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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A972B1 it is the complementary color #568D4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A972B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A972B1: #AE72AC, #BF84BF, #D096D2, #E1A8E5 and #F2BAF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A972B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A972B1: #A972B1, #98609E, #874E8B, #763C78 and #652A65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 36 / 0 / 31

HEX #A972B1

RGB 169 114 177

HSL 292.38, 0.29%, 0.57%

LAB 55.73, 32.44, -24.82

 

Complementary color

CMYK 39 / 0 / 45 / 45

HEX #568D4E

RGB 86 141 78

HSL 112.38, 0.29%, 0.43%

LAB 53.58, -31.28, 27.97

 

CMYK 0 / 34 / 1 / 32

HEX #AE72AC

RGB 174 114 172

HSL 302, 0.27%, 0.56%

LAB 56.1, 33.1, -21.32

 

CMYK 0 / 31 / 0 / 25

HEX #BF84BF

RGB 191 132 191

HSL 300, 0.32%, 0.63%

LAB 62.79, 32.36, -21.75

 

CMYK 1 / 29 / 0 / 18

HEX #D096D2

RGB 208 150 210

HSL 298, 0.4%, 0.71%

LAB 69.38, 31.67, -22.15

 

CMYK 2 / 27 / 0 / 10

HEX #E1A8E5

RGB 225 168 229

HSL 296.07, 0.54%, 0.78%

LAB 75.87, 31.02, -22.53

 

CMYK 2 / 25 / 0 / 3

HEX #F2BAF8

RGB 242 186 248

HSL 294.19, 0.82%, 0.85%

LAB 82.26, 30.41, -22.9

 

CMYK 5 / 36 / 0 / 31

HEX #A972B1

RGB 169 114 177

HSL 292.38, 0.29%, 0.57%

LAB 55.73, 32.44, -24.82

 

CMYK 4 / 39 / 0 / 38

HEX #98609E

RGB 152 96 158

HSL 294.19, 0.24%, 0.5%

LAB 48.9, 33.22, -24.46

 

CMYK 3 / 44 / 0 / 45

HEX #874E8B

RGB 135 78 139

HSL 296.07, 0.28%, 0.43%

LAB 41.94, 34.02, -24.04

 

CMYK 2 / 50 / 0 / 53

HEX #763C78

RGB 118 60 120

HSL 298, 0.33%, 0.35%

LAB 34.88, 34.8, -23.52

 

CMYK 0 / 58 / 0 / 60

HEX #652A65

RGB 101 42 101

HSL 300, 0.41%, 0.28%

LAB 27.74, 35.43, -22.8

 

CMYK 5 / 36 / 0 / 31

HEX #A972B1

RGB 169 114 177

HSL 292.38, 0.29%, 0.57%

LAB 55.73, 32.44, -24.82

 

CMYK 0 / 36 / 1 / 31

HEX #B171AF

RGB 177 113 175

HSL 301.88, 0.29%, 0.57%

LAB 56.34, 35.21, -22.65

 

CMYK 0 / 36 / 7 / 31

HEX #B171A4

RGB 177 113 164

HSL 312.19, 0.29%, 0.57%

LAB 55.92, 33.18, -16.93

 

CMYK 0 / 36 / 14 / 31

HEX #B17199

RGB 177 113 153

HSL 322.5, 0.29%, 0.57%

LAB 55.54, 31.26, -11.13

 

CMYK 0 / 36 / 19 / 31

HEX #B1718F

RGB 177 113 143

HSL 331.88, 0.29%, 0.57%

LAB 55.22, 29.62, -5.78

 

CMYK 5 / 36 / 0 / 31

HEX #A972B1

RGB 169 114 177

HSL 292.38, 0.29%, 0.57%

LAB 55.73, 32.44, -24.82

 

CMYK 4 / 36 / 0 / 11

HEX #DA93E4

RGB 218 147 228

HSL 292.59, 0.6%, 0.74%

LAB 70.44, 39.87, -30.36

 

CMYK 4 / 38 / 0 / 91

HEX #170F18

RGB 23 15 24

HSL 293.33, 0.23%, 0.08%

LAB 5.33, 5.26, -4.28

 

CMYK 4 / 36 / 0 / 71

HEX #48304B

RGB 72 48 75

HSL 293.33, 0.22%, 0.24%

LAB 23.67, 16.35, -12.35

 

CMYK 5 / 36 / 0 / 51

HEX #78517E

RGB 120 81 126

HSL 292, 0.22%, 0.41%

LAB 40.22, 24.55, -18.94

 

CMYK 5 / 36 / 0 / 31

HEX #A972B1

RGB 169 114 177

HSL 292.38, 0.29%, 0.57%

LAB 55.73, 32.44, -24.82

 

CMYK 0 / 34 / 36 / 31

HEX #B17571

RGB 177 117 113

HSL 3.75, 0.29%, 0.57%

LAB 55.34, 23.09, 11.9

 

CMYK 36 / 0 / 19 / 31

HEX #71B18F

RGB 113 177 143

HSL 148.13, 0.29%, 0.57%

LAB 67.23, -28.09, 10.99

 

CMYK 5 / 36 / 0 / 31

HEX #A972B1

RGB 169 114 177

HSL 292.38, 0.29%, 0.57%

LAB 55.73, 32.44, -24.82

 

CMYK 0 / 5 / 36 / 31

HEX #B1A871

RGB 177 168 113

HSL 51.56, 0.29%, 0.57%

LAB 68.42, -5.11, 29.61

 

CMYK 36 / 0 / 5 / 31

HEX #71B1A8

RGB 113 177 168

HSL 171.56, 0.29%, 0.57%

LAB 67.86, -22.55, -1.9

 

CMYK 5 / 36 / 0 / 31

HEX #A972B1

RGB 169 114 177

HSL 292.38, 0.29%, 0.57%

LAB 55.73, 32.44, -24.82

 

CMYK 0 / 34 / 36 / 31

HEX #B17571

RGB 177 117 113

HSL 3.75, 0.29%, 0.57%

LAB 55.34, 23.09, 11.9

 

CMYK 31 / 0 / 36 / 31

HEX #7AB171

RGB 122 177 113

HSL 111.56, 0.29%, 0.57%

LAB 67.11, -30.64, 27.17

 

CMYK 36 / 3 / 0 / 31

HEX #71ACB1

RGB 113 172 177

HSL 184.69, 0.29%, 0.57%

LAB 66.66, -17.79, -8.65

 

CMYK 5 / 36 / 0 / 31

HEX #A972B1

RGB 169 114 177

HSL 292.38, 0.29%, 0.57%

LAB 55.73, 32.44, -24.82

 

CMYK 0 / 23 / 36 / 31

HEX #B18871

RGB 177 136 113

HSL 21.56, 0.29%, 0.57%

LAB 60.02, 12.43, 18.38

 

CMYK 31 / 0 / 36 / 31

HEX #7AB171

RGB 122 177 113

HSL 111.56, 0.29%, 0.57%

LAB 67.11, -30.64, 27.17

 

CMYK 36 / 14 / 0 / 31

HEX #7199B1

RGB 113 153 177

HSL 202.5, 0.29%, 0.57%

LAB 61.19, -7.58, -16.88

 

Description

Color code: HEX #A972B1 | qconv.com Color code: HEX #A972B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 114 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 114 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 36 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 36% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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