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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA677F it is the complementary color #559880. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA677F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA677F shade: #AF677A, #C0798D, #D18BA0, #E29DB3 and #F3AFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA677F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA677F shade: #AA677F, #99556C, #884359, #773146 and #661F33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA677F shade: #AB6980, #AB696F and #AB6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA677F shade: #AB6980, #AB6992, #AB69A4, #A069AB and #8E69AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA677F shade matches the following richer shades: #AB6980, #BE567B, #D14376, #E33070 and #F61D6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA677F shade: #AB6980, #987C86, #858F8B, #72A291 and #5FB596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA677F shade: #AB69A4, #AB6992, #AB6981, #AB696F and #AB7469

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA677F shade: #7B4559, #96546C, #AB6980, #B98397 and #C89EAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA677F shade: #AA677F, #ABA069 and #699BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA677F shade: #AA677F, #81AB69 and #6981AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA677F shade: #AA677F, #ABA069, #69AB92 and #6974AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA677F shade: #AA677F, #A2AB69, #69AB92 and #7269AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 25 / 33

HEX #AA677F

RGB 170 103 127

HSL 338.51, 0.28%, 0.54%

LAB 51.59, 30.14, -1.83

 

Complementary color

CMYK 44 / 0 / 16 / 40

HEX #559880

RGB 85 152 128

HSL 158.51, 0.28%, 0.46%

LAB 57.99, -27.22, 6.02

 

CMYK 0 / 41 / 30 / 31

HEX #AF677A

RGB 175 103 122

HSL 344.17, 0.31%, 0.55%

LAB 52.08, 31.28, 1.94

 

CMYK 0 / 37 / 27 / 25

HEX #C0798D

RGB 192 121 141

HSL 343.1, 0.36%, 0.61%

LAB 58.79, 30.39, 0.85

 

CMYK 0 / 33 / 23 / 18

HEX #D18BA0

RGB 209 139 160

HSL 342, 0.43%, 0.68%

LAB 65.4, 29.57, -0.12

 

CMYK 0 / 31 / 21 / 11

HEX #E29DB3

RGB 226 157 179

HSL 340.87, 0.54%, 0.75%

LAB 71.92, 28.82, -0.98

 

CMYK 0 / 28 / 19 / 5

HEX #F3AFC6

RGB 243 175 198

HSL 339.71, 0.74%, 0.82%

LAB 78.34, 28.12, -1.78

 

CMYK 0 / 39 / 25 / 33

HEX #AA677F

RGB 170 103 127

HSL 338.51, 0.28%, 0.54%

LAB 51.59, 30.14, -1.83

 

CMYK 0 / 44 / 29 / 40

HEX #99556C

RGB 153 85 108

HSL 339.71, 0.29%, 0.47%

LAB 44.73, 31.04, -0.72

 

CMYK 0 / 51 / 35 / 47

HEX #884359

RGB 136 67 89

HSL 340.87, 0.34%, 0.4%

LAB 37.79, 31.98, 0.62

 

CMYK 0 / 59 / 41 / 53

HEX #773146

RGB 119 49 70

HSL 342, 0.42%, 0.33%

LAB 30.79, 32.89, 2.32

 

CMYK 0 / 70 / 50 / 60

HEX #661F33

RGB 102 31 51

HSL 343.1, 0.53%, 0.26%

LAB 23.82, 33.55, 4.66

 

CMYK 0 / 39 / 25 / 33

HEX #AB6980

RGB 171 105 128

HSL 339.09, 0.28%, 0.54%

LAB 52.2, 29.55, -1.51

 

CMYK 0 / 39 / 35 / 33

HEX #AB696F

RGB 171 105 111

HSL 354.55, 0.28%, 0.54%

LAB 51.73, 27.18, 7.88

 

CMYK 0 / 39 / 39 / 33

HEX #AB6969

RGB 171 105 105

HSL 0, 0.28%, 0.54%

LAB 51.59, 26.43, 11.22

 

CMYK 0 / 39 / 25 / 33

HEX #AB6980

RGB 171 105 128

HSL 339.09, 0.28%, 0.54%

LAB 52.2, 29.55, -1.51

 

CMYK 0 / 39 / 15 / 33

HEX #AB6992

RGB 171 105 146

HSL 322.73, 0.28%, 0.54%

LAB 52.77, 32.4, -11.27

 

CMYK 0 / 39 / 4 / 33

HEX #AB69A4

RGB 171 105 164

HSL 306.36, 0.28%, 0.54%

LAB 53.43, 35.58, -20.8

 

CMYK 6 / 39 / 0 / 33

HEX #A069AB

RGB 160 105 171

HSL 290, 0.28%, 0.54%

LAB 52.42, 33.38, -26.55

 

CMYK 17 / 39 / 0 / 33

HEX #8E69AB

RGB 142 105 171

HSL 273.64, 0.28%, 0.54%

LAB 50.45, 27.67, -29.76

 

CMYK 0 / 39 / 25 / 33

HEX #AB6980

RGB 171 105 128

HSL 339.09, 0.28%, 0.54%

LAB 52.2, 29.55, -1.51

 

CMYK 0 / 55 / 35 / 25

HEX #BE567B

RGB 190 86 123

HSL 338.65, 0.44%, 0.54%

LAB 50.73, 45.63, -0.38

 

CMYK 0 / 68 / 44 / 18

HEX #D14376

RGB 209 67 118

HSL 338.45, 0.61%, 0.54%

LAB 50.54, 59.45, 2.74

 

CMYK 0 / 79 / 51 / 11

HEX #E33070

RGB 227 48 112

HSL 338.55, 0.76%, 0.54%

LAB 51.4, 70.11, 8.01

 

CMYK 0 / 88 / 57 / 4

HEX #F61D6B

RGB 246 29 107

HSL 338.43, 0.92%, 0.54%

LAB 53.53, 78.41, 14.56

 

CMYK 0 / 39 / 25 / 33

HEX #AB6980

RGB 171 105 128

HSL 339.09, 0.28%, 0.54%

LAB 52.2, 29.55, -1.51

 

CMYK 0 / 18 / 12 / 40

HEX #987C86

RGB 152 124 134

HSL 338.57, 0.12%, 0.54%

LAB 54.88, 12.53, -1.35

 

CMYK 7 / 0 / 3 / 44

HEX #858F8B

RGB 133 143 139

HSL 156, 0.04%, 0.54%

LAB 58.5, -4.43, 0.87

 

CMYK 30 / 0 / 10 / 36

HEX #72A291

RGB 114 162 145

HSL 158.75, 0.21%, 0.54%

LAB 62.9, -19.84, 3.69

 

CMYK 48 / 0 / 17 / 29

HEX #5FB596

RGB 95 181 150

HSL 158.37, 0.37%, 0.54%

LAB 67.79, -33.49, 7.82

 

CMYK 0 / 39 / 4 / 33

HEX #AB69A4

RGB 171 105 164

HSL 306.36, 0.28%, 0.54%

LAB 53.43, 35.58, -20.8

 

CMYK 0 / 39 / 15 / 33

HEX #AB6992

RGB 171 105 146

HSL 322.73, 0.28%, 0.54%

LAB 52.77, 32.4, -11.27

 

CMYK 0 / 39 / 25 / 33

HEX #AB6981

RGB 171 105 129

HSL 338.18, 0.28%, 0.54%

LAB 52.23, 29.7, -2.06

 

CMYK 0 / 39 / 35 / 33

HEX #AB696F

RGB 171 105 111

HSL 354.55, 0.28%, 0.54%

LAB 51.73, 27.18, 7.88

 

CMYK 0 / 32 / 39 / 33

HEX #AB7469

RGB 171 116 105

HSL 10, 0.28%, 0.54%

LAB 54.21, 20.25, 14.86

 

CMYK 0 / 44 / 28 / 52

HEX #7B4559

RGB 123 69 89

HSL 337.78, 0.28%, 0.38%

LAB 36.34, 25.9, -1.72

 

CMYK 0 / 44 / 28 / 41

HEX #96546C

RGB 150 84 108

HSL 338.18, 0.28%, 0.46%

LAB 44.1, 30.48, -1.7

 

CMYK 0 / 39 / 25 / 33

HEX #AB6980

RGB 171 105 128

HSL 339.09, 0.28%, 0.54%

LAB 52.2, 29.55, -1.51

 

CMYK 0 / 29 / 18 / 27

HEX #B98397

RGB 185 131 151

HSL 337.78, 0.28%, 0.62%

LAB 60.59, 23.8, -2.37

 

CMYK 0 / 21 / 14 / 22

HEX #C89EAD

RGB 200 158 173

HSL 338.57, 0.28%, 0.7%

LAB 69.29, 17.95, -1.82

 

CMYK 0 / 39 / 25 / 33

HEX #AA677F

RGB 170 103 127

HSL 338.51, 0.28%, 0.54%

LAB 51.59, 30.14, -1.83

 

CMYK 0 / 6 / 39 / 33

HEX #ABA069

RGB 171 160 105

HSL 50, 0.28%, 0.54%

LAB 65.61, -4.23, 30.12

 

CMYK 39 / 9 / 0 / 33

HEX #699BAB

RGB 105 155 171

HSL 194.55, 0.28%, 0.54%

LAB 61.12, -12.5, -13.64

 

CMYK 0 / 39 / 25 / 33

HEX #AA677F

RGB 170 103 127

HSL 338.51, 0.28%, 0.54%

LAB 51.59, 30.14, -1.83

 

CMYK 25 / 0 / 39 / 33

HEX #81AB69

RGB 129 171 105

HSL 98.18, 0.28%, 0.54%

LAB 65.6, -26.47, 29.51

 

CMYK 39 / 25 / 0 / 33

HEX #6981AB

RGB 105 129 171

HSL 218.18, 0.28%, 0.54%

LAB 53.65, 2.2, -25.04

 

CMYK 0 / 39 / 25 / 33

HEX #AA677F

RGB 170 103 127

HSL 338.51, 0.28%, 0.54%

LAB 51.59, 30.14, -1.83

 

CMYK 0 / 6 / 39 / 33

HEX #ABA069

RGB 171 160 105

HSL 50, 0.28%, 0.54%

LAB 65.61, -4.23, 30.12

 

CMYK 39 / 0 / 15 / 33

HEX #69AB92

RGB 105 171 146

HSL 157.27, 0.28%, 0.54%

LAB 65.12, -26.87, 6.28

 

CMYK 39 / 32 / 0 / 33

HEX #6974AB

RGB 105 116 171

HSL 230, 0.28%, 0.54%

LAB 50.02, 9.94, -30.67

 

CMYK 0 / 39 / 25 / 33

HEX #AA677F

RGB 170 103 127

HSL 338.51, 0.28%, 0.54%

LAB 51.59, 30.14, -1.83

 

CMYK 5 / 0 / 39 / 33

HEX #A2AB69

RGB 162 171 105

HSL 68.18, 0.28%, 0.54%

LAB 67.89, -13.73, 32.92

 

CMYK 39 / 0 / 15 / 33

HEX #69AB92

RGB 105 171 146

HSL 157.27, 0.28%, 0.54%

LAB 65.12, -26.87, 6.28

 

CMYK 33 / 39 / 0 / 33

HEX #7269AB

RGB 114 105 171

HSL 248.18, 0.28%, 0.54%

LAB 47.78, 19.19, -34.13

 

Description

Color code: HEX #AA677F | qconv.com Color code: HEX #AA677F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 103 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 103 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 25 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 25% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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