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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5E50 it is the complementary color #55A1AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5E50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5E50 shade: #AF5E4B, #C0705E, #D18271, #E29484 and #F3A697

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5E50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5E50 shade: #AA5E50, #994C3D, #883A2A, #772817 and #661604

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5E50 shade: #AA5E50 and #AA5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5E50 shade: #AA5E50, #AA7650, #AA8E50, #AAA750 and #95AA50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5E50 shade matches the following richer shades: #AA5E50, #BE503C, #D24228 and #E73413

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5E50 shade: #AA5E50, #966C64, #817A78, #6D888D and #5996A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5E50 shade: #AA5072, #AA505A, #AA5D50, #AA7550 and #AA8D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5E50 shade: #723F36, #8E4E43, #AA5E50, #B9766A and #C69086

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5E50 shade: #AA5E50, #8AAA50 and #5066AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5E50 shade: #AA5E50, #50AA5D and #5D50AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5E50 shade: #AA5E50, #8AAA50, #509CAA and #6F50AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5E50 shade: #AA5E50, #6FAA50, #509CAA and #8A50AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

Complementary color

CMYK 51 / 8 / 0 / 31

HEX #55A1AF

RGB 85 161 175

HSL 189.33, 0.36%, 0.51%

LAB 62.1, -19.59, -14.51

 

CMYK 0 / 46 / 57 / 31

HEX #AF5E4B

RGB 175 94 75

HSL 11.4, 0.4%, 0.49%

LAB 49.04, 31.01, 25.51

 

CMYK 0 / 42 / 51 / 25

HEX #C0705E

RGB 192 112 94

HSL 11.02, 0.44%, 0.56%

LAB 55.69, 29.73, 23.66

 

CMYK 0 / 38 / 46 / 18

HEX #D18271

RGB 209 130 113

HSL 10.63, 0.51%, 0.63%

LAB 62.26, 28.58, 22.04

 

CMYK 0 / 35 / 42 / 11

HEX #E29484

RGB 226 148 132

HSL 10.21, 0.62%, 0.7%

LAB 68.76, 27.55, 20.6

 

CMYK 0 / 32 / 38 / 5

HEX #F3A697

RGB 243 166 151

HSL 9.78, 0.79%, 0.77%

LAB 75.18, 26.62, 19.3

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 0 / 50 / 60 / 40

HEX #994C3D

RGB 153 76 61

HSL 9.78, 0.43%, 0.42%

LAB 41.65, 30.77, 23.67

 

CMYK 0 / 57 / 69 / 47

HEX #883A2A

RGB 136 58 42

HSL 10.21, 0.53%, 0.35%

LAB 34.86, 32.2, 26.09

 

CMYK 0 / 66 / 81 / 53

HEX #772817

RGB 119 40 23

HSL 10.63, 0.68%, 0.28%

LAB 28.12, 33.62, 28.95

 

CMYK 0 / 78 / 96 / 60

HEX #661604

RGB 102 22 4

HSL 11.02, 0.92%, 0.21%

LAB 21.61, 34.62, 30.57

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 0 / 53 / 53 / 33

HEX #AA5050

RGB 170 80 80

HSL 0, 0.36%, 0.49%

LAB 45.45, 36.91, 17.68

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 0 / 31 / 53 / 33

HEX #AA7650

RGB 170 118 80

HSL 25.33, 0.36%, 0.49%

LAB 54.11, 16.01, 29

 

CMYK 0 / 16 / 53 / 33

HEX #AA8E50

RGB 170 142 80

HSL 41.33, 0.36%, 0.49%

LAB 60.31, 2.56, 36.69

 

CMYK 0 / 2 / 53 / 33

HEX #AAA750

RGB 170 167 80

HSL 58, 0.36%, 0.49%

LAB 67.1, -10.91, 44.77

 

CMYK 12 / 0 / 53 / 33

HEX #95AA50

RGB 149 170 80

HSL 74, 0.36%, 0.49%

LAB 66.3, -21.21, 43.43

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 0 / 58 / 68 / 25

HEX #BE503C

RGB 190 80 60

HSL 9.23, 0.52%, 0.49%

LAB 48.27, 42.97, 33.69

 

CMYK 0 / 69 / 81 / 18

HEX #D24228

RGB 210 66 40

HSL 9.18, 0.68%, 0.49%

LAB 49.19, 55.25, 46.42

 

CMYK 0 / 77 / 92 / 9

HEX #E73413

RGB 231 52 19

HSL 9.34, 0.85%, 0.49%

LAB 51.26, 66.07, 58.59

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 0 / 28 / 33 / 41

HEX #966C64

RGB 150 108 100

HSL 9.6, 0.2%, 0.49%

LAB 49.65, 15.6, 11.09

 

CMYK 0 / 5 / 7 / 49

HEX #817A78

RGB 129 122 120

HSL 13.33, 0.04%, 0.49%

LAB 51.77, 2.29, 2.04

 

CMYK 23 / 4 / 0 / 45

HEX #6D888D

RGB 109 136 141

HSL 189.38, 0.13%, 0.49%

LAB 54.85, -8.39, -5.85

 

CMYK 45 / 7 / 0 / 37

HEX #5996A1

RGB 89 150 161

HSL 189.17, 0.29%, 0.49%

LAB 58.52, -16.74, -11.97

 

CMYK 0 / 53 / 33 / 33

HEX #AA5072

RGB 170 80 114

HSL 337.33, 0.36%, 0.49%

LAB 46.31, 40.65, -1.78

 

CMYK 0 / 53 / 47 / 33

HEX #AA505A

RGB 170 80 90

HSL 353.33, 0.36%, 0.49%

LAB 45.66, 37.87, 11.92

 

CMYK 0 / 45 / 53 / 33

HEX #AA5D50

RGB 170 93 80

HSL 8.67, 0.36%, 0.49%

LAB 48.2, 29.98, 21.35

 

CMYK 0 / 31 / 53 / 33

HEX #AA7550

RGB 170 117 80

HSL 24.67, 0.36%, 0.49%

LAB 53.87, 16.58, 28.68

 

CMYK 0 / 17 / 53 / 33

HEX #AA8D50

RGB 170 141 80

HSL 40.67, 0.36%, 0.49%

LAB 60.05, 3.12, 36.37

 

CMYK 0 / 45 / 53 / 55

HEX #723F36

RGB 114 63 54

HSL 9, 0.36%, 0.33%

LAB 32.7, 21.18, 15.21

 

CMYK 0 / 45 / 53 / 44

HEX #8E4E43

RGB 142 78 67

HSL 8.8, 0.36%, 0.41%

LAB 40.58, 25.67, 18.34

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 0 / 36 / 43 / 27

HEX #B9766A

RGB 185 118 106

HSL 9.11, 0.36%, 0.57%

LAB 56.4, 24.88, 17.56

 

CMYK 0 / 27 / 32 / 22

HEX #C69086

RGB 198 144 134

HSL 9.37, 0.36%, 0.65%

LAB 64.7, 19.08, 13.38

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 19 / 0 / 53 / 33

HEX #8AAA50

RGB 138 170 80

HSL 81.33, 0.36%, 0.49%

LAB 65.54, -25.63, 42.34

 

CMYK 53 / 40 / 0 / 33

HEX #5066AA

RGB 80 102 170

HSL 225.33, 0.36%, 0.49%

LAB 44.39, 11.78, -39.05

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 53 / 0 / 45 / 33

HEX #50AA5D

RGB 80 170 93

HSL 128.67, 0.36%, 0.49%

LAB 62.71, -43.59, 31.62

 

CMYK 45 / 53 / 0 / 33

HEX #5D50AA

RGB 93 80 170

HSL 248.67, 0.36%, 0.49%

LAB 39.52, 28.68, -46.76

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 19 / 0 / 53 / 33

HEX #8AAA50

RGB 138 170 80

HSL 81.33, 0.36%, 0.49%

LAB 65.54, -25.63, 42.34

 

CMYK 53 / 8 / 0 / 33

HEX #509CAA

RGB 80 156 170

HSL 189.33, 0.36%, 0.49%

LAB 60.23, -19.51, -14.52

 

CMYK 35 / 53 / 0 / 33

HEX #6F50AA

RGB 111 80 170

HSL 260.67, 0.36%, 0.49%

LAB 41.25, 33.18, -43.9

 

CMYK 0 / 45 / 53 / 33

HEX #AA5E50

RGB 170 94 80

HSL 9.33, 0.36%, 0.49%

LAB 48.42, 29.44, 21.65

 

CMYK 35 / 0 / 53 / 33

HEX #6FAA50

RGB 111 170 80

HSL 99.33, 0.36%, 0.49%

LAB 63.92, -35.76, 40.02

 

CMYK 53 / 8 / 0 / 33

HEX #509CAA

RGB 80 156 170

HSL 189.33, 0.36%, 0.49%

LAB 60.23, -19.51, -14.52

 

CMYK 19 / 53 / 0 / 33

HEX #8A50AA

RGB 138 80 170

HSL 278.67, 0.36%, 0.49%

LAB 44.29, 40.48, -38.87

 

Description

Color code: HEX #AA5E50 | qconv.com Color code: HEX #AA5E50 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 94 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 94 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 53 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 53% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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