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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A92EAD it is the complementary color #56D152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A92EAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A92EAD shade: #AE2EA8, #BF40BB, #D052CE, #E164E1 and #F276F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A92EAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A92EAD shade: #A92EAD, #981C9A, #870A87, #760074 and #650061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A92EAD shade: #A92EAD, #AD2E8F, #AD2E6D, #AD2E4A and #AD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A92EAD shade: #A92EAD, #872EAD, #652EAD, #422EAD and #2E2EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A92EAD shade matches the following richer shades: #A92EAD, #BA1CBF and #CA0BD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A92EAD shade: #A92EAD, #99409C, #88528A, #776378 and #677566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A92EAD shade: #652EAD, #872EAD, #A92EAD, #AD2E90 and #AD2E6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A92EAD shade: #6A1D6C, #89258D, #A92EAD, #C63ACB and #CF5BD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A92EAD shade: #A92EAD, #AD432E and #2EAD76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A92EAD shade: #A92EAD, #ADA92E and #2EADA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A92EAD shade: #A92EAD, #AD432E, #32AD2E and #2E98AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A92EAD shade: #A92EAD, #AD692E, #32AD2E and #2E72AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

Complementary color

CMYK 59 / 0 / 61 / 18

HEX #56D152

RGB 86 209 82

HSL 118.11, 0.58%, 0.57%

LAB 74.94, -58.67, 51.7

 

CMYK 0 / 74 / 3 / 32

HEX #AE2EA8

RGB 174 46 168

HSL 302.81, 0.58%, 0.43%

LAB 43.92, 64.23, -37.95

 

CMYK 0 / 66 / 2 / 25

HEX #BF40BB

RGB 191 64 187

HSL 301.89, 0.5%, 0.5%

LAB 49.9, 64.85, -39.5

 

CMYK 0 / 61 / 1 / 18

HEX #D052CE

RGB 208 82 206

HSL 300.95, 0.57%, 0.57%

LAB 55.99, 64.93, -40.66

 

CMYK 0 / 56 / 0 / 12

HEX #E164E1

RGB 225 100 225

HSL 300, 0.68%, 0.64%

LAB 62.13, 64.68, -41.56

 

CMYK 1 / 52 / 0 / 4

HEX #F276F4

RGB 242 118 244

HSL 299.05, 0.85%, 0.71%

LAB 68.29, 64.23, -42.27

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 1 / 82 / 0 / 40

HEX #981C9A

RGB 152 28 154

HSL 299.05, 0.69%, 0.36%

LAB 37.55, 62.53, -39.89

 

CMYK 0 / 93 / 0 / 47

HEX #870A87

RGB 135 10 135

HSL 300, 0.86%, 0.28%

LAB 32.07, 59.79, -37.14

 

CMYK 0 / 100 / 2 / 54

HEX #760074

RGB 118 0 116

HSL 301.02, 1%, 0.23%

LAB 27.05, 55.28, -33.36

 

CMYK 0 / 100 / 4 / 60

HEX #650061

RGB 101 0 97

HSL 302.38, 1%, 0.2%

LAB 22.41, 49.14, -28.63

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 0 / 73 / 17 / 32

HEX #AD2E8F

RGB 173 46 143

HSL 314.17, 0.58%, 0.43%

LAB 42.49, 60.21, -25.17

 

CMYK 0 / 73 / 37 / 32

HEX #AD2E6D

RGB 173 46 109

HSL 330.24, 0.58%, 0.43%

LAB 41.12, 55.91, -6.31

 

CMYK 0 / 73 / 57 / 32

HEX #AD2E4A

RGB 173 46 74

HSL 346.77, 0.58%, 0.43%

LAB 40.14, 52.66, 14.29

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 22 / 73 / 0 / 32

HEX #872EAD

RGB 135 46 173

HSL 282.05, 0.58%, 0.43%

LAB 38.06, 56.81, -50.64

 

CMYK 42 / 73 / 0 / 32

HEX #652EAD

RGB 101 46 173

HSL 265.98, 0.58%, 0.43%

LAB 33.43, 50.28, -58.37

 

CMYK 62 / 73 / 0 / 32

HEX #422EAD

RGB 66 46 173

HSL 249.45, 0.58%, 0.43%

LAB 29.74, 44.79, -64.56

 

CMYK 73 / 73 / 0 / 32

HEX #2E2EAD

RGB 46 46 173

HSL 240, 0.58%, 0.43%

LAB 28.25, 42.48, -67.06

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 3 / 85 / 0 / 25

HEX #BA1CBF

RGB 186 28 191

HSL 298.16, 0.74%, 0.43%

LAB 45.68, 74.84, -48.58

 

CMYK 3 / 95 / 0 / 18

HEX #CA0BD1

RGB 202 11 209

HSL 297.88, 0.9%, 0.43%

LAB 48.76, 82.58, -53.92

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 2 / 59 / 0 / 39

HEX #99409C

RGB 153 64 156

HSL 298.04, 0.42%, 0.43%

LAB 42.52, 49.89, -33.21

 

CMYK 1 / 41 / 0 / 46

HEX #88528A

RGB 136 82 138

HSL 297.86, 0.25%, 0.43%

LAB 42.92, 31.88, -21.92

 

CMYK 1 / 18 / 0 / 53

HEX #776378

RGB 119 99 120

HSL 297.14, 0.1%, 0.43%

LAB 44.52, 12.07, -8.76

 

CMYK 12 / 0 / 13 / 54

HEX #677566

RGB 103 117 102

HSL 116, 0.07%, 0.43%

LAB 47.71, -8.34, 6.52

 

CMYK 42 / 73 / 0 / 32

HEX #652EAD

RGB 101 46 173

HSL 265.98, 0.58%, 0.43%

LAB 33.43, 50.28, -58.37

 

CMYK 22 / 73 / 0 / 32

HEX #872EAD

RGB 135 46 173

HSL 282.05, 0.58%, 0.43%

LAB 38.06, 56.81, -50.64

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 0 / 73 / 17 / 32

HEX #AD2E90

RGB 173 46 144

HSL 313.7, 0.58%, 0.43%

LAB 42.54, 60.35, -25.71

 

CMYK 0 / 73 / 36 / 32

HEX #AD2E6E

RGB 173 46 110

HSL 329.76, 0.58%, 0.43%

LAB 41.16, 56.02, -6.89

 

CMYK 2 / 73 / 0 / 58

HEX #6A1D6C

RGB 106 29 108

HSL 298.48, 0.58%, 0.27%

LAB 26.81, 44.14, -28.74

 

CMYK 3 / 74 / 0 / 45

HEX #89258D

RGB 137 37 141

HSL 297.69, 0.58%, 0.35%

LAB 35.13, 54.44, -35.95

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 2 / 71 / 0 / 20

HEX #C63ACB

RGB 198 58 203

HSL 297.93, 0.58%, 0.51%

LAB 51.09, 71.19, -46.79

 

CMYK 2 / 57 / 0 / 17

HEX #CF5BD3

RGB 207 91 211

HSL 298, 0.58%, 0.59%

LAB 57.51, 61.64, -41.11

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 73 / 0 / 32 / 32

HEX #2EAD76

RGB 46 173 118

HSL 154.02, 0.58%, 0.43%

LAB 63.16, -47.11, 18.67

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 0 / 2 / 73 / 32

HEX #ADA92E

RGB 173 169 46

HSL 58.11, 0.58%, 0.43%

LAB 67.62, -12.9, 59.94

 

CMYK 73 / 0 / 2 / 32

HEX #2EADA9

RGB 46 173 169

HSL 178.11, 0.58%, 0.43%

LAB 64.43, -34.06, -7.77

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 71 / 0 / 73 / 32

HEX #32AD2E

RGB 50 173 46

HSL 118.11, 0.58%, 0.43%

LAB 62.31, -57.19, 52.52

 

CMYK 73 / 12 / 0 / 32

HEX #2E98AD

RGB 46 152 173

HSL 189.92, 0.58%, 0.43%

LAB 58.09, -22.46, -19.58

 

CMYK 2 / 73 / 0 / 32

HEX #A92EAD

RGB 169 46 173

HSL 298.11, 0.58%, 0.43%

LAB 43.37, 63.95, -41.84

 

CMYK 0 / 39 / 73 / 32

HEX #AD692E

RGB 173 105 46

HSL 27.87, 0.58%, 0.43%

LAB 50.9, 22.2, 43.32

 

CMYK 71 / 0 / 73 / 32

HEX #32AD2E

RGB 50 173 46

HSL 118.11, 0.58%, 0.43%

LAB 62.31, -57.19, 52.52

 

CMYK 73 / 34 / 0 / 32

HEX #2E72AD

RGB 46 114 173

HSL 207.87, 0.58%, 0.43%

LAB 46.49, -1.04, -37.59

 

Description

Color code: HEX #A92EAD | qconv.com Color code: HEX #A92EAD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 46 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 46 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 73 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 73% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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