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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA6FCB it is the complementary color #559034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA6FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AA6FCB: #AF6FC6, #C081D9, #D193EC, #E2A5FF and #F3B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA6FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AA6FCB: #AA6FCB, #995DB8, #884BA5, #773992 and #66277F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 45 / 0 / 20

HEX #AA6FCB

RGB 170 111 203

HSL 278.48, 0.47%, 0.62%

LAB 56.31, 39.87, -38.77

 

Complementary color

CMYK 41 / 0 / 64 / 44

HEX #559034

RGB 85 144 52

HSL 98.48, 0.47%, 0.38%

LAB 54.16, -36.24, 41.76

 

CMYK 12 / 44 / 0 / 22

HEX #AF6FC6

RGB 175 111 198

HSL 284.14, 0.43%, 0.61%

LAB 56.64, 40.27, -35.37

 

CMYK 12 / 41 / 0 / 15

HEX #C081D9

RGB 192 129 217

HSL 282.95, 0.54%, 0.68%

LAB 63.27, 39.48, -35.59

 

CMYK 11 / 38 / 0 / 7

HEX #D193EC

RGB 209 147 236

HSL 281.8, 0.7%, 0.75%

LAB 69.81, 38.73, -35.8

 

CMYK 11 / 35 / 0 / 0

HEX #E2A5FF

RGB 226 165 255

HSL 280.67, 1%, 0.82%

LAB 76.25, 38.01, -36

 

CMYK 5 / 28 / 0 / 0

HEX #F3B7FF

RGB 243 183 255

HSL 290, 1%, 0.86%

LAB 81.92, 33.63, -27.15

 

CMYK 16 / 45 / 0 / 20

HEX #AA6FCB

RGB 170 111 203

HSL 278.48, 0.47%, 0.62%

LAB 56.31, 39.87, -38.77

 

CMYK 17 / 49 / 0 / 28

HEX #995DB8

RGB 153 93 184

HSL 279.56, 0.39%, 0.54%

LAB 49.57, 40.7, -38.61

 

CMYK 18 / 55 / 0 / 35

HEX #884BA5

RGB 136 75 165

HSL 280.67, 0.38%, 0.47%

LAB 42.74, 41.52, -38.39

 

CMYK 18 / 61 / 0 / 43

HEX #773992

RGB 119 57 146

HSL 281.8, 0.44%, 0.4%

LAB 35.84, 42.24, -38.06

 

CMYK 20 / 69 / 0 / 50

HEX #66277F

RGB 102 39 127

HSL 282.95, 0.53%, 0.33%

LAB 28.92, 42.69, -37.49

 

CMYK 16 / 45 / 0 / 20

HEX #AA6FCB

RGB 170 111 203

HSL 278.48, 0.47%, 0.62%

LAB 56.31, 39.87, -38.77

 

CMYK 9 / 45 / 0 / 20

HEX #B970CB

RGB 185 112 203

HSL 288.13, 0.47%, 0.62%

LAB 58.24, 43.7, -35.63

 

CMYK 1 / 45 / 0 / 20

HEX #C870CB

RGB 200 112 203

HSL 298.02, 0.47%, 0.62%

LAB 60.05, 48.11, -32.67

 

CMYK 0 / 45 / 6 / 20

HEX #CB70BF

RGB 203 112 191

HSL 307.91, 0.47%, 0.62%

LAB 59.93, 46.87, -26.02

 

CMYK 0 / 45 / 13 / 20

HEX #CB70B0

RGB 203 112 176

HSL 317.8, 0.47%, 0.62%

LAB 59.36, 44.35, -18.32

 

CMYK 16 / 45 / 0 / 20

HEX #AA6FCB

RGB 170 111 203

HSL 278.48, 0.47%, 0.62%

LAB 56.31, 39.87, -38.77

 

CMYK 16 / 45 / 0 / 0

HEX #D58BFE

RGB 213 139 254

HSL 278.61, 0.98%, 0.77%

LAB 69.3, 47.86, -46.4

 

CMYK 16 / 46 / 0 / 80

HEX #2A1B32

RGB 42 27 50

HSL 279.13, 0.3%, 0.15%

LAB 12.65, 12.75, -12.37

 

CMYK 16 / 46 / 0 / 60

HEX #553765

RGB 85 55 101

HSL 279.13, 0.29%, 0.31%

LAB 28.39, 22.76, -21.95

 

CMYK 16 / 45 / 0 / 40

HEX #7F5398

RGB 127 83 152

HSL 278.26, 0.29%, 0.46%

LAB 42.71, 31.45, -30.75

 

CMYK 16 / 45 / 0 / 20

HEX #AA6FCB

RGB 170 111 203

HSL 278.48, 0.47%, 0.62%

LAB 56.31, 39.87, -38.77

 

CMYK 0 / 45 / 37 / 20

HEX #CB707F

RGB 203 112 127

HSL 350.11, 0.47%, 0.62%

LAB 57.86, 37.44, 7.8

 

CMYK 45 / 0 / 34 / 20

HEX #70CB85

RGB 112 203 133

HSL 133.85, 0.47%, 0.62%

LAB 74.73, -42.26, 26.69

 

CMYK 16 / 45 / 0 / 20

HEX #AA6FCB

RGB 170 111 203

HSL 278.48, 0.47%, 0.62%

LAB 56.31, 39.87, -38.77

 

CMYK 0 / 16 / 45 / 20

HEX #CBAA70

RGB 203 170 112

HSL 38.24, 0.47%, 0.62%

LAB 71.29, 4.36, 34.32

 

CMYK 45 / 0 / 16 / 20

HEX #70CBAA

RGB 112 203 170

HSL 158.24, 0.47%, 0.62%

LAB 75.49, -34.96, 8.06

 

CMYK 16 / 45 / 0 / 20

HEX #AA6FCB

RGB 170 111 203

HSL 278.48, 0.47%, 0.62%

LAB 56.31, 39.87, -38.77

 

CMYK 0 / 45 / 37 / 20

HEX #CB707F

RGB 203 112 127

HSL 350.11, 0.47%, 0.62%

LAB 57.86, 37.44, 7.8

 

CMYK 29 / 0 / 45 / 20

HEX #91CB70

RGB 145 203 112

HSL 98.24, 0.47%, 0.62%

LAB 76.01, -34.97, 39.41

 

CMYK 45 / 0 / 7 / 20

HEX #70CBBC

RGB 112 203 188

HSL 170.11, 0.47%, 0.62%

LAB 75.94, -30.83, -0.99

 

CMYK 16 / 45 / 0 / 20

HEX #AA6FCB

RGB 170 111 203

HSL 278.48, 0.47%, 0.62%

LAB 56.31, 39.87, -38.77

 

CMYK 0 / 39 / 45 / 20

HEX #CB7C70

RGB 203 124 112

HSL 7.91, 0.47%, 0.62%

LAB 60.14, 29.36, 19.6

 

CMYK 29 / 0 / 45 / 20

HEX #91CB70

RGB 145 203 112

HSL 98.24, 0.47%, 0.62%

LAB 76.01, -34.97, 39.41

 

CMYK 45 / 6 / 0 / 20

HEX #70BFCB

RGB 112 191 203

HSL 187.91, 0.47%, 0.62%

LAB 72.9, -21.13, -13.63

 

Description

Color code: HEX #AA6FCB | qconv.com Color code: HEX #AA6FCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 111 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 111 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 45 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 45% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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