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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9C6DC it is the complementary color #563923. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9C6DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9C6DC shade: #AEC6D7, #BFD8EA, #D0EAFD, #E1FCFF and #F2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9C6DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9C6DC shade: #A9C6DC, #98B4C9, #87A2B6, #7690A3 and #657E90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9C6DC shade: #A8C5DC, #A8B7DC, #A8AADC, #B4A8DC and #C2A8DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9C6DC shade: #A8C5DC, #A8B7DC, #A8AADC and #A8A8DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9C6DC shade matches the following richer shades: #A8C5DC, #9EC7E5, #94C8EF and #8AC9F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9C6DC shade: #A8C5DC, #B2C4D2, #BCC3C8, #C6C1BE and #D0C0B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9C6DC shade: #A8DCD6, #A8D4DC, #A8C6DC, #A8B8DC and #A8ABDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9C6DC shade: #6E9EC4, #8BB2D0, #A8C5DC, #C5D9E7 and #E3ECF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9C6DC shade: #A9C6DC, #C8A8DC and #DBDCA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9C6DC shade: #A9C6DC, #DCA8C6 and #C6DCA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9C6DC shade: #A9C6DC, #C8A8DC, #DCBEA8 and #BCDCA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9C6DC shade: #A9C6DC, #D7A8DC, #DCBEA8 and #ACDCA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 10 / 0 / 14

HEX #A9C6DC

RGB 169 198 220

HSL 205.88, 0.42%, 0.76%

LAB 78.46, -4.93, -14.18

 

Complementary color

CMYK 0 / 34 / 59 / 66

HEX #563923

RGB 86 57 35

HSL 25.88, 0.42%, 0.24%

LAB 26.81, 10.09, 18.8

 

CMYK 19 / 8 / 0 / 16

HEX #AEC6D7

RGB 174 198 215

HSL 204.88, 0.34%, 0.76%

LAB 78.63, -4.5, -11.2

 

CMYK 18 / 8 / 0 / 8

HEX #BFD8EA

RGB 191 216 234

HSL 205.12, 0.51%, 0.83%

LAB 85.06, -4.58, -11.62

 

CMYK 18 / 8 / 0 / 1

HEX #D0EAFD

RGB 208 234 253

HSL 205.33, 0.92%, 0.9%

LAB 91.39, -4.65, -12.05

 

CMYK 12 / 1 / 0 / 0

HEX #E1FCFF

RGB 225 252 255

HSL 186, 1%, 0.94%

LAB 97.17, -8.13, -4.41

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 23 / 10 / 0 / 14

HEX #A9C6DC

RGB 169 198 220

HSL 205.88, 0.42%, 0.76%

LAB 78.46, -4.93, -14.18

 

CMYK 24 / 10 / 0 / 21

HEX #98B4C9

RGB 152 180 201

HSL 205.71, 0.31%, 0.69%

LAB 71.92, -4.84, -13.8

 

CMYK 26 / 11 / 0 / 29

HEX #87A2B6

RGB 135 162 182

HSL 205.53, 0.24%, 0.62%

LAB 65.25, -4.75, -13.42

 

CMYK 28 / 12 / 0 / 36

HEX #7690A3

RGB 118 144 163

HSL 205.33, 0.2%, 0.55%

LAB 58.45, -4.65, -13.04

 

CMYK 30 / 13 / 0 / 44

HEX #657E90

RGB 101 126 144

HSL 205.12, 0.18%, 0.48%

LAB 51.5, -4.55, -12.67

 

CMYK 24 / 10 / 0 / 14

HEX #A8C5DC

RGB 168 197 220

HSL 206.54, 0.43%, 0.76%

LAB 78.13, -4.7, -14.69

 

CMYK 24 / 17 / 0 / 14

HEX #A8B7DC

RGB 168 183 220

HSL 222.69, 0.43%, 0.76%

LAB 74.42, 2.83, -20.28

 

CMYK 24 / 23 / 0 / 14

HEX #A8AADC

RGB 168 170 220

HSL 237.69, 0.43%, 0.76%

LAB 71.04, 9.99, -25.44

 

CMYK 18 / 24 / 0 / 14

HEX #B4A8DC

RGB 180 168 220

HSL 253.85, 0.43%, 0.76%

LAB 71.47, 14.8, -24.69

 

CMYK 12 / 24 / 0 / 14

HEX #C2A8DC

RGB 194 168 220

HSL 270, 0.43%, 0.76%

LAB 72.66, 19.24, -22.78

 

CMYK 24 / 10 / 0 / 14

HEX #A8C5DC

RGB 168 197 220

HSL 206.54, 0.43%, 0.76%

LAB 78.13, -4.7, -14.69

 

CMYK 24 / 17 / 0 / 14

HEX #A8B7DC

RGB 168 183 220

HSL 222.69, 0.43%, 0.76%

LAB 74.42, 2.83, -20.28

 

CMYK 24 / 23 / 0 / 14

HEX #A8AADC

RGB 168 170 220

HSL 237.69, 0.43%, 0.76%

LAB 71.04, 9.99, -25.44

 

CMYK 24 / 24 / 0 / 14

HEX #A8A8DC

RGB 168 168 220

HSL 240, 0.43%, 0.76%

LAB 70.52, 11.1, -26.23

 

CMYK 24 / 10 / 0 / 14

HEX #A8C5DC

RGB 168 197 220

HSL 206.54, 0.43%, 0.76%

LAB 78.13, -4.7, -14.69

 

CMYK 31 / 13 / 0 / 10

HEX #9EC7E5

RGB 158 199 229

HSL 205.35, 0.58%, 0.76%

LAB 78.33, -6.58, -19.28

 

CMYK 38 / 16 / 0 / 6

HEX #94C8EF

RGB 148 200 239

HSL 205.71, 0.74%, 0.76%

LAB 78.37, -7.35, -24.65

 

CMYK 45 / 19 / 0 / 2

HEX #8AC9F9

RGB 138 201 249

HSL 205.95, 0.9%, 0.76%

LAB 78.47, -7.74, -29.89

 

CMYK 24 / 10 / 0 / 14

HEX #A8C5DC

RGB 168 197 220

HSL 206.54, 0.43%, 0.76%

LAB 78.13, -4.7, -14.69

 

CMYK 15 / 7 / 0 / 18

HEX #B2C4D2

RGB 178 196 210

HSL 206.25, 0.26%, 0.76%

LAB 78.23, -3.24, -9.08

 

CMYK 6 / 3 / 0 / 22

HEX #BCC3C8

RGB 188 195 200

HSL 205, 0.1%, 0.76%

LAB 78.4, -1.44, -3.35

 

CMYK 0 / 3 / 4 / 22

HEX #C6C1BE

RGB 198 193 190

HSL 22.5, 0.07%, 0.76%

LAB 78.38, 1.21, 2.12

 

CMYK 0 / 8 / 13 / 18

HEX #D0C0B4

RGB 208 192 180

HSL 25.71, 0.23%, 0.76%

LAB 78.7, 3.63, 8.07

 

CMYK 24 / 0 / 3 / 14

HEX #A8DCD6

RGB 168 220 214

HSL 173.08, 0.43%, 0.76%

LAB 84.16, -17.9, -2.52

 

CMYK 24 / 4 / 0 / 14

HEX #A8D4DC

RGB 168 212 220

HSL 189.23, 0.43%, 0.76%

LAB 82.15, -12.54, -8.67

 

CMYK 24 / 10 / 0 / 14

HEX #A8C6DC

RGB 168 198 220

HSL 205.38, 0.43%, 0.76%

LAB 78.39, -5.23, -14.29

 

CMYK 24 / 16 / 0 / 14

HEX #A8B8DC

RGB 168 184 220

HSL 221.54, 0.43%, 0.76%

LAB 74.68, 2.28, -19.89

 

CMYK 24 / 22 / 0 / 14

HEX #A8ABDC

RGB 168 171 220

HSL 236.54, 0.43%, 0.76%

LAB 71.29, 9.43, -25.04

 

CMYK 44 / 19 / 0 / 23

HEX #6E9EC4

RGB 110 158 196

HSL 206.51, 0.42%, 0.6%

LAB 63.14, -5.98, -24.6

 

CMYK 33 / 14 / 0 / 18

HEX #8BB2D0

RGB 139 178 208

HSL 206.09, 0.42%, 0.68%

LAB 70.79, -5.91, -19.42

 

CMYK 24 / 10 / 0 / 14

HEX #A8C5DC

RGB 168 197 220

HSL 206.54, 0.43%, 0.76%

LAB 78.13, -4.7, -14.69

 

CMYK 15 / 6 / 0 / 9

HEX #C5D9E7

RGB 197 217 231

HSL 204.71, 0.41%, 0.84%

LAB 85.64, -3.85, -9.14

 

CMYK 7 / 3 / 0 / 5

HEX #E3ECF3

RGB 227 236 243

HSL 206.25, 0.4%, 0.92%

LAB 92.92, -1.68, -4.43

 

CMYK 23 / 10 / 0 / 14

HEX #A9C6DC

RGB 169 198 220

HSL 205.88, 0.42%, 0.76%

LAB 78.46, -4.93, -14.18

 

CMYK 9 / 24 / 0 / 14

HEX #C8A8DC

RGB 200 168 220

HSL 276.92, 0.43%, 0.76%

LAB 73.19, 21.18, -21.92

 

CMYK 0 / 0 / 24 / 14

HEX #DBDCA8

RGB 219 220 168

HSL 61.15, 0.43%, 0.76%

LAB 86.54, -8.65, 25.52

 

CMYK 23 / 10 / 0 / 14

HEX #A9C6DC

RGB 169 198 220

HSL 205.88, 0.42%, 0.76%

LAB 78.46, -4.93, -14.18

 

CMYK 0 / 24 / 10 / 14

HEX #DCA8C6

RGB 220 168 198

HSL 325.38, 0.43%, 0.76%

LAB 74.38, 23.81, -7.89

 

CMYK 10 / 0 / 24 / 14

HEX #C6DCA8

RGB 198 220 168

HSL 85.38, 0.43%, 0.76%

LAB 85.01, -16.33, 23.17

 

CMYK 23 / 10 / 0 / 14

HEX #A9C6DC

RGB 169 198 220

HSL 205.88, 0.42%, 0.76%

LAB 78.46, -4.93, -14.18

 

CMYK 9 / 24 / 0 / 14

HEX #C8A8DC

RGB 200 168 220

HSL 276.92, 0.43%, 0.76%

LAB 73.19, 21.18, -21.92

 

CMYK 0 / 14 / 24 / 14

HEX #DCBEA8

RGB 220 190 168

HSL 25.38, 0.43%, 0.76%

LAB 78.97, 7.31, 15.05

 

CMYK 15 / 0 / 24 / 14

HEX #BCDCA8

RGB 188 220 168

HSL 96.92, 0.43%, 0.76%

LAB 84.33, -19.89, 22.13

 

CMYK 23 / 10 / 0 / 14

HEX #A9C6DC

RGB 169 198 220

HSL 205.88, 0.42%, 0.76%

LAB 78.46, -4.93, -14.18

 

CMYK 2 / 24 / 0 / 14

HEX #D7A8DC

RGB 215 168 220

HSL 294.23, 0.43%, 0.76%

LAB 74.58, 26.07, -19.67

 

CMYK 0 / 14 / 24 / 14

HEX #DCBEA8

RGB 220 190 168

HSL 25.38, 0.43%, 0.76%

LAB 78.97, 7.31, 15.05

 

CMYK 22 / 0 / 24 / 14

HEX #ACDCA8

RGB 172 220 168

HSL 115.38, 0.43%, 0.76%

LAB 83.33, -25.39, 20.59

 

Description

Color code: HEX #A9C6DC | qconv.com Color code: HEX #A9C6DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 198 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 198 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 10 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 10% 0% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

92% - foobar
Link: http://trendsicht.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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