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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 23 / 0 / 14 it is the complementary color CMYK 0 / 2 / 59 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 23 / 0 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 23 / 0 / 14: CMYK 20 / 21 / 0 / 16, CMYK 19 / 20 / 0 / 9, CMYK 18 / 19 / 0 / 1, CMYK 13 / 13 / 0 / 0 and CMYK 6 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 23 / 0 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 23 / 0 / 14: CMYK 24 / 23 / 0 / 14, CMYK 25 / 25 / 0 / 22, CMYK 27 / 27 / 0 / 29, CMYK 28 / 29 / 0 / 36 and CMYK 31 / 32 / 0 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 23 / 0 / 14

HEX #A7A9DB

RGB 167 169 219

HSL 237.69, 0.42%, 0.76%

LAB 70.67, 10, -25.46

 

Complementary color

CMYK 0 / 2 / 59 / 65

HEX #585624

RGB 88 86 36

HSL 57.69, 0.42%, 0.24%

LAB 35.71, -6.81, 28.92

 

CMYK 20 / 21 / 0 / 16

HEX #ACA9D6

RGB 172 169 214

HSL 244, 0.35%, 0.75%

LAB 70.87, 10.39, -22.37

 

CMYK 19 / 20 / 0 / 9

HEX #BDBBE9

RGB 189 187 233

HSL 242.61, 0.51%, 0.82%

LAB 77.43, 10.05, -22.61

 

CMYK 18 / 19 / 0 / 1

HEX #CECDFC

RGB 206 205 252

HSL 241.28, 0.89%, 0.9%

LAB 83.87, 9.72, -22.86

 

CMYK 13 / 13 / 0 / 0

HEX #DFDFFF

RGB 223 223 255

HSL 240, 1%, 0.94%

LAB 89.71, 6.11, -15.5

 

CMYK 6 / 5 / 0 / 0

HEX #F0F1FF

RGB 240 241 255

HSL 236, 1%, 0.97%

LAB 95.44, 2.22, -6.84

 

CMYK 24 / 23 / 0 / 14

HEX #A7A9DB

RGB 167 169 219

HSL 237.69, 0.42%, 0.76%

LAB 70.67, 10, -25.46

 

CMYK 25 / 25 / 0 / 22

HEX #9697C8

RGB 150 151 200

HSL 238.8, 0.31%, 0.69%

LAB 63.99, 10.4, -25.3

 

CMYK 27 / 27 / 0 / 29

HEX #8585B5

RGB 133 133 181

HSL 240, 0.24%, 0.62%

LAB 57.17, 10.84, -25.18

 

CMYK 28 / 29 / 0 / 36

HEX #7473A2

RGB 116 115 162

HSL 241.28, 0.2%, 0.54%

LAB 50.2, 11.35, -25.09

 

CMYK 31 / 32 / 0 / 44

HEX #63618F

RGB 99 97 143

HSL 242.61, 0.19%, 0.47%

LAB 43.04, 11.93, -25.04

 

CMYK 24 / 23 / 0 / 14

HEX #A7A9DB

RGB 167 169 219

HSL 237.69, 0.42%, 0.76%

LAB 70.67, 10, -25.46

 

CMYK 21 / 23 / 0 / 14

HEX #AEA8DB

RGB 174 168 219

HSL 247.06, 0.41%, 0.76%

LAB 70.95, 12.71, -24.98

 

CMYK 17 / 23 / 0 / 14

HEX #B6A8DB

RGB 182 168 219

HSL 256.47, 0.41%, 0.76%

LAB 71.6, 15.21, -23.93

 

CMYK 13 / 23 / 0 / 14

HEX #BFA8DB

RGB 191 168 219

HSL 267.06, 0.41%, 0.76%

LAB 72.36, 18.07, -22.71

 

CMYK 9 / 23 / 0 / 14

HEX #C7A8DB

RGB 199 168 219

HSL 276.47, 0.41%, 0.76%

LAB 73.06, 20.65, -21.57

 

CMYK 24 / 23 / 0 / 14

HEX #A7A9DB

RGB 167 169 219

HSL 237.69, 0.42%, 0.76%

LAB 70.67, 10, -25.46

 

CMYK 27 / 20 / 0 / 94

HEX #0B0C0F

RGB 11 12 15

HSL 225, 0.15%, 0.05%

LAB 3.33, 0.22, -1.47

 

CMYK 24 / 23 / 0 / 74

HEX #323342

RGB 50 51 66

HSL 236.25, 0.14%, 0.23%

LAB 21.72, 3.47, -9.49

 

CMYK 24 / 23 / 0 / 54

HEX #595A75

RGB 89 90 117

HSL 237.86, 0.14%, 0.4%

LAB 39.11, 6.04, -15.4

 

CMYK 24 / 23 / 0 / 34

HEX #8082A8

RGB 128 130 168

HSL 237, 0.19%, 0.58%

LAB 55.46, 7.79, -20.38

 

CMYK 24 / 23 / 0 / 14

HEX #A7A9DB

RGB 167 169 219

HSL 237.69, 0.42%, 0.76%

LAB 70.67, 10, -25.46

 

CMYK 0 / 23 / 4 / 14

HEX #DBA8D3

RGB 219 168 211

HSL 309.41, 0.41%, 0.76%

LAB 74.68, 25.73, -14.57

 

CMYK 13 / 0 / 23 / 14

HEX #BFDBA8

RGB 191 219 168

HSL 92.94, 0.41%, 0.76%

LAB 84.26, -18.33, 22.07

 

CMYK 24 / 23 / 0 / 14

HEX #A7A9DB

RGB 167 169 219

HSL 237.69, 0.42%, 0.76%

LAB 70.67, 10, -25.46

 

CMYK 0 / 23 / 22 / 14

HEX #DBA8AA

RGB 219 168 170

HSL 357.65, 0.41%, 0.76%

LAB 73.52, 19.01, 6.22

 

CMYK 22 / 0 / 23 / 14

HEX #AADBA8

RGB 170 219 168

HSL 117.65, 0.41%, 0.76%

LAB 82.93, -25.58, 20.03

 

CMYK 24 / 23 / 0 / 14

HEX #A7A9DB

RGB 167 169 219

HSL 237.69, 0.42%, 0.76%

LAB 70.67, 10, -25.46

 

CMYK 0 / 23 / 4 / 14

HEX #DBA8D3

RGB 219 168 211

HSL 309.41, 0.41%, 0.76%

LAB 74.68, 25.73, -14.57

 

CMYK 0 / 1 / 23 / 14

HEX #DBD8A8

RGB 219 216 168

HSL 56.47, 0.41%, 0.76%

LAB 85.5, -6.61, 24.1

 

CMYK 23 / 0 / 20 / 14

HEX #A8DBAF

RGB 168 219 175

HSL 128.24, 0.41%, 0.76%

LAB 82.96, -25.03, 16.37

 

CMYK 24 / 23 / 0 / 14

HEX #A7A9DB

RGB 167 169 219

HSL 237.69, 0.42%, 0.76%

LAB 70.67, 10, -25.46

 

CMYK 0 / 23 / 11 / 14

HEX #DBA8C4

RGB 219 168 196

HSL 327.06, 0.41%, 0.76%

LAB 74.22, 23.12, -7.04

 

CMYK 0 / 1 / 23 / 14

HEX #DBD8A8

RGB 219 216 168

HSL 56.47, 0.41%, 0.76%

LAB 85.5, -6.61, 24.1

 

CMYK 23 / 0 / 13 / 14

HEX #A8DBBF

RGB 168 219 191

HSL 147.06, 0.41%, 0.76%

LAB 83.31, -22.07, 8.43

 

Description

Color code: CMYK 24 / 23 / 0 / 14 | qconv.com Color code: CMYK 24 / 23 / 0 / 14 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 169 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 169 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 23 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 23% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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