69%, 0.54%

LAB 64.08, -12.74, -36.1

 

CMYK 0 / 56 / 85 / 20

HEX #CB5A1F

RGB 203 90 31

HSL 20.58, 0.74%, 0.46%

LAB 51.96, 41.86, 52.54

 

CMYK 0 / 51 / 77 / 14

HEX #DC6C32

RGB 220 108 50

HSL 20.47, 0.71%, 0.53%

LAB 58.2, 40.1, 50.98

 

CMYK 0 / 47 / 71 / 7

HEX #ED7E45

RGB 237 126 69

HSL 20.36, 0.82%, 0.6%

LAB 64.45, 38.44, 49.14

 

CMYK 0 / 43 / 65 / 0

HEX #FE9058

RGB 254 144 88

HSL 20.24, 0.99%, 0.67%

LAB 70.68, 36.91, 47.28

 

CMYK 0 / 36 / 58 / 0

HEX #FFA26B

RGB 255 162 107

HSL 22.3, 1%, 0.71%

LAB 74.93, 29.26, 42.68

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 0 / 60 / 91 / 29

HEX #B54811

RGB 181 72 17

HSL 20.12, 0.83%, 0.39%

LAB 44.94, 41.86, 50.62

 

CMYK 0 / 67 / 100 / 36

HEX #A43600

RGB 164 54 0

HSL 19.76, 1%, 0.32%

LAB 38.78, 43.53, 50.49

 

CMYK 0 / 76 / 100 / 42

HEX #932400

RGB 147 36 0

HSL 14.69, 1%, 0.29%

LAB 32.84, 44.85, 45.56

 

CMYK 0 / 86 / 100 / 49

HEX #821200

RGB 130 18 0

HSL 8.31, 1%, 0.25%

LAB 27.24, 45.04, 39.77

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 0 / 77 / 82 / 22

HEX #C62E24

RGB 198 46 36

HSL 3.7, 0.69%, 0.46%

LAB 44.36, 58.41, 43.04

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 0 / 33 / 82 / 22

HEX #C68524

RGB 198 133 36

HSL 35.93, 0.69%, 0.46%

LAB 60.7, 17.21, 58.03

 

CMYK 0 / 11 / 82 / 22

HEX #C6B124

RGB 198 177 36

HSL 52.22, 0.69%, 0.46%

LAB 71.95, -6.49, 67.84

 

CMYK 12 / 0 / 82 / 22

HEX #AFC624

RGB 175 198 36

HSL 68.52, 0.69%, 0.46%

LAB 75.84, -26.91, 70.47

 

CMYK 34 / 0 / 82 / 22

HEX #83C624

RGB 131 198 36

HSL 84.81, 0.69%, 0.46%

LAB 73.12, -44.17, 67.03

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 0 / 62 / 92 / 15

HEX #D95311

RGB 217 83 17

HSL 19.8, 0.85%, 0.46%

LAB 52.93, 50.05, 59.09

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 0 / 46 / 69 / 30

HEX #B36037

RGB 179 96 55

HSL 19.84, 0.53%, 0.46%

LAB 49.77, 30.17, 37.73

 

CMYK 0 / 36 / 54 / 37

HEX #A0664A

RGB 160 102 74

HSL 19.53, 0.37%, 0.46%

LAB 48.85, 20.26, 25.43

 

CMYK 0 / 23 / 34 / 45

HEX #8D6D5D

RGB 141 109 93

HSL 20, 0.21%, 0.46%

LAB 48.75, 10.31, 13.81

 

CMYK 0 / 6 / 8 / 52

HEX #7A7370

RGB 122 115 112

HSL 18, 0.04%, 0.46%

LAB 48.97, 2.12, 2.62

 

CMYK 0 / 82 / 66 / 22

HEX #C62444

RGB 198 36 68

HSL 348.15, 0.69%, 0.46%

LAB 43.78, 62.54, 23.74

 

CMYK 0 / 76 / 82 / 22

HEX #C62F24

RGB 198 47 36

HSL 4.07, 0.69%, 0.46%

LAB 44.47, 58.1, 43.15

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 0 / 33 / 82 / 22

HEX #C68524

RGB 198 133 36

HSL 35.93, 0.69%, 0.46%

LAB 60.7, 17.21, 58.03

 

CMYK 0 / 11 / 82 / 22

HEX #C6B024

RGB 198 176 36

HSL 51.85, 0.69%, 0.46%

LAB 71.68, -5.96, 67.61

 

CMYK 0 / 55 / 82 / 50

HEX #803A17

RGB 128 58 23

HSL 20, 0.7%, 0.3%

LAB 33.3, 27.94, 34.67

 

CMYK 0 / 55 / 82 / 36

HEX #A34A1D

RGB 163 74 29

HSL 20.15, 0.7%, 0.38%

LAB 42.42, 34.12, 42.47

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 0 / 49 / 74 / 15

HEX #DA6F39

RGB 218 111 57

HSL 20.12, 0.69%, 0.54%

LAB 58.57, 38.09, 47.94

 

CMYK 0 / 40 / 59 / 12

HEX #E1885C

RGB 225 136 92

HSL 19.85, 0.69%, 0.62%

LAB 65.27, 29.89, 37.85

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 44 / 0 / 82 / 22

HEX #6FC624

RGB 111 198 36

HSL 92.22, 0.69%, 0.46%

LAB 72.16, -51.03, 65.81

 

CMYK 82 / 76 / 0 / 22

HEX #242FC6

RGB 36 47 198

HSL 235.93, 0.69%, 0.46%

LAB 30.61, 49.51, -78

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 82 / 0 / 55 / 22

HEX #24C65A

RGB 36 198 90

HSL 140, 0.69%, 0.46%

LAB 70.53, -62.43, 42.59

 

CMYK 55 / 82 / 0 / 22

HEX #5A24C6

RGB 90 36 198

HSL 260, 0.69%, 0.46%

LAB 32.95, 59.47, -74

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 44 / 0 / 82 / 22

HEX #6FC624

RGB 111 198 36

HSL 92.22, 0.69%, 0.46%

LAB 72.16, -51.03, 65.81

 

CMYK 82 / 27 / 0 / 22

HEX #2490C6

RGB 36 144 198

HSL 200, 0.69%, 0.46%

LAB 56.48, -10.67, -36.25

 

CMYK 38 / 82 / 0 / 22

HEX #7A24C6

RGB 122 36 198

HSL 271.85, 0.69%, 0.46%

LAB 36.89, 63.62, -67.38

 

CMYK 0 / 55 / 82 / 22

HEX #C65A24

RGB 198 90 36

HSL 20, 0.69%, 0.46%

LAB 51.2, 40.07, 49.46

 

CMYK 68 / 0 / 82 / 22

HEX #3FC624

RGB 63 198 36

HSL 110, 0.69%, 0.46%

LAB 70.58, -63.58, 63.78

 

CMYK 82 / 27 / 0 / 22

HEX #2490C6

RGB 36 144 198

HSL 200, 0.69%, 0.46%

LAB 56.48, -10.67, -36.25

 

CMYK 14 / 82 / 0 / 22

HEX #AB24C6

RGB 171 36 198

HSL 290, 0.69%, 0.46%

LAB 44.23, 71.57, -55.12

 

Description

Color code: RGB 198 90 36 | qconv.com Color code: RGB 198 90 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 90 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 90 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 82 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 82% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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