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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A92E00 it is the complementary color #56D1FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A92E00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A92E00: #AE2E00, #BF400E, #D05221, #E16434 and #F27647

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A92E00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A92E00: #A92E00, #981C00, #870A00, #760000 and #650000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 100 / 34

HEX #A92E00

RGB 169 46 0

HSL 16.33, 1%, 0.33%

LAB 38.53, 48.52, 50.9

 

Complementary color

CMYK 66 / 18 / 0 / 0

HEX #56D1FF

RGB 86 209 255

HSL 196.33, 1%, 0.67%

LAB 78.93, -20.37, -32.56

 

CMYK 0 / 74 / 100 / 32

HEX #AE2E00

RGB 174 46 0

HSL 15.86, 1%, 0.34%

LAB 39.5, 50.19, 51.9

 

CMYK 0 / 66 / 93 / 25

HEX #BF400E

RGB 191 64 14

HSL 16.95, 0.86%, 0.4%

LAB 45.32, 49.04, 52.66

 

CMYK 0 / 61 / 84 / 18

HEX #D05221

RGB 208 82 33

HSL 16.8, 0.73%, 0.47%

LAB 51.33, 47.57, 51.49

 

CMYK 0 / 56 / 77 / 12

HEX #E16434

RGB 225 100 52

HSL 16.65, 0.74%, 0.54%

LAB 57.43, 46, 49.52

 

CMYK 0 / 51 / 71 / 5

HEX #F27647

RGB 242 118 71

HSL 16.49, 0.87%, 0.61%

LAB 63.58, 44.45, 47.39

 

CMYK 0 / 73 / 100 / 34

HEX #A92E00

RGB 169 46 0

HSL 16.33, 1%, 0.33%

LAB 38.53, 48.52, 50.9

 

CMYK 0 / 82 / 100 / 40

HEX #981C00

RGB 152 28 0

HSL 11.05, 1%, 0.3%

LAB 32.93, 49.09, 46.13

 

CMYK 0 / 93 / 100 / 47

HEX #870A00

RGB 135 10 0

HSL 4.44, 1%, 0.26%

LAB 27.76, 48.21, 40.65

 

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

 

CMYK 0 / 100 / 100 / 60

HEX #650000

RGB 101 0 0

HSL 0, 1%, 0.2%

LAB 19.08, 40.6, 29.31

 

CMYK 0 / 73 / 100 / 34

HEX #A92E00

RGB 169 46 0

HSL 16.33, 1%, 0.33%

LAB 38.53, 48.52, 50.9

 

CMYK 0 / 57 / 100 / 34

HEX #A84800

RGB 168 72 0

HSL 25.71, 1%, 0.33%

LAB 42.7, 36.56, 52.97

 

CMYK 0 / 40 / 100 / 34

HEX #A86400

RGB 168 100 0

HSL 35.71, 1%, 0.33%

LAB 48.81, 21.5, 56.66

 

CMYK 0 / 23 / 100 / 34

HEX #A88100

RGB 168 129 0

HSL 46.07, 1%, 0.33%

LAB 56.11, 5.19, 61.52

 

CMYK 0 / 7 / 100 / 34

HEX #A89D00

RGB 168 157 0

HSL 56.07, 1%, 0.33%

LAB 63.7, -10.05, 66.89

 

CMYK 0 / 73 / 100 / 34

HEX #A92E00

RGB 169 46 0

HSL 16.33, 1%, 0.33%

LAB 38.53, 48.52, 50.9

 

CMYK 0 / 73 / 100 / 14

HEX #DC3C00

RGB 220 60 0

HSL 16.36, 1%, 0.43%

LAB 50.03, 60.03, 61.8

 

CMYK 0 / 75 / 100 / 94

HEX #100400

RGB 16 4 0

HSL 15, 1%, 0.03%

LAB 1.78, 2.86, 2.72

 

CMYK 0 / 73 / 100 / 74

HEX #431200

RGB 67 18 0

HSL 16.12, 1%, 0.13%

LAB 13.39, 22.64, 20.5

 

CMYK 0 / 73 / 100 / 54

HEX #762000

RGB 118 32 0

HSL 16.27, 1%, 0.23%

LAB 26.4, 36.24, 38.06

 

CMYK 0 / 73 / 100 / 34

HEX #A92E00

RGB 169 46 0

HSL 16.33, 1%, 0.33%

LAB 38.53, 48.52, 50.9

 

CMYK 47 / 0 / 100 / 34

HEX #59A800

RGB 89 168 0

HSL 88.21, 1%, 0.33%

LAB 61.77, -47.41, 63.13

 

CMYK 100 / 87 / 0 / 34

HEX #0016A8

RGB 0 22 168

HSL 232.14, 1%, 0.33%

LAB 21.58, 51.07, -75.16

 

CMYK 0 / 73 / 100 / 34

HEX #A92E00

RGB 169 46 0

HSL 16.33, 1%, 0.33%

LAB 38.53, 48.52, 50.9

 

CMYK 100 / 0 / 74 / 34

HEX #00A82C

RGB 0 168 44

HSL 135.71, 1%, 0.33%

LAB 60.06, -60.93, 50.78

 

CMYK 74 / 100 / 0 / 34

HEX #2C00A8

RGB 44 0 168

HSL 255.71, 1%, 0.33%

LAB 21.44, 58.71, -75.35

 

CMYK 0 / 73 / 100 / 34

HEX #A92E00

RGB 169 46 0

HSL 16.33, 1%, 0.33%

LAB 38.53, 48.52, 50.9

 

CMYK 47 / 0 / 100 / 34

HEX #59A800

RGB 89 168 0

HSL 88.21, 1%, 0.33%

LAB 61.77, -47.41, 63.13

 

CMYK 100 / 27 / 0 / 34

HEX #007BA8

RGB 0 123 168

HSL 196.07, 1%, 0.33%

LAB 48.25, -11.94, -31.96

 

CMYK 54 / 100 / 0 / 34

HEX #4E00A8

RGB 78 0 168

HSL 267.86, 1%, 0.33%

LAB 25.1, 60.54, -69.17

 

CMYK 0 / 73 / 100 / 34

HEX #A92E00

RGB 169 46 0

HSL 16.33, 1%, 0.33%

LAB 38.53, 48.52, 50.9

 

CMYK 77 / 0 / 100 / 34

HEX #27A800

RGB 39 168 0

HSL 106.07, 1%, 0.33%

LAB 60.28, -59.56, 61.33

 

CMYK 100 / 27 / 0 / 34

HEX #007BA8

RGB 0 123 168

HSL 196.07, 1%, 0.33%

LAB 48.25, -11.94, -31.96

 

CMYK 23 / 100 / 0 / 34

HEX #8100A8

RGB 129 0 168

HSL 286.07, 1%, 0.33%

LAB 32.91, 65.97, -56.05

 

Description

Color code: HEX #A92E00 | qconv.com Color code: HEX #A92E00 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 46 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 46 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 100 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 100% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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