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Color name
HEX #AA511F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA511F it is the complementary color #55AEE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA511F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA511F shade: #AF511A, #C0632D, #D17540, #E28753 and #F39966

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA511F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA511F shade: #AA511F, #993F0C, #882D00, #771B00 and #660900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA511F shade: #A8501F, #A82B1F and #A81F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA511F shade: #A8501F, #A8751F, #A89A1F, #91A81F and #6CA81F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA511F shade matches the following richer shades: #A8501F and #B84C0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA511F shade: #A8501F, #98552F, #88593F, #785E4F and #68625F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA511F shade: #A81F38, #A82A1F, #A84F1F, #A8731F and #A8981F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA511F shade: #622F12, #854018, #A8501F, #CB6125 and #DC773E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA511F shade: #AA511F, #5DA81F and #1F26A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA511F shade: #AA511F, #1FA84F and #4F1FA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA511F shade: #AA511F, #5DA81F, #1F78A8 and #6A1FA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA511F shade: #AA511F, #33A81F, #1F78A8 and #931FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 82 / 33

HEX #AA511F

RGB 170 81 31

HSL 21.58, 0.69%, 0.39%

LAB 44.98, 33.38, 44.34

 

Complementary color

CMYK 62 / 22 / 0 / 12

HEX #55AEE0

RGB 85 174 224

HSL 201.58, 0.69%, 0.61%

LAB 67.71, -11.78, -33.13

 

CMYK 0 / 54 / 85 / 31

HEX #AF511A

RGB 175 81 26

HSL 22.15, 0.74%, 0.39%

LAB 45.73, 35.25, 47.48

 

CMYK 0 / 48 / 77 / 25

HEX #C0632D

RGB 192 99 45

HSL 22.04, 0.62%, 0.46%

LAB 52.2, 33.4, 45.97

 

CMYK 0 / 44 / 69 / 18

HEX #D17540

RGB 209 117 64

HSL 21.93, 0.61%, 0.54%

LAB 58.65, 31.72, 44.16

 

CMYK 0 / 40 / 63 / 11

HEX #E28753

RGB 226 135 83

HSL 21.82, 0.71%, 0.61%

LAB 65.06, 30.2, 42.35

 

CMYK 0 / 37 / 58 / 5

HEX #F39966

RGB 243 153 102

HSL 21.7, 0.85%, 0.68%

LAB 71.42, 28.84, 40.64

 

CMYK 0 / 52 / 82 / 33

HEX #AA511F

RGB 170 81 31

HSL 21.58, 0.69%, 0.39%

LAB 44.98, 33.38, 44.34

 

CMYK 0 / 59 / 92 / 40

HEX #993F0C

RGB 153 63 12

HSL 21.7, 0.85%, 0.32%

LAB 38.47, 35.3, 45.37

 

CMYK 0 / 67 / 100 / 47

HEX #882D00

RGB 136 45 0

HSL 19.85, 1%, 0.27%

LAB 32.06, 37.19, 44

 

CMYK 0 / 77 / 100 / 53

HEX #771B00

RGB 119 27 0

HSL 13.61, 1%, 0.23%

LAB 25.88, 38.6, 37.66

 

CMYK 0 / 91 / 100 / 60

HEX #660900

RGB 102 9 0

HSL 5.29, 1%, 0.2%

LAB 20.12, 38.59, 30.56

 

CMYK 0 / 52 / 82 / 34

HEX #A8501F

RGB 168 80 31

HSL 21.46, 0.69%, 0.39%

LAB 44.46, 33.09, 43.74

 

CMYK 0 / 74 / 82 / 34

HEX #A82B1F

RGB 168 43 31

HSL 5.26, 0.69%, 0.39%

LAB 38.11, 49.89, 37.64

 

CMYK 0 / 82 / 82 / 34

HEX #A81F1F

RGB 168 31 31

HSL 0, 0.69%, 0.39%

LAB 36.75, 53.71, 36.3

 

CMYK 0 / 52 / 82 / 34

HEX #A8501F

RGB 168 80 31

HSL 21.46, 0.69%, 0.39%

LAB 44.46, 33.09, 43.74

 

CMYK 0 / 30 / 82 / 34

HEX #A8751F

RGB 168 117 31

HSL 37.66, 0.69%, 0.39%

LAB 53.11, 12.59, 51.69

 

CMYK 0 / 8 / 82 / 34

HEX #A89A1F

RGB 168 154 31

HSL 53.87, 0.69%, 0.39%

LAB 62.96, -7.83, 60.41

 

CMYK 14 / 0 / 82 / 34

HEX #91A81F

RGB 145 168 31

HSL 70.07, 0.69%, 0.39%

LAB 65.06, -25.13, 61.53

 

CMYK 36 / 0 / 82 / 34

HEX #6CA81F

RGB 108 168 31

HSL 86.28, 0.69%, 0.39%

LAB 62.75, -39.92, 58.59

 

CMYK 0 / 52 / 82 / 34

HEX #A8501F

RGB 168 80 31

HSL 21.46, 0.69%, 0.39%

LAB 44.46, 33.09, 43.74

 

CMYK 0 / 59 / 92 / 28

HEX #B84C0F

RGB 184 76 15

HSL 21.66, 0.85%, 0.39%

LAB 46.17, 41.05, 52.38

 

CMYK 0 / 52 / 82 / 34

HEX #A8501F

RGB 168 80 31

HSL 21.46, 0.69%, 0.39%

LAB 44.46, 33.09, 43.74

 

CMYK 0 / 44 / 69 / 40

HEX #98552F

RGB 152 85 47

HSL 21.71, 0.53%, 0.39%

LAB 43.33, 24.39, 33.7

 

CMYK 0 / 35 / 54 / 47

HEX #88593F

RGB 136 89 63

HSL 21.37, 0.37%, 0.39%

LAB 42.37, 16.34, 22.91

 

CMYK 0 / 22 / 34 / 53

HEX #785E4F

RGB 120 94 79

HSL 21.95, 0.21%, 0.39%

LAB 42.1, 8.25, 12.63

 

CMYK 0 / 6 / 9 / 59

HEX #68625F

RGB 104 98 95

HSL 20, 0.05%, 0.39%

LAB 42.01, 1.79, 2.55

 

CMYK 0 / 82 / 67 / 34

HEX #A81F38

RGB 168 31 56

HSL 349.05, 0.69%, 0.39%

LAB 37.1, 54.78, 21.5

 

CMYK 0 / 75 / 82 / 34

HEX #A82A1F

RGB 168 42 31

HSL 4.82, 0.69%, 0.39%

LAB 37.99, 50.25, 37.52

 

CMYK 0 / 53 / 82 / 34

HEX #A84F1F

RGB 168 79 31

HSL 21.02, 0.69%, 0.39%

LAB 44.26, 33.61, 43.55

 

CMYK 0 / 32 / 82 / 34

HEX #A8731F

RGB 168 115 31

HSL 36.79, 0.69%, 0.39%

LAB 52.6, 13.72, 51.24

 

CMYK 0 / 10 / 82 / 34

HEX #A8981F

RGB 168 152 31

HSL 52.99, 0.69%, 0.39%

LAB 62.41, -6.76, 59.93

 

CMYK 0 / 52 / 82 / 62

HEX #622F12

RGB 98 47 18

HSL 21.75, 0.69%, 0.23%

LAB 25.78, 20.77, 28.17

 

CMYK 0 / 52 / 82 / 48

HEX #854018

RGB 133 64 24

HSL 22.02, 0.69%, 0.31%

LAB 35.44, 26.8, 36.52

 

CMYK 0 / 52 / 82 / 34

HEX #A8501F

RGB 168 80 31

HSL 21.46, 0.69%, 0.39%

LAB 44.46, 33.09, 43.74

 

CMYK 0 / 52 / 82 / 20

HEX #CB6125

RGB 203 97 37

HSL 21.69, 0.69%, 0.47%

LAB 53.36, 38.55, 51.29

 

CMYK 0 / 46 / 72 / 14

HEX #DC773E

RGB 220 119 62

HSL 21.65, 0.69%, 0.55%

LAB 60.57, 34.99, 47.69

 

CMYK 0 / 52 / 82 / 33

HEX #AA511F

RGB 170 81 31

HSL 21.58, 0.69%, 0.39%

LAB 44.98, 33.38, 44.34

 

CMYK 45 / 0 / 82 / 34

HEX #5DA81F

RGB 93 168 31

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

 

CMYK 82 / 77 / 0 / 34

HEX #1F26A8

RGB 31 38 168

HSL 236.93, 0.69%, 0.39%

LAB 25.27, 44.15, -69

 

CMYK 0 / 52 / 82 / 33

HEX #AA511F

RGB 170 81 31

HSL 21.58, 0.69%, 0.39%

LAB 44.98, 33.38, 44.34

 

CMYK 82 / 0 / 53 / 34

HEX #1FA84F

RGB 31 168 79

HSL 141.02, 0.69%, 0.39%

LAB 60.66, -54.47, 35.95

 

CMYK 53 / 82 / 0 / 34

HEX #4F1FA8

RGB 79 31 168

HSL 261.02, 0.69%, 0.39%

LAB 28.03, 52.25, -64.31

 

CMYK 0 / 52 / 82 / 33

HEX #AA511F

RGB 170 81 31

HSL 21.58, 0.69%, 0.39%

LAB 44.98, 33.38, 44.34

 

CMYK 45 / 0 / 82 / 34

HEX #5DA81F

RGB 93 168 31

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

 

CMYK 82 / 29 / 0 / 34

HEX #1F78A8

RGB 31 120 168

HSL 201.02, 0.69%, 0.39%

LAB 47.69, -8.29, -32.81

 

CMYK 37 / 82 / 0 / 34

HEX #6A1FA8

RGB 106 31 168

HSL 272.85, 0.69%, 0.39%

LAB 31.51, 56.09, -58.47

 

CMYK 0 / 52 / 82 / 33

HEX #AA511F

RGB 170 81 31

HSL 21.58, 0.69%, 0.39%

LAB 44.98, 33.38, 44.34

 

CMYK 70 / 0 / 82 / 34

HEX #33A81F

RGB 51 168 31

HSL 111.24, 0.69%, 0.39%

LAB 60.61, -56.38, 55.84

 

CMYK 82 / 29 / 0 / 34

HEX #1F78A8

RGB 31 120 168

HSL 201.02, 0.69%, 0.39%

LAB 47.69, -8.29, -32.81

 

CMYK 13 / 82 / 0 / 34

HEX #931FA8

RGB 147 31 168

HSL 290.8, 0.69%, 0.39%

LAB 37.86, 63.19, -47.88

 

Description

Color code: HEX #AA511F | qconv.com Color code: HEX #AA511F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 81 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 81 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 82% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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