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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5F6C it is the complementary color #55A093. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5F6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5F6C shade: #AF5F67, #C0717A, #D1838D, #E295A0 and #F3A7B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5F6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5F6C shade: #AA5F6C, #994D59, #883B46, #772933 and #661720

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5F6C shade: #AB5F6C and #AB5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5F6C shade: #AB5F6C, #AB5F80, #AB5F95, #AB5FA9 and #975FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5F6C shade matches the following richer shades: #AB5F6C, #BE4B5F, #D23752, #E62345 and #FA0F38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5F6C shade: #AB5F6C, #977279, #838686, #6F9A93 and #5BAEA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5F6C shade: #AB5F95, #AB5F81, #AB5F6D, #AB655F and #AB795F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5F6C shade: #783F49, #934D59, #AB5F6C, #B97A85 and #C7959D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5F6C shade: #AA5F6C, #A9AB5F and #5F8BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5F6C shade: #AA5F6C, #6DAB5F and #5F6DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5F6C shade: #AA5F6C, #A9AB5F, #5FAB9D and #605FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5F6C shade: #AA5F6C, #93AB5F, #5FAB9D and #775FAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 36 / 33

HEX #AA5F6C

RGB 170 95 108

HSL 349.6, 0.31%, 0.52%

LAB 49.27, 31.94, 6.13

 

Complementary color

CMYK 47 / 0 / 8 / 37

HEX #55A093

RGB 85 160 147

HSL 169.6, 0.31%, 0.48%

LAB 60.94, -26.59, -0.45

 

CMYK 0 / 46 / 41 / 31

HEX #AF5F67

RGB 175 95 103

HSL 354, 0.33%, 0.53%

LAB 49.83, 33.24, 10.02

 

CMYK 0 / 41 / 36 / 25

HEX #C0717A

RGB 192 113 122

HSL 353.16, 0.39%, 0.6%

LAB 56.51, 32.22, 8.58

 

CMYK 0 / 37 / 33 / 18

HEX #D1838D

RGB 209 131 141

HSL 352.31, 0.46%, 0.67%

LAB 63.1, 31.28, 7.33

 

CMYK 0 / 34 / 29 / 11

HEX #E295A0

RGB 226 149 160

HSL 351.43, 0.57%, 0.74%

LAB 69.61, 30.41, 6.23

 

CMYK 0 / 31 / 26 / 5

HEX #F3A7B3

RGB 243 167 179

HSL 350.53, 0.76%, 0.8%

LAB 76.04, 29.61, 5.23

 

CMYK 0 / 44 / 36 / 33

HEX #AA5F6C

RGB 170 95 108

HSL 349.6, 0.31%, 0.52%

LAB 49.27, 31.94, 6.13

 

CMYK 0 / 50 / 42 / 40

HEX #994D59

RGB 153 77 89

HSL 350.53, 0.33%, 0.45%

LAB 42.46, 32.96, 7.66

 

CMYK 0 / 57 / 49 / 47

HEX #883B46

RGB 136 59 70

HSL 351.43, 0.39%, 0.38%

LAB 35.6, 34, 9.55

 

CMYK 0 / 66 / 57 / 53

HEX #772933

RGB 119 41 51

HSL 352.31, 0.49%, 0.31%

LAB 28.76, 34.93, 12.01

 

CMYK 0 / 77 / 69 / 60

HEX #661720

RGB 102 23 32

HSL 353.16, 0.63%, 0.25%

LAB 22.1, 35.4, 15.39

 

CMYK 0 / 44 / 37 / 33

HEX #AB5F6C

RGB 171 95 108

HSL 349.74, 0.31%, 0.52%

LAB 49.41, 32.32, 6.35

 

CMYK 0 / 44 / 44 / 33

HEX #AB5F5F

RGB 171 95 95

HSL 0, 0.31%, 0.52%

LAB 49.09, 30.8, 13.68

 

CMYK 0 / 44 / 37 / 33

HEX #AB5F6C

RGB 171 95 108

HSL 349.74, 0.31%, 0.52%

LAB 49.41, 32.32, 6.35

 

CMYK 0 / 44 / 25 / 33

HEX #AB5F80

RGB 171 95 128

HSL 333.95, 0.31%, 0.52%

LAB 49.98, 35.04, -4.78

 

CMYK 0 / 44 / 13 / 33

HEX #AB5F95

RGB 171 95 149

HSL 317.37, 0.31%, 0.52%

LAB 50.7, 38.36, -16.17

 

CMYK 0 / 44 / 1 / 33

HEX #AB5FA9

RGB 171 95 169

HSL 301.58, 0.31%, 0.52%

LAB 51.5, 41.92, -26.69

 

CMYK 12 / 44 / 0 / 33

HEX #975FAB

RGB 151 95 171

HSL 284.21, 0.31%, 0.52%

LAB 49.14, 36.17, -31.73

 

CMYK 0 / 44 / 37 / 33

HEX #AB5F6C

RGB 171 95 108

HSL 349.74, 0.31%, 0.52%

LAB 49.41, 32.32, 6.35

 

CMYK 0 / 61 / 50 / 25

HEX #BE4B5F

RGB 190 75 95

HSL 349.57, 0.47%, 0.52%

LAB 48.01, 47.89, 12.63

 

CMYK 0 / 74 / 61 / 18

HEX #D23752

RGB 210 55 82

HSL 349.55, 0.63%, 0.52%

LAB 48.31, 61.19, 21.5

 

CMYK 0 / 85 / 70 / 10

HEX #E62345

RGB 230 35 69

HSL 349.54, 0.8%, 0.52%

LAB 50.04, 71.34, 32.31

 

CMYK 0 / 94 / 78 / 2

HEX #FA0F38

RGB 250 15 56

HSL 349.53, 0.96%, 0.52%

LAB 52.9, 78.69, 44.14

 

CMYK 0 / 44 / 37 / 33

HEX #AB5F6C

RGB 171 95 108

HSL 349.74, 0.31%, 0.52%

LAB 49.41, 32.32, 6.35

 

CMYK 0 / 25 / 20 / 41

HEX #977279

RGB 151 114 121

HSL 348.65, 0.15%, 0.52%

LAB 51.83, 15.69, 1.81

 

CMYK 2 / 0 / 0 / 47

HEX #838686

RGB 131 134 134

HSL 180, 0.01%, 0.52%

LAB 55.68, -1.1, -0.39

 

CMYK 28 / 0 / 5 / 40

HEX #6F9A93

RGB 111 154 147

HSL 170.23, 0.18%, 0.52%

LAB 60.42, -16.14, -1.05

 

CMYK 48 / 0 / 8 / 32

HEX #5BAEA0

RGB 91 174 160

HSL 169.88, 0.34%, 0.52%

LAB 65.78, -28.76, -0.63

 

CMYK 0 / 44 / 13 / 33

HEX #AB5F95

RGB 171 95 149

HSL 317.37, 0.31%, 0.52%

LAB 50.7, 38.36, -16.17

 

CMYK 0 / 44 / 25 / 33

HEX #AB5F81

RGB 171 95 129

HSL 333.16, 0.31%, 0.52%

LAB 50.01, 35.19, -5.33

 

CMYK 0 / 44 / 36 / 33

HEX #AB5F6D

RGB 171 95 109

HSL 348.95, 0.31%, 0.52%

LAB 49.43, 32.44, 5.79

 

CMYK 0 / 41 / 44 / 33

HEX #AB655F

RGB 171 101 95

HSL 4.74, 0.31%, 0.52%

LAB 50.44, 27.49, 15.54

 

CMYK 0 / 29 / 44 / 33

HEX #AB795F

RGB 171 121 95

HSL 20.53, 0.31%, 0.52%

LAB 55.24, 16.26, 22.01

 

CMYK 0 / 48 / 39 / 53

HEX #783F49

RGB 120 63 73

HSL 349.47, 0.31%, 0.36%

LAB 34.04, 25.92, 5.08

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 0 / 44 / 37 / 33

HEX #AB5F6C

RGB 171 95 108

HSL 349.74, 0.31%, 0.52%

LAB 49.41, 32.32, 6.35

 

CMYK 0 / 34 / 28 / 27

HEX #B97A85

RGB 185 122 133

HSL 349.52, 0.31%, 0.6%

LAB 57.97, 26.09, 4.17

 

CMYK 0 / 25 / 21 / 22

HEX #C7959D

RGB 199 149 157

HSL 350.4, 0.31%, 0.68%

LAB 66.57, 19.97, 3.14

 

CMYK 0 / 44 / 36 / 33

HEX #AA5F6C

RGB 170 95 108

HSL 349.6, 0.31%, 0.52%

LAB 49.27, 31.94, 6.13

 

CMYK 1 / 0 / 44 / 33

HEX #A9AB5F

RGB 169 171 95

HSL 61.58, 0.31%, 0.52%

LAB 68.3, -11.99, 38.73

 

CMYK 44 / 19 / 0 / 33

HEX #5F8BAB

RGB 95 139 171

HSL 205.26, 0.31%, 0.52%

LAB 55.93, -6.31, -21.59

 

CMYK 0 / 44 / 36 / 33

HEX #AA5F6C

RGB 170 95 108

HSL 349.6, 0.31%, 0.52%

LAB 49.27, 31.94, 6.13

 

CMYK 36 / 0 / 44 / 33

HEX #6DAB5F

RGB 109 171 95

HSL 108.95, 0.31%, 0.52%

LAB 64.33, -34.94, 32.89

 

CMYK 44 / 36 / 0 / 33

HEX #5F6DAB

RGB 95 109 171

HSL 228.95, 0.31%, 0.52%

LAB 47.38, 11.47, -34.86

 

CMYK 0 / 44 / 36 / 33

HEX #AA5F6C

RGB 170 95 108

HSL 349.6, 0.31%, 0.52%

LAB 49.27, 31.94, 6.13

 

CMYK 1 / 0 / 44 / 33

HEX #A9AB5F

RGB 169 171 95

HSL 61.58, 0.31%, 0.52%

LAB 68.3, -11.99, 38.73

 

CMYK 44 / 0 / 8 / 33

HEX #5FAB9D

RGB 95 171 157

HSL 168.95, 0.31%, 0.52%

LAB 64.96, -27.03, -0.14

 

CMYK 44 / 44 / 0 / 33

HEX #605FAB

RGB 96 95 171

HSL 240.79, 0.31%, 0.52%

LAB 43.67, 20.4, -40.71

 

CMYK 0 / 44 / 36 / 33

HEX #AA5F6C

RGB 170 95 108

HSL 349.6, 0.31%, 0.52%

LAB 49.27, 31.94, 6.13

 

CMYK 14 / 0 / 44 / 33

HEX #93AB5F

RGB 147 171 95

HSL 78.95, 0.31%, 0.52%

LAB 66.64, -20.91, 36.3

 

CMYK 44 / 0 / 8 / 33

HEX #5FAB9D

RGB 95 171 157

HSL 168.95, 0.31%, 0.52%

LAB 64.96, -27.03, -0.14

 

CMYK 30 / 44 / 0 / 33

HEX #775FAB

RGB 119 95 171

HSL 258.95, 0.31%, 0.52%

LAB 45.7, 26.67, -37.37

 

Description

Color code: HEX #AA5F6C | qconv.com Color code: HEX #AA5F6C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 95 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 95 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 36 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 36% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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