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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9CD6F it is the complementary color #563290. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9CD6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9CD6F shade: #AECD6A, #BFDF7D, #D0F190, #E1FFA3 and #F2FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9CD6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9CD6F shade: #A9CD6F, #98BB5C, #87A949, #769736 and #658523

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9CD6F shade: #A9CD70, #C2CD70, #CDBE70, #CDA570 and #CD8C70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9CD6F shade: #A9CD70, #90CD70, #77CD70, #70CD81 and #70CD9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9CD6F shade matches the following richer shades: #A9CD70, #ADDC60, #B0EC50 and #B4FC41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9CD6F shade: #A9CD70, #A5BD7F, #A2AD8F, #9E9E9F and #9A8EAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9CD6F shade: #CDBD70, #C3CD70, #ABCD70, #92CD70 and #79CD70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9CD6F shade: #82AD3D, #97C251, #A9CD70, #BBD78E and #CEE2AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9CD6F shade: #A9CD6F, #70CDA4 and #CA70CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9CD6F shade: #A9CD6F, #70ABCD and #CD70AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9CD6F shade: #A9CD6F, #70CDA4, #9270CD and #CD7098

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9CD6F shade: #A9CD6F, #70CDC0, #9270CD and #CD707C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 46 / 20

HEX #A9CD6F

RGB 169 205 111

HSL 82.98, 0.48%, 0.62%

LAB 78.02, -27.27, 42.73

 

Complementary color

CMYK 40 / 65 / 0 / 44

HEX #563290

RGB 86 50 144

HSL 262.98, 0.48%, 0.38%

LAB 30.09, 37.47, -46.29

 

CMYK 15 / 0 / 48 / 20

HEX #AECD6A

RGB 174 205 106

HSL 78.79, 0.5%, 0.61%

LAB 78.29, -25.91, 45.57

 

CMYK 14 / 0 / 44 / 13

HEX #BFDF7D

RGB 191 223 125

HSL 79.59, 0.6%, 0.68%

LAB 84.65, -26.03, 44.43

 

CMYK 14 / 0 / 40 / 5

HEX #D0F190

RGB 208 241 144

HSL 80.41, 0.78%, 0.75%

LAB 90.93, -26.12, 43.29

 

CMYK 12 / 0 / 36 / 0

HEX #E1FFA3

RGB 225 255 163

HSL 79.57, 1%, 0.82%

LAB 96.07, -24.28, 40.81

 

CMYK 5 / 0 / 29 / 0

HEX #F2FFB6

RGB 242 255 182

HSL 70.68, 1%, 0.86%

LAB 97.54, -15.71, 33.54

 

CMYK 18 / 0 / 46 / 20

HEX #A9CD6F

RGB 169 205 111

HSL 82.98, 0.48%, 0.62%

LAB 78.02, -27.27, 42.73

 

CMYK 19 / 0 / 51 / 27

HEX #98BB5C

RGB 152 187 92

HSL 82.11, 0.41%, 0.55%

LAB 71.55, -27.18, 43.88

 

CMYK 20 / 0 / 57 / 34

HEX #87A949

RGB 135 169 73

HSL 81.25, 0.4%, 0.47%

LAB 64.97, -27.02, 44.98

 

CMYK 22 / 0 / 64 / 41

HEX #769736

RGB 118 151 54

HSL 80.41, 0.47%, 0.4%

LAB 58.27, -26.75, 45.91

 

CMYK 24 / 0 / 74 / 48

HEX #658523

RGB 101 133 35

HSL 79.59, 0.58%, 0.33%

LAB 51.45, -26.33, 46.42

 

CMYK 18 / 0 / 45 / 20

HEX #A9CD70

RGB 169 205 112

HSL 83.23, 0.48%, 0.62%

LAB 78.03, -27.16, 42.25

 

CMYK 5 / 0 / 45 / 20

HEX #C2CD70

RGB 194 205 112

HSL 67.1, 0.48%, 0.62%

LAB 79.79, -17.47, 44.81

 

CMYK 0 / 7 / 45 / 20

HEX #CDBE70

RGB 205 190 112

HSL 50.32, 0.48%, 0.62%

LAB 76.66, -5.39, 41.15

 

CMYK 0 / 20 / 45 / 20

HEX #CDA570

RGB 205 165 112

HSL 34.19, 0.48%, 0.62%

LAB 70.22, 7.87, 32.98

 

CMYK 0 / 32 / 45 / 20

HEX #CD8C70

RGB 205 140 112

HSL 18.06, 0.48%, 0.62%

LAB 64.08, 21.46, 24.95

 

CMYK 18 / 0 / 45 / 20

HEX #A9CD70

RGB 169 205 112

HSL 83.23, 0.48%, 0.62%

LAB 78.03, -27.16, 42.25

 

CMYK 30 / 0 / 45 / 20

HEX #90CD70

RGB 144 205 112

HSL 99.35, 0.48%, 0.62%

LAB 76.53, -36.23, 40.06

 

CMYK 42 / 0 / 45 / 20

HEX #77CD70

RGB 119 205 112

HSL 115.48, 0.48%, 0.62%

LAB 75.3, -44.38, 38.24

 

CMYK 45 / 0 / 37 / 20

HEX #70CD81

RGB 112 205 129

HSL 130.97, 0.48%, 0.62%

LAB 75.26, -43.81, 29.47

 

CMYK 45 / 0 / 24 / 20

HEX #70CD9B

RGB 112 205 155

HSL 147.74, 0.48%, 0.62%

LAB 75.75, -39.03, 16.46

 

CMYK 18 / 0 / 45 / 20

HEX #A9CD70

RGB 169 205 112

HSL 83.23, 0.48%, 0.62%

LAB 78.03, -27.16, 42.25

 

CMYK 21 / 0 / 56 / 14

HEX #ADDC60

RGB 173 220 96

HSL 82.74, 0.64%, 0.62%

LAB 82.33, -34.33, 54.99

 

CMYK 25 / 0 / 66 / 7

HEX #B0EC50

RGB 176 236 80

HSL 83.08, 0.8%, 0.62%

LAB 86.9, -41.66, 66.72

 

CMYK 29 / 0 / 74 / 1

HEX #B4FC41

RGB 180 252 65

HSL 83.1, 0.97%, 0.62%

LAB 91.55, -47.98, 76.68

 

CMYK 18 / 0 / 45 / 20

HEX #A9CD70

RGB 169 205 112

HSL 83.23, 0.48%, 0.62%

LAB 78.03, -27.16, 42.25

 

CMYK 13 / 0 / 33 / 26

HEX #A5BD7F

RGB 165 189 127

HSL 83.23, 0.32%, 0.62%

LAB 73.5, -18.9, 28.71

 

CMYK 6 / 0 / 17 / 32

HEX #A2AD8F

RGB 162 173 143

HSL 82, 0.15%, 0.62%

LAB 69.15, -9.32, 14.13

 

CMYK 1 / 1 / 0 / 38

HEX #9E9E9F

RGB 158 158 159

HSL 240, 0.01%, 0.62%

LAB 65.14, 0.2, -0.53

 

CMYK 11 / 18 / 0 / 32

HEX #9A8EAE

RGB 154 142 174

HSL 262.5, 0.16%, 0.62%

LAB 61.02, 10.85, -15.16

 

CMYK 0 / 8 / 45 / 20

HEX #CDBD70

RGB 205 189 112

HSL 49.68, 0.48%, 0.62%

LAB 76.4, -4.87, 40.82

 

CMYK 5 / 0 / 45 / 20

HEX #C3CD70

RGB 195 205 112

HSL 66.45, 0.48%, 0.62%

LAB 79.86, -17.07, 44.92

 

CMYK 17 / 0 / 45 / 20

HEX #ABCD70

RGB 171 205 112

HSL 81.94, 0.48%, 0.62%

LAB 78.16, -26.4, 42.44

 

CMYK 29 / 0 / 45 / 20

HEX #92CD70

RGB 146 205 112

HSL 98.06, 0.48%, 0.62%

LAB 76.64, -35.54, 40.22

 

CMYK 41 / 0 / 45 / 20

HEX #79CD70

RGB 121 205 112

HSL 114.19, 0.48%, 0.62%

LAB 75.39, -43.77, 38.37

 

CMYK 25 / 0 / 65 / 32

HEX #82AD3D

RGB 130 173 61

HSL 83.04, 0.48%, 0.46%

LAB 65.73, -31.94, 51.13

 

CMYK 22 / 0 / 58 / 24

HEX #97C251

RGB 151 194 81

HSL 82.83, 0.48%, 0.54%

LAB 73.39, -31.96, 51.17

 

CMYK 18 / 0 / 45 / 20

HEX #A9CD70

RGB 169 205 112

HSL 83.23, 0.48%, 0.62%

LAB 78.03, -27.16, 42.25

 

CMYK 13 / 0 / 34 / 16

HEX #BBD78E

RGB 187 215 142

HSL 83.01, 0.48%, 0.7%

LAB 82.44, -21.57, 33.03

 

CMYK 9 / 0 / 23 / 11

HEX #CEE2AD

RGB 206 226 173

HSL 82.64, 0.48%, 0.78%

LAB 87.26, -15.7, 23.75

 

CMYK 18 / 0 / 46 / 20

HEX #A9CD6F

RGB 169 205 111

HSL 82.98, 0.48%, 0.62%

LAB 78.02, -27.27, 42.73

 

CMYK 45 / 0 / 20 / 20

HEX #70CDA4

RGB 112 205 164

HSL 153.55, 0.48%, 0.62%

LAB 75.94, -37.18, 11.92

 

CMYK 1 / 45 / 0 / 20

HEX #CA70CD

RGB 202 112 205

HSL 298.06, 0.48%, 0.62%

LAB 60.38, 49.07, -33.27

 

CMYK 18 / 0 / 46 / 20

HEX #A9CD6F

RGB 169 205 111

HSL 82.98, 0.48%, 0.62%

LAB 78.02, -27.27, 42.73

 

CMYK 45 / 17 / 0 / 20

HEX #70ABCD

RGB 112 171 205

HSL 201.94, 0.48%, 0.62%

LAB 67.26, -10.09, -23.28

 

CMYK 0 / 45 / 17 / 20

HEX #CD70AB

RGB 205 112 171

HSL 321.94, 0.48%, 0.62%

LAB 59.44, 44.2, -15.31

 

CMYK 18 / 0 / 46 / 20

HEX #A9CD6F

RGB 169 205 111

HSL 82.98, 0.48%, 0.62%

LAB 78.02, -27.27, 42.73

 

CMYK 45 / 0 / 20 / 20

HEX #70CDA4

RGB 112 205 164

HSL 153.55, 0.48%, 0.62%

LAB 75.94, -37.18, 11.92

 

CMYK 29 / 45 / 0 / 20

HEX #9270CD

RGB 146 112 205

HSL 261.94, 0.48%, 0.62%

LAB 54.14, 32.99, -43.5

 

CMYK 0 / 45 / 26 / 20

HEX #CD7098

RGB 205 112 152

HSL 334.19, 0.48%, 0.62%

LAB 58.82, 41.39, -5.28

 

CMYK 18 / 0 / 46 / 20

HEX #A9CD6F

RGB 169 205 111

HSL 82.98, 0.48%, 0.62%

LAB 78.02, -27.27, 42.73

 

CMYK 45 / 0 / 6 / 20

HEX #70CDC0

RGB 112 205 192

HSL 171.61, 0.48%, 0.62%

LAB 76.63, -30.82, -2.14

 

CMYK 29 / 45 / 0 / 20

HEX #9270CD

RGB 146 112 205

HSL 261.94, 0.48%, 0.62%

LAB 54.14, 32.99, -43.5

 

CMYK 0 / 45 / 40 / 20

HEX #CD707C

RGB 205 112 124

HSL 352.26, 0.48%, 0.62%

LAB 58.06, 37.82, 9.85

 

Description

Color code: HEX #A9CD6F | qconv.com Color code: HEX #A9CD6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 205 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 205 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 46 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 46% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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