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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB891 it is the complementary color #55476E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB891. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AAB891: #AFB88C, #C0CA9F, #D1DCB2, #E2EEC5 and #F3FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB891. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AAB891: #AAB891, #99A67E, #88946B, #778258 and #667045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 21 / 28

HEX #AAB891

RGB 170 184 145

HSL 81.54, 0.22%, 0.65%

LAB 72.81, -11.79, 18.23

 

Complementary color

CMYK 23 / 35 / 0 / 57

HEX #55476E

RGB 85 71 110

HSL 261.54, 0.22%, 0.35%

LAB 33.06, 14.86, -20.4

 

CMYK 5 / 0 / 24 / 28

HEX #AFB88C

RGB 175 184 140

HSL 72.27, 0.24%, 0.64%

LAB 73.08, -10.68, 21.36

 

CMYK 5 / 0 / 21 / 21

HEX #C0CA9F

RGB 192 202 159

HSL 73.95, 0.29%, 0.71%

LAB 79.59, -10.77, 20.37

 

CMYK 5 / 0 / 19 / 14

HEX #D1DCB2

RGB 209 220 178

HSL 75.71, 0.38%, 0.78%

LAB 85.98, -10.85, 19.43

 

CMYK 5 / 0 / 17 / 7

HEX #E2EEC5

RGB 226 238 197

HSL 77.56, 0.55%, 0.85%

LAB 92.29, -10.92, 18.53

 

CMYK 5 / 0 / 15 / 0

HEX #F3FFD8

RGB 243 255 216

HSL 78.46, 1%, 0.92%

LAB 98.25, -10.5, 17.32

 

CMYK 8 / 0 / 21 / 28

HEX #AAB891

RGB 170 184 145

HSL 81.54, 0.22%, 0.65%

LAB 72.81, -11.79, 18.23

 

CMYK 8 / 0 / 24 / 35

HEX #99A67E

RGB 153 166 126

HSL 79.5, 0.18%, 0.57%

LAB 66.18, -11.75, 19.23

 

CMYK 8 / 0 / 28 / 42

HEX #88946B

RGB 136 148 107

HSL 77.56, 0.16%, 0.5%

LAB 59.41, -11.69, 20.3

 

CMYK 8 / 0 / 32 / 49

HEX #778258

RGB 119 130 88

HSL 75.71, 0.19%, 0.43%

LAB 52.5, -11.61, 21.44

 

CMYK 9 / 0 / 38 / 56

HEX #667045

RGB 102 112 69

HSL 73.95, 0.24%, 0.35%

LAB 45.42, -11.5, 22.67

 

CMYK 8 / 0 / 21 / 28

HEX #AAB891

RGB 170 184 145

HSL 81.54, 0.22%, 0.65%

LAB 72.81, -11.79, 18.23

 

CMYK 11 / 0 / 21 / 27

HEX #A5B992

RGB 165 185 146

HSL 90.77, 0.22%, 0.65%

LAB 72.74, -13.99, 17.54

 

CMYK 15 / 0 / 21 / 27

HEX #9EB992

RGB 158 185 146

HSL 101.54, 0.22%, 0.65%

LAB 72.26, -16.53, 16.79

 

CMYK 18 / 0 / 21 / 27

HEX #98B992

RGB 152 185 146

HSL 110.77, 0.22%, 0.65%

LAB 71.86, -18.67, 16.18

 

CMYK 21 / 0 / 21 / 27

HEX #92B992

RGB 146 185 146

HSL 120, 0.22%, 0.65%

LAB 71.48, -20.76, 15.59

 

CMYK 8 / 0 / 21 / 28

HEX #AAB891

RGB 170 184 145

HSL 81.54, 0.22%, 0.65%

LAB 72.81, -11.79, 18.23

 

CMYK 8 / 0 / 21 / 8

HEX #D9EBB9

RGB 217 235 185

HSL 81.6, 0.56%, 0.82%

LAB 90.63, -14.44, 22.32

 

CMYK 6 / 0 / 23 / 88

HEX #1D1F18

RGB 29 31 24

HSL 77.14, 0.13%, 0.11%

LAB 11.33, -2.61, 4.47

 

CMYK 7 / 0 / 21 / 68

HEX #4C5241

RGB 76 82 65

HSL 81.18, 0.12%, 0.29%

LAB 33.88, -5.92, 9.19

 

CMYK 8 / 0 / 21 / 48

HEX #7B8569

RGB 123 133 105

HSL 81.43, 0.12%, 0.47%

LAB 54.03, -8.97, 13.89

 

CMYK 8 / 0 / 21 / 28

HEX #AAB891

RGB 170 184 145

HSL 81.54, 0.22%, 0.65%

LAB 72.81, -11.79, 18.23

 

CMYK 21 / 0 / 10 / 27

HEX #92B9A7

RGB 146 185 167

HSL 152.31, 0.22%, 0.65%

LAB 71.96, -16.78, 4.84

 

CMYK 1 / 21 / 0 / 27

HEX #B792B9

RGB 183 146 185

HSL 296.92, 0.22%, 0.65%

LAB 65.06, 20.74, -15

 

CMYK 8 / 0 / 21 / 28

HEX #AAB891

RGB 170 184 145

HSL 81.54, 0.22%, 0.65%

LAB 72.81, -11.79, 18.23

 

CMYK 21 / 8 / 0 / 27

HEX #92ABB9

RGB 146 171 185

HSL 201.54, 0.22%, 0.65%

LAB 68.56, -5.52, -10.05

 

CMYK 0 / 21 / 8 / 27

HEX #B992AB

RGB 185 146 171

HSL 321.54, 0.22%, 0.65%

LAB 64.81, 18.83, -7.48

 

CMYK 8 / 0 / 21 / 28

HEX #AAB891

RGB 170 184 145

HSL 81.54, 0.22%, 0.65%

LAB 72.81, -11.79, 18.23

 

CMYK 21 / 0 / 10 / 27

HEX #92B9A7

RGB 146 185 167

HSL 152.31, 0.22%, 0.65%

LAB 71.96, -16.78, 4.84

 

CMYK 14 / 21 / 0 / 27

HEX #9F92B9

RGB 159 146 185

HSL 260, 0.22%, 0.65%

LAB 62.87, 12.65, -18.53

 

CMYK 0 / 21 / 12 / 27

HEX #B992A3

RGB 185 146 163

HSL 333.85, 0.22%, 0.65%

LAB 64.58, 17.43, -3.32

 

CMYK 8 / 0 / 21 / 28

HEX #AAB891

RGB 170 184 145

HSL 81.54, 0.22%, 0.65%

LAB 72.81, -11.79, 18.23

 

CMYK 21 / 0 / 3 / 27

HEX #92B9B3

RGB 146 185 179

HSL 170.77, 0.22%, 0.65%

LAB 72.27, -14.28, -1.27

 

CMYK 14 / 21 / 0 / 27

HEX #9F92B9

RGB 159 146 185

HSL 260, 0.22%, 0.65%

LAB 62.87, 12.65, -18.53

 

CMYK 0 / 21 / 18 / 27

HEX #B99298

RGB 185 146 152

HSL 350.77, 0.22%, 0.65%

LAB 64.27, 15.6, 2.44

 

Description

Color code: HEX #AAB891 | qconv.com Color code: HEX #AAB891 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 184 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 184 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 21 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 21% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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