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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3C7E it is the complementary color #55C381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3C7E shade: #AF3C79, #C04E8C, #D1609F, #E272B2 and #F384C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3C7E shade: #AA3C7E, #992A6B, #881858, #770645 and #660032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3C7E shade: #AA3C7E, #AA3C60, #AA3C42 and #AA3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3C7E shade: #AA3C7E, #AA3C9B, #9A3CAA, #7D3CAA and #5F3CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3C7E shade matches the following richer shades: #AA3C7E, #BC2981, #CF1785 and #E20489

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3C7E shade: #AA3C7E, #974E7A, #856176, #727373 and #60866F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3C7E shade: #9B3CAA, #AA3C9B, #AA3C7E, #AA3C60 and #AA3C43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3C7E shade: #6D2651, #8B3167, #AA3C7E, #C14E93 and #CC6CA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3C7E shade: #AA3C7E, #AA7E3C and #3CAAAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3C7E shade: #AA3C7E, #7EAA3C and #3C7EAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3C7E shade: #AA3C7E, #AA7E3C, #3CAA68 and #3C68AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3C7E shade: #AA3C7E, #AA9F3C, #3CAA68 and #3C47AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

Complementary color

CMYK 56 / 0 / 34 / 24

HEX #55C381

RGB 85 195 129

HSL 144, 0.48%, 0.55%

LAB 71.25, -46.47, 23.93

 

CMYK 0 / 66 / 31 / 31

HEX #AF3C79

RGB 175 60 121

HSL 328.17, 0.49%, 0.46%

LAB 43.84, 52.51, -9.64

 

CMYK 0 / 59 / 27 / 25

HEX #C04E8C

RGB 192 78 140

HSL 327.37, 0.48%, 0.53%

LAB 50.15, 52.21, -11.36

 

CMYK 0 / 54 / 24 / 18

HEX #D1609F

RGB 209 96 159

HSL 326.55, 0.55%, 0.6%

LAB 56.51, 51.67, -12.74

 

CMYK 0 / 50 / 21 / 11

HEX #E272B2

RGB 226 114 178

HSL 325.71, 0.66%, 0.67%

LAB 62.86, 50.99, -13.88

 

CMYK 0 / 46 / 19 / 5

HEX #F384C5

RGB 243 132 197

HSL 324.86, 0.82%, 0.74%

LAB 69.18, 50.26, -14.85

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 73 / 30 / 40

HEX #992A6B

RGB 153 42 107

HSL 324.86, 0.57%, 0.38%

LAB 36.91, 51.53, -11.76

 

CMYK 0 / 82 / 35 / 47

HEX #881858

RGB 136 24 88

HSL 325.71, 0.7%, 0.31%

LAB 30.86, 50.52, -9.02

 

CMYK 0 / 95 / 42 / 53

HEX #770645

RGB 119 6 69

HSL 326.55, 0.9%, 0.25%

LAB 25.2, 48.14, -5.21

 

CMYK 0 / 100 / 51 / 60

HEX #660032

RGB 102 0 50

HSL 330.59, 1%, 0.2%

LAB 20.26, 43.39, 0.24

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 65 / 44 / 33

HEX #AA3C60

RGB 170 60 96

HSL 340.36, 0.48%, 0.45%

LAB 42.19, 48.09, 3.3

 

CMYK 0 / 65 / 61 / 33

HEX #AA3C42

RGB 170 60 66

HSL 356.73, 0.48%, 0.45%

LAB 41.49, 45.47, 20.98

 

CMYK 0 / 65 / 65 / 33

HEX #AA3C3C

RGB 170 60 60

HSL 0, 0.48%, 0.45%

LAB 41.38, 45.07, 24.51

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 65 / 9 / 33

HEX #AA3C9B

RGB 170 60 155

HSL 308.18, 0.48%, 0.45%

LAB 44.44, 56, -29.41

 

CMYK 9 / 65 / 0 / 33

HEX #9A3CAA

RGB 154 60 170

HSL 291.27, 0.48%, 0.45%

LAB 42.77, 54.6, -41.16

 

CMYK 26 / 65 / 0 / 33

HEX #7D3CAA

RGB 125 60 170

HSL 275.45, 0.48%, 0.45%

LAB 38.71, 47.68, -47.87

 

CMYK 44 / 65 / 0 / 33

HEX #5F3CAA

RGB 95 60 170

HSL 259.09, 0.48%, 0.45%

LAB 35.14, 41.04, -53.83

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 78 / 31 / 26

HEX #BC2981

RGB 188 41 129

HSL 324.08, 0.64%, 0.45%

LAB 44.03, 63.69, -14.03

 

CMYK 0 / 89 / 36 / 19

HEX #CF1785

RGB 207 23 133

HSL 324.13, 0.8%, 0.45%

LAB 46.41, 72.46, -12.54

 

CMYK 0 / 98 / 39 / 11

HEX #E20489

RGB 226 4 137

HSL 324.05, 0.97%, 0.45%

LAB 49.57, 78.87, -9.84

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 48 / 19 / 41

HEX #974E7A

RGB 151 78 122

HSL 323.84, 0.32%, 0.45%

LAB 43.41, 36.28, -11.27

 

CMYK 0 / 27 / 11 / 48

HEX #856176

RGB 133 97 118

HSL 325, 0.16%, 0.45%

LAB 45.42, 18.17, -6.06

 

CMYK 1 / 0 / 0 / 55

HEX #727373

RGB 114 115 115

HSL 180, 0%, 0.45%

LAB 48.36, -0.38, -0.14

 

CMYK 28 / 0 / 17 / 47

HEX #60866F

RGB 96 134 111

HSL 143.68, 0.17%, 0.45%

LAB 52.6, -18.37, 8.16

 

CMYK 9 / 65 / 0 / 33

HEX #9B3CAA

RGB 155 60 170

HSL 291.82, 0.48%, 0.45%

LAB 42.92, 54.84, -40.91

 

CMYK 0 / 65 / 9 / 33

HEX #AA3C9B

RGB 170 60 155

HSL 308.18, 0.48%, 0.45%

LAB 44.44, 56, -29.41

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 65 / 44 / 33

HEX #AA3C60

RGB 170 60 96

HSL 340.36, 0.48%, 0.45%

LAB 42.19, 48.09, 3.3

 

CMYK 0 / 65 / 61 / 33

HEX #AA3C43

RGB 170 60 67

HSL 356.18, 0.48%, 0.45%

LAB 41.51, 45.54, 20.39

 

CMYK 0 / 65 / 26 / 57

HEX #6D2651

RGB 109 38 81

HSL 323.66, 0.48%, 0.29%

LAB 27.38, 36.46, -10.16

 

CMYK 0 / 65 / 26 / 45

HEX #8B3167

RGB 139 49 103

HSL 324, 0.48%, 0.37%

LAB 35.33, 44.02, -11.85

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 60 / 24 / 24

HEX #C14E93

RGB 193 78 147

HSL 324, 0.48%, 0.53%

LAB 50.56, 53.47, -14.9

 

CMYK 0 / 47 / 19 / 20

HEX #CC6CA6

RGB 204 108 166

HSL 323.75, 0.48%, 0.61%

LAB 58.34, 45.16, -14.11

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 26 / 65 / 33

HEX #AA7E3C

RGB 170 126 60

HSL 36, 0.48%, 0.45%

LAB 55.88, 9.9, 41.74

 

CMYK 65 / 0 / 0 / 33

HEX #3CAAAA

RGB 60 170 170

HSL 180, 0.48%, 0.45%

LAB 63.85, -30.37, -9.17

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 26 / 0 / 65 / 33

HEX #7EAA3C

RGB 126 170 60

HSL 84, 0.48%, 0.45%

LAB 64.57, -32.17, 50.25

 

CMYK 65 / 26 / 0 / 33

HEX #3C7EAA

RGB 60 126 170

HSL 204, 0.48%, 0.45%

LAB 50.43, -6.98, -29.63

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 26 / 65 / 33

HEX #AA7E3C

RGB 170 126 60

HSL 36, 0.48%, 0.45%

LAB 55.88, 9.9, 41.74

 

CMYK 65 / 0 / 39 / 33

HEX #3CAA68

RGB 60 170 104

HSL 144, 0.48%, 0.45%

LAB 62.26, -46.34, 25.09

 

CMYK 65 / 39 / 0 / 33

HEX #3C68AA

RGB 60 104 170

HSL 216, 0.48%, 0.45%

LAB 43.89, 6.34, -39.91

 

CMYK 0 / 65 / 26 / 33

HEX #AA3C7E

RGB 170 60 126

HSL 324, 0.48%, 0.45%

LAB 43.19, 51.68, -13.77

 

CMYK 0 / 6 / 65 / 33

HEX #AA9F3C

RGB 170 159 60

HSL 54, 0.48%, 0.45%

LAB 64.7, -8.2, 51.36

 

CMYK 65 / 0 / 39 / 33

HEX #3CAA68

RGB 60 170 104

HSL 144, 0.48%, 0.45%

LAB 62.26, -46.34, 25.09

 

CMYK 65 / 58 / 0 / 33

HEX #3C47AA

RGB 60 71 170

HSL 234, 0.48%, 0.45%

LAB 34.74, 27.67, -54.61

 

Description

Color code: HEX #AA3C7E | qconv.com Color code: HEX #AA3C7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 60 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 60 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 26% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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