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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA32F it is the complementary color #555CD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA32F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AAA32F: #AFA32A, #C0B53D, #D1C750, #E2D963 and #F3EB76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA32F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AAA32F: #AAA32F, #99911C, #887F09, #776D00 and #665B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 72 / 33

HEX #AAA32F

RGB 170 163 47

HSL 56.59, 0.57%, 0.43%

LAB 65.71, -11.04, 57.66

 

Complementary color

CMYK 59 / 56 / 0 / 18

HEX #555CD0

RGB 85 92 208

HSL 236.59, 0.57%, 0.57%

LAB 44.43, 31.66, -61.04

 

CMYK 0 / 7 / 76 / 31

HEX #AFA32A

RGB 175 163 42

HSL 54.59, 0.61%, 0.43%

LAB 66.12, -9.06, 59.99

 

CMYK 0 / 6 / 68 / 25

HEX #C0B53D

RGB 192 181 61

HSL 54.96, 0.52%, 0.5%

LAB 72.62, -10.11, 59.76

 

CMYK 0 / 5 / 62 / 18

HEX #D1C750

RGB 209 199 80

HSL 55.35, 0.58%, 0.57%

LAB 79.03, -10.98, 59.05

 

CMYK 0 / 4 / 56 / 11

HEX #E2D963

RGB 226 217 99

HSL 55.75, 0.69%, 0.64%

LAB 85.35, -11.71, 58.1

 

CMYK 0 / 3 / 51 / 5

HEX #F3EB76

RGB 243 235 118

HSL 56.16, 0.84%, 0.71%

LAB 91.59, -12.33, 57.03

 

CMYK 0 / 4 / 72 / 33

HEX #AAA32F

RGB 170 163 47

HSL 56.59, 0.57%, 0.43%

LAB 65.71, -11.04, 57.66

 

CMYK 0 / 5 / 82 / 40

HEX #99911C

RGB 153 145 28

HSL 56.16, 0.69%, 0.35%

LAB 59.07, -9.9, 57.37

 

CMYK 0 / 7 / 93 / 47

HEX #887F09

RGB 136 127 9

HSL 55.75, 0.88%, 0.28%

LAB 52.32, -8.47, 55.67

 

CMYK 0 / 8 / 100 / 53

HEX #776D00

RGB 119 109 0

HSL 54.96, 1%, 0.23%

LAB 45.44, -6.71, 51.63

 

CMYK 0 / 11 / 100 / 60

HEX #665B00

RGB 102 91 0

HSL 53.53, 1%, 0.2%

LAB 38.39, -4.69, 45.79

 

CMYK 0 / 4 / 72 / 33

HEX #AAA32F

RGB 170 163 47

HSL 56.59, 0.57%, 0.43%

LAB 65.71, -11.04, 57.66

 

CMYK 8 / 0 / 73 / 33

HEX #9FAC2F

RGB 159 172 47

HSL 66.24, 0.57%, 0.43%

LAB 67.34, -20.44, 58.92

 

CMYK 20 / 0 / 73 / 33

HEX #8AAC2F

RGB 138 172 47

HSL 76.32, 0.57%, 0.43%

LAB 65.84, -29.23, 56.95

 

CMYK 32 / 0 / 73 / 33

HEX #75AC2F

RGB 117 172 47

HSL 86.4, 0.57%, 0.43%

LAB 64.56, -37.46, 55.26

 

CMYK 44 / 0 / 73 / 33

HEX #61AC2F

RGB 97 172 47

HSL 96, 0.57%, 0.43%

LAB 63.55, -44.53, 53.92

 

CMYK 0 / 4 / 72 / 33

HEX #AAA32F

RGB 170 163 47

HSL 56.59, 0.57%, 0.43%

LAB 65.71, -11.04, 57.66

 

CMYK 0 / 4 / 72 / 13

HEX #DDD43D

RGB 221 212 61

HSL 56.63, 0.7%, 0.55%

LAB 83.33, -13.53, 71.1

 

CMYK 0 / 6 / 71 / 93

HEX #111005

RGB 17 16 5

HSL 55, 0.55%, 0.04%

LAB 4.52, -1.31, 4.7

 

CMYK 0 / 4 / 72 / 73

HEX #444113

RGB 68 65 19

HSL 56.33, 0.56%, 0.17%

LAB 26.9, -5.47, 27.55

 

CMYK 0 / 4 / 72 / 53

HEX #777221

RGB 119 114 33

HSL 56.51, 0.57%, 0.3%

LAB 47.06, -8.39, 43.33

 

CMYK 0 / 4 / 72 / 33

HEX #AAA32F

RGB 170 163 47

HSL 56.59, 0.57%, 0.43%

LAB 65.71, -11.04, 57.66

 

CMYK 73 / 0 / 63 / 33

HEX #2FAC3F

RGB 47 172 63

HSL 127.68, 0.57%, 0.43%

LAB 62.06, -55.72, 45.27

 

CMYK 34 / 73 / 0 / 33

HEX #712FAC

RGB 113 47 172

HSL 271.68, 0.57%, 0.43%

LAB 35.05, 51.8, -55.07

 

CMYK 0 / 4 / 72 / 33

HEX #AAA32F

RGB 170 163 47

HSL 56.59, 0.57%, 0.43%

LAB 65.71, -11.04, 57.66

 

CMYK 73 / 0 / 5 / 33

HEX #2FACA3

RGB 47 172 163

HSL 175.68, 0.57%, 0.43%

LAB 63.96, -35.19, -5.12

 

CMYK 5 / 73 / 0 / 33

HEX #A32FAC

RGB 163 47 172

HSL 295.68, 0.57%, 0.43%

LAB 42.46, 62.15, -42.76

 

CMYK 0 / 4 / 72 / 33

HEX #AAA32F

RGB 170 163 47

HSL 56.59, 0.57%, 0.43%

LAB 65.71, -11.04, 57.66

 

CMYK 73 / 0 / 63 / 33

HEX #2FAC3F

RGB 47 172 63

HSL 127.68, 0.57%, 0.43%

LAB 62.06, -55.72, 45.27

 

CMYK 73 / 68 / 0 / 33

HEX #2F37AC

RGB 47 55 172

HSL 236.16, 0.57%, 0.43%

LAB 30.19, 36.81, -63.26

 

CMYK 0 / 73 / 10 / 33

HEX #AC2F9B

RGB 172 47 155

HSL 308.16, 0.57%, 0.43%

LAB 43.02, 61.4, -31.62

 

CMYK 0 / 4 / 72 / 33

HEX #AAA32F

RGB 170 163 47

HSL 56.59, 0.57%, 0.43%

LAB 65.71, -11.04, 57.66

 

CMYK 73 / 0 / 41 / 33

HEX #2FAC65

RGB 47 172 101

HSL 145.92, 0.57%, 0.43%

LAB 62.55, -49.99, 27.02

 

CMYK 73 / 68 / 0 / 33

HEX #2F37AC

RGB 47 55 172

HSL 236.16, 0.57%, 0.43%

LAB 30.19, 36.81, -63.26

 

CMYK 0 / 73 / 32 / 33

HEX #AC2F75

RGB 172 47 117

HSL 326.4, 0.57%, 0.43%

LAB 41.36, 56.2, -10.96

 

Description

Color code: HEX #AAA32F | qconv.com Color code: HEX #AAA32F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 163 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 163 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 72% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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