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Color name
HEX #5DA81F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DA81F it is the complementary color #A257E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #5DA81F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5DA81F: #62A81A, #73BA2D, #84CC40, #95DE53 and #A6F066

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #5DA81F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5DA81F: #5DA81F, #4C960C, #3B8400, #2A7200 and #196000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 82 / 34

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

Complementary color

CMYK 28 / 61 / 0 / 12

HSL 272.85, 0.69%, 0.61%

LAB 51.7, 55.16, -58.07

Lighter colors

CMYK 42 / 0 / 85 / 34

HSL 89.58, 0.73%, 0.38%

LAB 62.23, -43.71, 59.27

CMYK 38 / 0 / 76 / 27

HSL 90.21, 0.61%, 0.45%

LAB 68.72, -44.36, 59.99

CMYK 35 / 0 / 69 / 20

HSL 90.86, 0.58%, 0.53%

LAB 75.12, -44.78, 59.85

CMYK 33 / 0 / 63 / 13

HSL 91.51, 0.68%, 0.6%

LAB 81.43, -45.03, 59.23

CMYK 31 / 0 / 58 / 6

RGB 166 240 102

HSL 92.17, 0.82%, 0.67%

LAB 87.67, -45.17, 58.35

Darker colors

CMYK 45 / 0 / 82 / 34

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

CMYK 49 / 0 / 92 / 41

HSL 92.17, 0.85%, 0.32%

LAB 55.46, -44.24, 56.03

CMYK 55 / 0 / 100 / 48

HSL 93.18, 1%, 0.26%

LAB 48.8, -42.84, 52.45

CMYK 63 / 0 / 100 / 55

HSL 97.89, 1%, 0.22%

LAB 42.04, -40.87, 46.86

CMYK 74 / 0 / 100 / 62

HSL 104.38, 1%, 0.19%

LAB 35.15, -38.47, 41.19

Analogue colors

CMYK 45 / 0 / 82 / 34

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

CMYK 57 / 0 / 82 / 34

HSL 101.74, 0.7%, 0.39%

LAB 61.2, -51.55, 56.88

CMYK 71 / 0 / 82 / 34

HSL 111.74, 0.7%, 0.39%

LAB 60.56, -56.82, 56.06

CMYK 82 / 0 / 79 / 34

HSL 122.17, 0.7%, 0.39%

LAB 60.25, -59.42, 54.15

CMYK 82 / 0 / 65 / 34

HSL 132.17, 0.7%, 0.39%

LAB 60.42, -57.37, 45.56

Monochromatic colors

CMYK 45 / 0 / 82 / 34

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

CMYK 45 / 0 / 82 / 14

HSL 92.85, 0.71%, 0.51%

LAB 78.97, -55.83, 71.08

CMYK 47 / 0 / 80 / 94

HSL 95, 0.67%, 0.04%

LAB 3.61, -3.79, 4.11

CMYK 44 / 0 / 82 / 74

HSL 92.22, 0.69%, 0.15%

LAB 24.69, -21.38, 27.8

CMYK 44 / 0 / 81 / 54

HSL 92.84, 0.68%, 0.27%

LAB 44.1, -33.82, 43.31

Partial complementary colors

CMYK 45 / 0 / 82 / 34

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

CMYK 82 / 0 / 22 / 34

HSL 163.91, 0.7%, 0.39%

LAB 61.59, -43.95, 9.27

CMYK 0 / 82 / 11 / 34

HSL 308.26, 0.7%, 0.39%

LAB 40.28, 64.56, -32.34

Triadic colors

CMYK 45 / 0 / 82 / 34

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

CMYK 82 / 44 / 0 / 34

HSL 212.17, 0.7%, 0.39%

LAB 39.76, 7.7, -45.38

CMYK 0 / 82 / 44 / 34

HSL 332.17, 0.7%, 0.39%

LAB 37.95, 57.91, -1.65

Rectangular (tetradic) colors

CMYK 45 / 0 / 82 / 34

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

CMYK 82 / 0 / 22 / 34

HSL 163.91, 0.7%, 0.39%

LAB 61.59, -43.95, 9.27

CMYK 38 / 82 / 0 / 34

HSL 272.17, 0.7%, 0.39%

LAB 31.11, 56.13, -59.14

CMYK 0 / 82 / 60 / 34

HSL 343.91, 0.7%, 0.39%

LAB 37.22, 55.72, 14.63

Square colors

CMYK 45 / 0 / 82 / 34

HSL 92.85, 0.69%, 0.39%

LAB 62.02, -45.17, 57.66

CMYK 82 / 3 / 0 / 34

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

CMYK 38 / 82 / 0 / 34

HSL 272.17, 0.7%, 0.39%

LAB 31.11, 56.13, -59.14

CMYK 0 / 79 / 82 / 34

HSL 2.17, 0.7%, 0.39%

LAB 37.15, 52.52, 37.25

Description

Color code: HEX #5DA81F | qconv.com

Color code: HEX #5DA81F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 168 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 82 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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