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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDBE70 it is the complementary color #32418F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDBE70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CDBE70: #D2BE6B, #E3D07E, #F4E291, #FFF4A4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDBE70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CDBE70: #CDBE70, #BCAC5D, #AB9A4A, #9A8837 and #897624

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 45 / 20

HEX #CDBE70

RGB 205 190 112

HSL 50.32, 0.48%, 0.62%

LAB 76.66, -5.39, 41.15

 

Complementary color

CMYK 65 / 55 / 0 / 44

HEX #32418F

RGB 50 65 143

HSL 230.32, 0.48%, 0.38%

LAB 30.5, 20.17, -45.17

 

CMYK 0 / 10 / 49 / 18

HEX #D2BE6B

RGB 210 190 107

HSL 48.35, 0.53%, 0.62%

LAB 77.04, -3.82, 44.2

 

CMYK 0 / 8 / 44 / 11

HEX #E3D07E

RGB 227 208 126

HSL 48.71, 0.64%, 0.69%

LAB 83.42, -4.42, 42.98

 

CMYK 0 / 7 / 41 / 4

HEX #F4E291

RGB 244 226 145

HSL 49.09, 0.82%, 0.76%

LAB 89.71, -4.92, 41.78

 

CMYK 0 / 4 / 36 / 0

HEX #FFF4A4

RGB 255 244 164

HSL 52.75, 1%, 0.82%

LAB 95.43, -7.65, 39.91

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 7 / 45 / 20

HEX #CDBE70

RGB 205 190 112

HSL 50.32, 0.48%, 0.62%

LAB 76.66, -5.39, 41.15

 

CMYK 0 / 9 / 51 / 26

HEX #BCAC5D

RGB 188 172 93

HSL 49.89, 0.41%, 0.55%

LAB 70.17, -4.79, 42.38

 

CMYK 0 / 10 / 57 / 33

HEX #AB9A4A

RGB 171 154 74

HSL 49.48, 0.4%, 0.48%

LAB 63.56, -4.07, 43.61

 

CMYK 0 / 12 / 64 / 40

HEX #9A8837

RGB 154 136 55

HSL 49.09, 0.47%, 0.41%

LAB 56.84, -3.18, 44.74

 

CMYK 0 / 14 / 74 / 46

HEX #897624

RGB 137 118 36

HSL 48.71, 0.58%, 0.34%

LAB 49.98, -2.06, 45.55

 

CMYK 0 / 7 / 45 / 20

HEX #CDBE70

RGB 205 190 112

HSL 50.32, 0.48%, 0.62%

LAB 76.66, -5.39, 41.15

 

CMYK 0 / 0 / 46 / 20

HEX #CCCC6F

RGB 204 204 111

HSL 60, 0.48%, 0.62%

LAB 80.28, -13.07, 46.07

 

CMYK 7 / 0 / 46 / 20

HEX #BDCC6F

RGB 189 204 111

HSL 69.68, 0.48%, 0.62%

LAB 79.13, -19.05, 44.41

 

CMYK 15 / 0 / 46 / 20

HEX #ADCC6F

RGB 173 204 111

HSL 80, 0.48%, 0.62%

LAB 78, -25.27, 42.77

 

CMYK 23 / 0 / 46 / 20

HEX #9ECC6F

RGB 158 204 111

HSL 89.68, 0.48%, 0.62%

LAB 77.04, -30.89, 41.36

 

CMYK 0 / 7 / 45 / 20

HEX #CDBE70

RGB 205 190 112

HSL 50.32, 0.48%, 0.62%

LAB 76.66, -5.39, 41.15

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 0 / 8 / 46 / 80

HEX #34301C

RGB 52 48 28

HSL 50, 0.3%, 0.16%

LAB 19.75, -1.87, 13.46

 

CMYK 0 / 8 / 46 / 60

HEX #675F38

RGB 103 95 56

HSL 49.79, 0.3%, 0.31%

LAB 40.17, -2.97, 23.43

 

CMYK 0 / 7 / 45 / 40

HEX #9A8F54

RGB 154 143 84

HSL 50.57, 0.29%, 0.47%

LAB 59.12, -4.5, 32.77

 

CMYK 0 / 7 / 45 / 20

HEX #CDBE70

RGB 205 190 112

HSL 50.32, 0.48%, 0.62%

LAB 76.66, -5.39, 41.15

 

CMYK 46 / 0 / 44 / 20

HEX #6FCC72

RGB 111 204 114

HSL 121.94, 0.48%, 0.62%

LAB 74.69, -46.03, 36.39

 

CMYK 26 / 46 / 0 / 20

HEX #976FCC

RGB 151 111 204

HSL 265.81, 0.48%, 0.62%

LAB 54.35, 34.7, -42.57

 

CMYK 0 / 7 / 45 / 20

HEX #CDBE70

RGB 205 190 112

HSL 50.32, 0.48%, 0.62%

LAB 76.66, -5.39, 41.15

 

CMYK 46 / 0 / 7 / 20

HEX #6FCCBD

RGB 111 204 189

HSL 170.32, 0.48%, 0.62%

LAB 76.22, -31.31, -1.13

 

CMYK 7 / 46 / 0 / 20

HEX #BD6FCC

RGB 189 111 204

HSL 290.32, 0.48%, 0.62%

LAB 58.55, 45.6, -35.68

 

CMYK 0 / 7 / 45 / 20

HEX #CDBE70

RGB 205 190 112

HSL 50.32, 0.48%, 0.62%

LAB 76.66, -5.39, 41.15

 

CMYK 46 / 0 / 44 / 20

HEX #6FCC72

RGB 111 204 114

HSL 121.94, 0.48%, 0.62%

LAB 74.69, -46.03, 36.39

 

CMYK 46 / 38 / 0 / 20

HEX #6F7FCC

RGB 111 127 204

HSL 229.68, 0.48%, 0.62%

LAB 54.99, 14.57, -41.79

 

CMYK 0 / 46 / 1 / 20

HEX #CC6FC9

RGB 204 111 201

HSL 301.94, 0.48%, 0.62%

LAB 60.27, 49.44, -31.16

 

CMYK 0 / 7 / 45 / 20

HEX #CDBE70

RGB 205 190 112

HSL 50.32, 0.48%, 0.62%

LAB 76.66, -5.39, 41.15

 

CMYK 46 / 0 / 30 / 20

HEX #6FCC8E

RGB 111 204 142

HSL 140, 0.48%, 0.62%

LAB 75.15, -41.36, 22.52

 

CMYK 46 / 38 / 0 / 20

HEX #6F7FCC

RGB 111 127 204

HSL 229.68, 0.48%, 0.62%

LAB 54.99, 14.57, -41.79

 

CMYK 0 / 46 / 15 / 20

HEX #CC6FAD

RGB 204 111 173

HSL 320, 0.48%, 0.62%

LAB 59.18, 44.71, -16.86

 

Description

Color code: HEX #CDBE70 | qconv.com Color code: HEX #CDBE70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as LightGoldenrod3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 190 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 190 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 45 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 45% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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