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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A93C7E it is the complementary color #56C381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A93C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A93C7E shade: #AE3C79, #BF4E8C, #D0609F, #E172B2 and #F284C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A93C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A93C7E shade: #A93C7E, #982A6B, #871858, #760645 and #650032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A93C7E shade: #AA3C7E, #AA3C61, #AA3C43 and #AA3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A93C7E shade: #AA3C7E, #AA3C9C, #9A3CAA, #7C3CAA and #5E3CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A93C7E shade matches the following richer shades: #AA3C7E, #BC2982, #CF1786 and #E2048A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A93C7E shade: #AA3C7E, #974E7A, #856177, #727373 and #60866F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A93C7E shade: #993CAA, #AA3C9D, #AA3C80, #AA3C62 and #AA3C45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A93C7E shade: #6D2651, #8B3168, #AA3C7E, #C14E93 and #CC6CA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A93C7E shade: #A93C7E, #AA7C3C and #3CAAA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A93C7E shade: #A93C7E, #80AA3C and #3C80AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A93C7E shade: #A93C7E, #AA7C3C, #3CAA66 and #3C6AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A93C7E shade: #A93C7E, #AA9D3C, #3CAA66 and #3C49AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 25 / 34

HEX #A93C7E

RGB 169 60 126

HSL 323.67, 0.48%, 0.45%

LAB 43.02, 51.39, -14.04

 

Complementary color

CMYK 56 / 0 / 34 / 24

HEX #56C381

RGB 86 195 129

HSL 143.67, 0.48%, 0.55%

LAB 71.28, -46.24, 23.98

 

CMYK 0 / 66 / 30 / 32

HEX #AE3C79

RGB 174 60 121

HSL 327.89, 0.49%, 0.46%

LAB 43.67, 52.21, -9.91

 

CMYK 0 / 59 / 27 / 25

HEX #BF4E8C

RGB 191 78 140

HSL 327.08, 0.47%, 0.53%

LAB 50, 51.91, -11.61

 

CMYK 0 / 54 / 24 / 18

HEX #D0609F

RGB 208 96 159

HSL 326.25, 0.54%, 0.6%

LAB 56.37, 51.35, -12.97

 

CMYK 0 / 49 / 21 / 12

HEX #E172B2

RGB 225 114 178

HSL 325.41, 0.65%, 0.66%

LAB 62.72, 50.67, -14.1

 

CMYK 0 / 45 / 19 / 5

HEX #F284C5

RGB 242 132 197

HSL 324.55, 0.81%, 0.73%

LAB 69.05, 49.94, -15.06

 

CMYK 0 / 64 / 25 / 34

HEX #A93C7E

RGB 169 60 126

HSL 323.67, 0.48%, 0.45%

LAB 43.02, 51.39, -14.04

 

CMYK 0 / 72 / 30 / 40

HEX #982A6B

RGB 152 42 107

HSL 324.55, 0.57%, 0.38%

LAB 36.73, 51.25, -12.05

 

CMYK 0 / 82 / 35 / 47

HEX #871858

RGB 135 24 88

HSL 325.41, 0.7%, 0.31%

LAB 30.66, 50.26, -9.34

 

CMYK 0 / 95 / 42 / 54

HEX #760645

RGB 118 6 69

HSL 326.25, 0.9%, 0.24%

LAB 24.99, 47.89, -5.56

 

CMYK 0 / 100 / 50 / 60

HEX #650032

RGB 101 0 50

HSL 330.3, 1%, 0.2%

LAB 20.03, 43.14, -0.12

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 65 / 43 / 33

HEX #AA3C61

RGB 170 60 97

HSL 339.82, 0.48%, 0.45%

LAB 42.22, 48.19, 2.72

 

CMYK 0 / 65 / 61 / 33

HEX #AA3C43

RGB 170 60 67

HSL 356.18, 0.48%, 0.45%

LAB 41.51, 45.54, 20.39

 

CMYK 0 / 65 / 65 / 33

HEX #AA3C3C

RGB 170 60 60

HSL 0, 0.48%, 0.45%

LAB 41.38, 45.07, 24.51

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 65 / 8 / 33

HEX #AA3C9C

RGB 170 60 156

HSL 307.64, 0.48%, 0.45%

LAB 44.49, 56.16, -29.94

 

CMYK 9 / 65 / 0 / 33

HEX #9A3CAA

RGB 154 60 170

HSL 291.27, 0.48%, 0.45%

LAB 42.77, 54.6, -41.16

 

CMYK 27 / 65 / 0 / 33

HEX #7C3CAA

RGB 124 60 170

HSL 274.91, 0.48%, 0.45%

LAB 38.58, 47.45, -48.09

 

CMYK 45 / 65 / 0 / 33

HEX #5E3CAA

RGB 94 60 170

HSL 258.55, 0.48%, 0.45%

LAB 35.03, 40.84, -54.01

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 78 / 31 / 26

HEX #BC2982

RGB 188 41 130

HSL 323.67, 0.64%, 0.45%

LAB 44.07, 63.8, -14.58

 

CMYK 0 / 89 / 35 / 19

HEX #CF1786

RGB 207 23 134

HSL 323.8, 0.8%, 0.45%

LAB 46.44, 72.56, -13.09

 

CMYK 0 / 98 / 39 / 11

HEX #E2048A

RGB 226 4 138

HSL 323.78, 0.97%, 0.45%

LAB 49.61, 78.96, -10.39

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 48 / 19 / 41

HEX #974E7A

RGB 151 78 122

HSL 323.84, 0.32%, 0.45%

LAB 43.41, 36.28, -11.27

 

CMYK 0 / 27 / 11 / 48

HEX #856177

RGB 133 97 119

HSL 323.33, 0.16%, 0.45%

LAB 45.45, 18.35, -6.61

 

CMYK 1 / 0 / 0 / 55

HEX #727373

RGB 114 115 115

HSL 180, 0%, 0.45%

LAB 48.36, -0.38, -0.14

 

CMYK 28 / 0 / 17 / 47

HEX #60866F

RGB 96 134 111

HSL 143.68, 0.17%, 0.45%

LAB 52.6, -18.37, 8.16

 

CMYK 10 / 65 / 0 / 33

HEX #993CAA

RGB 153 60 170

HSL 290.73, 0.48%, 0.45%

LAB 42.62, 54.35, -41.4

 

CMYK 0 / 65 / 8 / 33

HEX #AA3C9D

RGB 170 60 157

HSL 307.09, 0.48%, 0.45%

LAB 44.54, 56.32, -30.46

 

CMYK 0 / 65 / 25 / 33

HEX #AA3C80

RGB 170 60 128

HSL 322.91, 0.48%, 0.45%

LAB 43.27, 51.96, -14.88

 

CMYK 0 / 65 / 42 / 33

HEX #AA3C62

RGB 170 60 98

HSL 339.27, 0.48%, 0.45%

LAB 42.25, 48.3, 2.13

 

CMYK 0 / 65 / 59 / 33

HEX #AA3C45

RGB 170 60 69

HSL 355.09, 0.48%, 0.45%

LAB 41.54, 45.69, 19.2

 

CMYK 0 / 65 / 26 / 57

HEX #6D2651

RGB 109 38 81

HSL 323.66, 0.48%, 0.29%

LAB 27.38, 36.46, -10.16

 

CMYK 0 / 65 / 25 / 45

HEX #8B3168

RGB 139 49 104

HSL 323.33, 0.48%, 0.37%

LAB 35.37, 44.16, -12.43

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 60 / 24 / 24

HEX #C14E93

RGB 193 78 147

HSL 324, 0.48%, 0.53%

LAB 50.56, 53.47, -14.9

 

CMYK 0 / 47 / 19 / 20

HEX #CC6CA6

RGB 204 108 166

HSL 323.75, 0.48%, 0.61%

LAB 58.34, 45.16, -14.11

 

CMYK 0 / 64 / 25 / 34

HEX #A93C7E

RGB 169 60 126

HSL 323.67, 0.48%, 0.45%

LAB 43.02, 51.39, -14.04

 

CMYK 0 / 27 / 65 / 33

HEX #AA7C3C

RGB 170 124 60

HSL 34.91, 0.48%, 0.45%

LAB 55.37, 11.03, 41.16

 

CMYK 65 / 0 / 1 / 33

HEX #3CAAA8

RGB 60 170 168

HSL 178.91, 0.48%, 0.45%

LAB 63.78, -30.94, -8.14

 

CMYK 0 / 64 / 25 / 34

HEX #A93C7E

RGB 169 60 126

HSL 323.67, 0.48%, 0.45%

LAB 43.02, 51.39, -14.04

 

CMYK 25 / 0 / 65 / 33

HEX #80AA3C

RGB 128 170 60

HSL 82.91, 0.48%, 0.45%

LAB 64.7, -31.39, 50.42

 

CMYK 65 / 25 / 0 / 33

HEX #3C80AA

RGB 60 128 170

HSL 202.91, 0.48%, 0.45%

LAB 51.04, -8.14, -28.69

 

CMYK 0 / 64 / 25 / 34

HEX #A93C7E

RGB 169 60 126

HSL 323.67, 0.48%, 0.45%

LAB 43.02, 51.39, -14.04

 

CMYK 0 / 27 / 65 / 33

HEX #AA7C3C

RGB 170 124 60

HSL 34.91, 0.48%, 0.45%

LAB 55.37, 11.03, 41.16

 

CMYK 65 / 0 / 40 / 33

HEX #3CAA66

RGB 60 170 102

HSL 142.91, 0.48%, 0.45%

LAB 62.23, -46.71, 26.12

 

CMYK 65 / 38 / 0 / 33

HEX #3C6AAA

RGB 60 106 170

HSL 214.91, 0.48%, 0.45%

LAB 44.48, 5.09, -38.98

 

CMYK 0 / 64 / 25 / 34

HEX #A93C7E

RGB 169 60 126

HSL 323.67, 0.48%, 0.45%

LAB 43.02, 51.39, -14.04

 

CMYK 0 / 8 / 65 / 33

HEX #AA9D3C

RGB 170 157 60

HSL 52.91, 0.48%, 0.45%

LAB 64.15, -7.13, 50.78

 

CMYK 65 / 0 / 40 / 33

HEX #3CAA66

RGB 60 170 102

HSL 142.91, 0.48%, 0.45%

LAB 62.23, -46.71, 26.12

 

CMYK 65 / 57 / 0 / 33

HEX #3C49AA

RGB 60 73 170

HSL 232.91, 0.48%, 0.45%

LAB 35.26, 26.37, -53.77

 

Description

Color code: HEX #A93C7E | qconv.com Color code: HEX #A93C7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 60 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 60 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 25 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 25% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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