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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAD548 it is the complementary color #552AB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAD548. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AAD548: #AFD543, #C0E756, #D1F969, #E2FF7C and #F3FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAD548. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AAD548: #AAD548, #99C335, #88B122, #779F0F and #668D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 66 / 16

HEX #AAD548

RGB 170 213 72

HSL 78.3, 0.63%, 0.56%

LAB 79.96, -34.15, 62.45

 

Complementary color

CMYK 54 / 77 / 0 / 28

HEX #552AB7

RGB 85 42 183

HSL 258.3, 0.63%, 0.44%

LAB 31.82, 52.29, -67.03

 

CMYK 18 / 0 / 69 / 16

HEX #AFD543

RGB 175 213 67

HSL 75.62, 0.63%, 0.55%

LAB 80.24, -32.53, 64.76

 

CMYK 17 / 0 / 63 / 9

HEX #C0E756

RGB 192 231 86

HSL 76.14, 0.75%, 0.62%

LAB 86.52, -32.97, 64.24

 

CMYK 16 / 0 / 58 / 2

HEX #D1F969

RGB 209 249 105

HSL 76.67, 0.92%, 0.69%

LAB 92.72, -33.31, 63.45

 

CMYK 11 / 0 / 51 / 0

HEX #E2FF7C

RGB 226 255 124

HSL 73.28, 1%, 0.74%

LAB 95.64, -28.04, 58.76

 

CMYK 5 / 0 / 44 / 0

HEX #F3FF8F

RGB 243 255 143

HSL 66.43, 1%, 0.78%

LAB 97.05, -19.8, 51.96

 

CMYK 20 / 0 / 66 / 16

HEX #AAD548

RGB 170 213 72

HSL 78.3, 0.63%, 0.56%

LAB 79.96, -34.15, 62.45

 

CMYK 22 / 0 / 73 / 24

HEX #99C335

RGB 153 195 53

HSL 77.75, 0.57%, 0.49%

LAB 73.58, -33.67, 62.73

 

CMYK 23 / 0 / 81 / 31

HEX #88B122

RGB 136 177 34

HSL 77.2, 0.68%, 0.41%

LAB 67.12, -33.03, 62.3

 

CMYK 25 / 0 / 91 / 38

HEX #779F0F

RGB 119 159 15

HSL 76.67, 0.83%, 0.34%

LAB 60.56, -32.16, 60.66

 

CMYK 28 / 0 / 100 / 45

HEX #668D00

RGB 102 141 0

HSL 76.6, 1%, 0.28%

LAB 53.89, -31.04, 57.33

 

CMYK 20 / 0 / 66 / 16

HEX #AAD548

RGB 170 213 72

HSL 78.3, 0.63%, 0.56%

LAB 79.96, -34.15, 62.45

 

CMYK 31 / 0 / 66 / 16

HEX #93D548

RGB 147 213 72

HSL 88.09, 0.63%, 0.56%

LAB 78.61, -42.74, 60.63

 

CMYK 42 / 0 / 66 / 16

HEX #7BD548

RGB 123 213 72

HSL 98.3, 0.63%, 0.56%

LAB 77.44, -50.87, 59.03

 

CMYK 53 / 0 / 66 / 16

HEX #64D548

RGB 100 213 72

HSL 108.09, 0.63%, 0.56%

LAB 76.54, -57.61, 57.8

 

CMYK 64 / 0 / 66 / 16

HEX #4CD548

RGB 76 213 72

HSL 118.3, 0.63%, 0.56%

LAB 75.82, -63.3, 56.81

 

CMYK 20 / 0 / 66 / 16

HEX #AAD548

RGB 170 213 72

HSL 78.3, 0.63%, 0.56%

LAB 79.96, -34.15, 62.45

 

CMYK 22 / 0 / 67 / 96

HEX #070903

RGB 7 9 3

HSL 80, 0.5%, 0.02%

LAB 2.23, -1.36, 2.09

 

CMYK 20 / 0 / 67 / 76

HEX #303C14

RGB 48 60 20

HSL 78, 0.5%, 0.16%

LAB 23.37, -12.39, 22.64

 

CMYK 20 / 0 / 66 / 56

HEX #596F26

RGB 89 111 38

HSL 78.08, 0.49%, 0.29%

LAB 43.7, -20.08, 36.84

 

CMYK 20 / 0 / 66 / 36

HEX #81A237

RGB 129 162 55

HSL 78.5, 0.49%, 0.43%

LAB 62.32, -27.56, 50.03

 

CMYK 20 / 0 / 66 / 16

HEX #AAD548

RGB 170 213 72

HSL 78.3, 0.63%, 0.56%

LAB 79.96, -34.15, 62.45

 

CMYK 66 / 0 / 33 / 16

HEX #48D58E

RGB 72 213 142

HSL 149.79, 0.63%, 0.56%

LAB 76.63, -53.81, 24.33

 

CMYK 7 / 66 / 0 / 16

HEX #C748D5

RGB 199 72 213

HSL 294.04, 0.63%, 0.56%

LAB 53.58, 68.05, -48.54

 

CMYK 20 / 0 / 66 / 16

HEX #AAD548

RGB 170 213 72

HSL 78.3, 0.63%, 0.56%

LAB 79.96, -34.15, 62.45

 

CMYK 66 / 20 / 0 / 16

HEX #48ABD5

RGB 72 171 213

HSL 197.87, 0.63%, 0.56%

LAB 65.99, -15.84, -29.78

 

CMYK 0 / 66 / 20 / 16

HEX #D548AB

RGB 213 72 171

HSL 317.87, 0.63%, 0.56%

LAB 53.73, 64.88, -23.92

 

CMYK 20 / 0 / 66 / 16

HEX #AAD548

RGB 170 213 72

HSL 78.3, 0.63%, 0.56%

LAB 79.96, -34.15, 62.45

 

CMYK 66 / 0 / 33 / 16

HEX #48D58E

RGB 72 213 142

HSL 149.79, 0.63%, 0.56%

LAB 76.63, -53.81, 24.33

 

CMYK 46 / 66 / 0 / 16

HEX #7248D5

RGB 114 72 213

HSL 257.87, 0.63%, 0.56%

LAB 42.79, 50.15, -66.47

 

CMYK 0 / 66 / 33 / 16

HEX #D5488E

RGB 213 72 142

HSL 330.21, 0.63%, 0.56%

LAB 52.66, 61.22, -8.46

 

CMYK 20 / 0 / 66 / 16

HEX #AAD548

RGB 170 213 72

HSL 78.3, 0.63%, 0.56%

LAB 79.96, -34.15, 62.45

 

CMYK 66 / 0 / 13 / 16

HEX #48D5B9

RGB 72 213 185

HSL 168.09, 0.63%, 0.56%

LAB 77.56, -44.13, 2.84

 

CMYK 46 / 66 / 0 / 16

HEX #7248D5

RGB 114 72 213

HSL 257.87, 0.63%, 0.56%

LAB 42.79, 50.15, -66.47

 

CMYK 0 / 66 / 53 / 16

HEX #D54864

RGB 213 72 100

HSL 348.09, 0.63%, 0.56%

LAB 51.5, 57.11, 15.02

 

Description

Color code: HEX #AAD548 | qconv.com Color code: HEX #AAD548 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 213 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 213 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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