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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #934D59 it is the complementary color #6CB2A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #934D59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #934D59 shade: #984D54, #A95F67, #BA717A, #CB838D and #DC95A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #934D59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #934D59 shade: #934D59, #823B46, #712933, #601720 and #4F050D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #934D59 shade: #934D59 and #934D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #934D59 shade: #934D59, #934D6C, #934D7F, #934D92 and #824D93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #934D59 shade matches the following richer shades: #934D59, #A53B4D, #B72941, #C91736 and #DC052A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #934D59 shade: #934D59, #816065, #6F7271, #5D847D and #4A9689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #934D59 shade: #934D7F, #934D6D, #934D5A, #93534D and #93664D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #934D59 shade: #5D3138, #783F49, #934D59, #AB5F6C and #B97A85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #934D59 shade: #934D59, #92934D and #4D7693

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #934D59 shade: #934D59, #5A934D and #4D5A93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #934D59 shade: #934D59, #92934D, #4D9386 and #4F4D93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #934D59 shade: #934D59, #7D934D, #4D9386 and #634D93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

Complementary color

CMYK 39 / 0 / 7 / 30

HEX #6CB2A6

RGB 108 178 166

HSL 169.71, 0.31%, 0.56%

LAB 67.86, -24.9, -0.82

 

CMYK 0 / 49 / 45 / 40

HEX #984D54

RGB 152 77 84

HSL 354.4, 0.33%, 0.45%

LAB 42.19, 32.01, 10.34

 

CMYK 0 / 44 / 39 / 34

HEX #A95F67

RGB 169 95 103

HSL 353.51, 0.3%, 0.52%

LAB 49.01, 30.94, 8.74

 

CMYK 0 / 39 / 34 / 27

HEX #BA717A

RGB 186 113 122

HSL 352.6, 0.35%, 0.59%

LAB 55.74, 29.95, 7.38

 

CMYK 0 / 35 / 31 / 20

HEX #CB838D

RGB 203 131 141

HSL 351.67, 0.41%, 0.65%

LAB 62.38, 29.03, 6.2

 

CMYK 0 / 32 / 27 / 14

HEX #DC95A0

RGB 220 149 160

HSL 350.7, 0.5%, 0.72%

LAB 68.93, 28.2, 5.16

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 0 / 55 / 46 / 49

HEX #823B46

RGB 130 59 70

HSL 350.7, 0.38%, 0.37%

LAB 34.63, 31.72, 8.05

 

CMYK 0 / 64 / 55 / 56

HEX #712933

RGB 113 41 51

HSL 351.67, 0.47%, 0.3%

LAB 27.67, 32.7, 10.34

 

CMYK 0 / 76 / 67 / 62

HEX #601720

RGB 96 23 32

HSL 352.6, 0.61%, 0.23%

LAB 20.84, 33.3, 13.53

 

CMYK 0 / 94 / 84 / 69

HEX #4F050D

RGB 79 5 13

HSL 353.51, 0.88%, 0.16%

LAB 14.4, 32.92, 16.94

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 0 / 48 / 48 / 42

HEX #934D4D

RGB 147 77 77

HSL 0, 0.31%, 0.44%

LAB 41.29, 29.29, 13.29

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 0 / 48 / 27 / 42

HEX #934D6C

RGB 147 77 108

HSL 333.43, 0.31%, 0.44%

LAB 42.14, 33.25, -4.63

 

CMYK 0 / 48 / 14 / 42

HEX #934D7F

RGB 147 77 127

HSL 317.14, 0.31%, 0.44%

LAB 42.83, 36.29, -15.25

 

CMYK 0 / 48 / 1 / 42

HEX #934D92

RGB 147 77 146

HSL 300.86, 0.31%, 0.44%

LAB 43.63, 39.73, -25.52

 

CMYK 12 / 48 / 0 / 42

HEX #824D93

RGB 130 77 147

HSL 285.43, 0.31%, 0.44%

LAB 41.47, 34.7, -29.67

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 0 / 64 / 53 / 35

HEX #A53B4D

RGB 165 59 77

HSL 349.81, 0.47%, 0.44%

LAB 40.68, 45.06, 12.91

 

CMYK 0 / 78 / 64 / 28

HEX #B72941

RGB 183 41 65

HSL 349.86, 0.63%, 0.44%

LAB 41.27, 56.73, 21.79

 

CMYK 0 / 89 / 73 / 21

HEX #C91736

RGB 201 23 54

HSL 349.55, 0.79%, 0.44%

LAB 43.21, 65.41, 31.75

 

CMYK 0 / 98 / 81 / 14

HEX #DC052A

RGB 220 5 42

HSL 349.67, 0.96%, 0.44%

LAB 46.3, 71.85, 43.22

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 0 / 26 / 22 / 49

HEX #816065

RGB 129 96 101

HSL 350.91, 0.15%, 0.44%

LAB 44.19, 14.22, 2.39

 

CMYK 3 / 0 / 1 / 55

HEX #6F7271

RGB 111 114 113

HSL 160, 0.01%, 0.44%

LAB 47.76, -1.34, 0.15

 

CMYK 30 / 0 / 5 / 48

HEX #5D847D

RGB 93 132 125

HSL 169.23, 0.17%, 0.44%

LAB 52.19, -15.17, -0.6

 

CMYK 51 / 0 / 9 / 41

HEX #4A9689

RGB 74 150 137

HSL 169.74, 0.34%, 0.44%

LAB 57.15, -26.86, -0.37

 

CMYK 0 / 48 / 14 / 42

HEX #934D7F

RGB 147 77 127

HSL 317.14, 0.31%, 0.44%

LAB 42.83, 36.29, -15.25

 

CMYK 0 / 48 / 26 / 42

HEX #934D6D

RGB 147 77 109

HSL 332.57, 0.31%, 0.44%

LAB 42.18, 33.4, -5.2

 

CMYK 0 / 48 / 39 / 42

HEX #934D5A

RGB 147 77 90

HSL 348.86, 0.31%, 0.44%

LAB 41.61, 30.79, 5.71

 

CMYK 0 / 44 / 48 / 42

HEX #93534D

RGB 147 83 77

HSL 5.14, 0.31%, 0.44%

LAB 42.65, 25.92, 15.15

 

CMYK 0 / 31 / 48 / 42

HEX #93664D

RGB 147 102 77

HSL 21.43, 0.31%, 0.44%

LAB 47.29, 14.99, 21.36

 

CMYK 0 / 47 / 40 / 64

HEX #5D3138

RGB 93 49 56

HSL 350.45, 0.31%, 0.28%

LAB 26.18, 20.8, 4.43

 

CMYK 0 / 48 / 39 / 53

HEX #783F49

RGB 120 63 73

HSL 349.47, 0.31%, 0.36%

LAB 34.04, 25.92, 5.08

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 0 / 44 / 37 / 33

HEX #AB5F6C

RGB 171 95 108

HSL 349.74, 0.31%, 0.52%

LAB 49.41, 32.32, 6.35

 

CMYK 0 / 34 / 28 / 27

HEX #B97A85

RGB 185 122 133

HSL 349.52, 0.31%, 0.6%

LAB 57.97, 26.09, 4.17

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 1 / 0 / 48 / 42

HEX #92934D

RGB 146 147 77

HSL 60.86, 0.31%, 0.44%

LAB 59.45, -10.82, 36.69

 

CMYK 48 / 20 / 0 / 42

HEX #4D7693

RGB 77 118 147

HSL 204.86, 0.31%, 0.44%

LAB 47.8, -5.99, -20.18

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 39 / 0 / 48 / 42

HEX #5A934D

RGB 90 147 77

HSL 108.86, 0.31%, 0.44%

LAB 55.66, -32.87, 31.18

 

CMYK 48 / 39 / 0 / 42

HEX #4D5A93

RGB 77 90 147

HSL 228.86, 0.31%, 0.44%

LAB 39.57, 11.17, -33

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 1 / 0 / 48 / 42

HEX #92934D

RGB 146 147 77

HSL 60.86, 0.31%, 0.44%

LAB 59.45, -10.82, 36.69

 

CMYK 48 / 0 / 9 / 42

HEX #4D9386

RGB 77 147 134

HSL 168.86, 0.31%, 0.44%

LAB 56.25, -25.39, 0.05

 

CMYK 46 / 48 / 0 / 42

HEX #4F4D93

RGB 79 77 147

HSL 241.71, 0.31%, 0.44%

LAB 36.13, 20.02, -38.45

 

CMYK 0 / 48 / 39 / 42

HEX #934D59

RGB 147 77 89

HSL 349.71, 0.31%, 0.44%

LAB 41.58, 30.66, 6.29

 

CMYK 15 / 0 / 48 / 42

HEX #7D934D

RGB 125 147 77

HSL 78.86, 0.31%, 0.44%

LAB 57.81, -19.62, 34.32

 

CMYK 48 / 0 / 9 / 42

HEX #4D9386

RGB 77 147 134

HSL 168.86, 0.31%, 0.44%

LAB 56.25, -25.39, 0.05

 

CMYK 33 / 48 / 0 / 42

HEX #634D93

RGB 99 77 147

HSL 258.86, 0.31%, 0.44%

LAB 37.96, 25.45, -35.43

 

Description

Color code: HEX #934D59 | qconv.com Color code: HEX #934D59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 77 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 77 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 39 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 39% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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