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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAADB5 it is the complementary color #55524A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAADB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AAADB5: #AFADB0, #C0BFC3, #D1D1D6, #E2E3E9 and #F3F5FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAADB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AAADB5: #AAADB5, #999BA2, #88898F, #77777C and #666569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

Complementary color

CMYK 0 / 4 / 13 / 67

HEX #55524A

RGB 85 82 74

HSL 43.64, 0.07%, 0.31%

LAB 34.92, -0.38, 5.13

 

CMYK 1 / 2 / 0 / 31

HEX #AFADB0

RGB 175 173 176

HSL 280, 0.02%, 0.68%

LAB 70.96, 1.28, -1.29

 

CMYK 2 / 2 / 0 / 24

HEX #C0BFC3

RGB 192 191 195

HSL 255, 0.03%, 0.76%

LAB 77.52, 1.09, -1.89

NCS® S2502-R50B

CMYK 2 / 2 / 0 / 16

HEX #D1D1D6

RGB 209 209 214

HSL 240, 0.06%, 0.83%

LAB 83.97, 0.92, -2.48

 

CMYK 3 / 3 / 0 / 9

HEX #E2E3E9

RGB 226 227 233

HSL 231.43, 0.14%, 0.9%

LAB 90.32, 0.76, -3.04

 

CMYK 4 / 3 / 0 / 1

HEX #F3F5FC

RGB 243 245 252

HSL 226.67, 0.6%, 0.97%

LAB 96.57, 0.6, -3.6

 

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

CMYK 6 / 4 / 0 / 36

HEX #999BA2

RGB 153 155 162

HSL 226.67, 0.05%, 0.62%

LAB 64.02, 0.67, -3.91

 

CMYK 5 / 4 / 0 / 44

HEX #88898F

RGB 136 137 143

HSL 231.43, 0.03%, 0.55%

LAB 57.18, 0.84, -3.34

 

CMYK 4 / 4 / 0 / 51

HEX #77777C

RGB 119 119 124

HSL 240, 0.02%, 0.48%

LAB 50.18, 1.03, -2.74

 

CMYK 3 / 4 / 0 / 59

HEX #666569

RGB 102 101 105

HSL 255, 0.02%, 0.4%

LAB 42.99, 1.23, -2.12

 

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

CMYK 6 / 6 / 0 / 29

HEX #AAABB5

RGB 170 171 181

HSL 234.55, 0.07%, 0.69%

LAB 70.18, 1.59, -5.25

 

CMYK 6 / 6 / 0 / 29

HEX #AAAAB5

RGB 170 170 181

HSL 240, 0.07%, 0.69%

LAB 69.92, 2.14, -5.64

 

CMYK 5 / 6 / 0 / 29

HEX #ACAAB5

RGB 172 170 181

HSL 250.91, 0.07%, 0.69%

LAB 70.08, 2.83, -5.39

 

CMYK 4 / 6 / 0 / 29

HEX #AEAAB5

RGB 174 170 181

HSL 261.82, 0.07%, 0.69%

LAB 70.23, 3.52, -5.13

 

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

CMYK 6 / 4 / 0 / 9

HEX #DADEE8

RGB 218 222 232

HSL 222.86, 0.23%, 0.88%

LAB 88.44, 0.52, -5.36

 

CMYK 7 / 4 / 0 / 89

HEX #1A1B1C

RGB 26 27 28

HSL 210, 0.04%, 0.11%

LAB 9.7, -0.21, -0.86

 

CMYK 6 / 4 / 0 / 69

HEX #4A4C4F

RGB 74 76 79

HSL 216, 0.03%, 0.3%

LAB 32.23, -0.14, -2.06

 

CMYK 6 / 5 / 0 / 49

HEX #7A7C82

RGB 122 124 130

HSL 225, 0.03%, 0.49%

LAB 52.02, 0.49, -3.53

 

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

CMYK 1 / 6 / 0 / 29

HEX #B4AAB5

RGB 180 170 181

HSL 294.55, 0.07%, 0.69%

LAB 70.73, 5.62, -4.35

 

CMYK 2 / 0 / 6 / 29

HEX #B1B5AA

RGB 177 181 170

HSL 81.82, 0.07%, 0.69%

LAB 73.09, -3.43, 5.11

 

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

CMYK 0 / 6 / 4 / 29

HEX #B5AAAD

RGB 181 170 173

HSL 343.64, 0.07%, 0.69%

LAB 70.59, 4.49, -0.13

 

CMYK 4 / 0 / 6 / 29

HEX #ADB5AA

RGB 173 181 170

HSL 103.64, 0.07%, 0.69%

LAB 72.78, -4.85, 4.63

 

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

CMYK 1 / 6 / 0 / 29

HEX #B4AAB5

RGB 180 170 181

HSL 294.55, 0.07%, 0.69%

LAB 70.73, 5.62, -4.35

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 6 / 0 / 6 / 29

HEX #ABB5AA

RGB 171 181 170

HSL 114.55, 0.07%, 0.69%

LAB 72.63, -5.56, 4.39

 

CMYK 6 / 4 / 0 / 29

HEX #AAADB5

RGB 170 173 181

HSL 223.64, 0.07%, 0.69%

LAB 70.71, 0.5, -4.46

 

CMYK 0 / 6 / 1 / 29

HEX #B5AAB3

RGB 181 170 179

HSL 310.91, 0.07%, 0.69%

LAB 70.75, 5.59, -3.2

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AA

RGB 181 178 170

HSL 43.64, 0.07%, 0.69%

LAB 72.61, -0.38, 4.45

 

CMYK 6 / 0 / 5 / 29

HEX #AAB5AC

RGB 170 181 172

HSL 130.91, 0.07%, 0.69%

LAB 72.61, -5.54, 3.25

 

Description

Color code: HEX #AAADB5 | qconv.com Color code: HEX #AAADB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 173 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 173 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 4 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 4% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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