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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A92B2C it is the complementary color #56D4D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A92B2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A92B2C shade: #AE2B27, #BF3D3A, #D04F4D, #E16160 and #F27373

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A92B2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A92B2C shade: #A92B2C, #981919, #870706, #760000 and #650000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A92B2C shade: #AA2C2D and #AA2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A92B2C shade: #AA2C2D, #AA2C4F, #AA2C71, #AA2C93 and #9F2CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A92B2C shade matches the following richer shades: #AA2C2D, #BC1B1C and #CD090B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A92B2C shade: #AA2C2D, #993D3E, #884F4F, #766060 and #657171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A92B2C shade: #AA2C71, #AA2C50, #AA2C2E, #AA4C2C and #AA6D2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A92B2C shade: #691B1C, #892324, #AA2C2D, #CB3536 and #D35556

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A92B2C shade: #A92B2C, #93AA2C and #2C61AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A92B2C shade: #A92B2C, #2EAA2C and #2C2EAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A92B2C shade: #A92B2C, #93AA2C, #2CAAA8 and #432CAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A92B2C shade: #A92B2C, #6DAA2C, #2CAAA8 and #692CAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 74 / 34

HEX #A92B2C

RGB 169 43 44

HSL 359.52, 0.59%, 0.42%

LAB 38.45, 50.71, 30.61

 

Complementary color

CMYK 59 / 0 / 0 / 17

HEX #56D4D3

RGB 86 212 211

HSL 179.52, 0.59%, 0.58%

LAB 78.33, -34.59, -9.94

 

CMYK 0 / 75 / 78 / 32

HEX #AE2B27

RGB 174 43 39

HSL 1.78, 0.63%, 0.42%

LAB 39.37, 52.09, 34.83

 

CMYK 0 / 68 / 70 / 25

HEX #BF3D3A

RGB 191 61 58

HSL 1.35, 0.53%, 0.49%

LAB 45.25, 51.67, 31.3

 

CMYK 0 / 62 / 63 / 18

HEX #D04F4D

RGB 208 79 77

HSL 0.92, 0.58%, 0.56%

LAB 51.31, 50.86, 28.28

 

CMYK 0 / 57 / 57 / 12

HEX #E16160

RGB 225 97 96

HSL 0.47, 0.68%, 0.63%

LAB 57.46, 49.86, 25.73

 

CMYK 0 / 52 / 52 / 5

HEX #F27373

RGB 242 115 115

HSL 0, 0.83%, 0.7%

LAB 63.65, 48.79, 23.54

 

CMYK 0 / 75 / 74 / 34

HEX #A92B2C

RGB 169 43 44

HSL 359.52, 0.59%, 0.42%

LAB 38.45, 50.71, 30.61

 

CMYK 0 / 84 / 84 / 40

HEX #981919

RGB 152 25 25

HSL 0, 0.72%, 0.35%

LAB 32.79, 50.39, 34.67

 

CMYK 0 / 95 / 96 / 47

HEX #870706

RGB 135 7 6

HSL 0.47, 0.91%, 0.28%

LAB 27.62, 48.83, 38.09

 

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

 

CMYK 0 / 100 / 100 / 60

HEX #650000

RGB 101 0 0

HSL 0, 1%, 0.2%

LAB 19.08, 40.6, 29.31

 

CMYK 0 / 74 / 74 / 33

HEX #AA2C2D

RGB 170 44 45

HSL 359.52, 0.59%, 0.42%

LAB 38.79, 50.72, 30.45

 

CMYK 0 / 74 / 74 / 33

HEX #AA2C2C

RGB 170 44 44

HSL 0, 0.59%, 0.42%

LAB 38.78, 50.67, 31.03

 

CMYK 0 / 74 / 74 / 33

HEX #AA2C2D

RGB 170 44 45

HSL 359.52, 0.59%, 0.42%

LAB 38.79, 50.72, 30.45

 

CMYK 0 / 74 / 54 / 33

HEX #AA2C4F

RGB 170 44 79

HSL 343.33, 0.59%, 0.42%

LAB 39.43, 52.86, 10.07

 

CMYK 0 / 74 / 34 / 33

HEX #AA2C71

RGB 170 44 113

HSL 327.14, 0.59%, 0.42%

LAB 40.47, 56.23, -9.84

 

CMYK 0 / 74 / 14 / 33

HEX #AA2C93

RGB 170 44 147

HSL 310.95, 0.59%, 0.42%

LAB 41.93, 60.73, -28.52

 

CMYK 6 / 74 / 0 / 33

HEX #9F2CAA

RGB 159 44 170

HSL 294.76, 0.59%, 0.42%

LAB 41.33, 61.96, -43.4

 

CMYK 0 / 74 / 74 / 33

HEX #AA2C2D

RGB 170 44 45

HSL 359.52, 0.59%, 0.42%

LAB 38.79, 50.72, 30.45

 

CMYK 0 / 86 / 85 / 26

HEX #BC1B1C

RGB 188 27 28

HSL 359.63, 0.75%, 0.42%

LAB 40.51, 60.33, 42.91

 

CMYK 0 / 96 / 95 / 20

HEX #CD090B

RGB 205 9 11

HSL 359.39, 0.92%, 0.42%

LAB 43.06, 67.21, 53.58

 

CMYK 0 / 74 / 74 / 33

HEX #AA2C2D

RGB 170 44 45

HSL 359.52, 0.59%, 0.42%

LAB 38.79, 50.72, 30.45

 

CMYK 0 / 60 / 59 / 40

HEX #993D3E

RGB 153 61 62

HSL 359.35, 0.43%, 0.42%

LAB 38.65, 38.63, 19.19

 

CMYK 0 / 42 / 42 / 47

HEX #884F4F

RGB 136 79 79

HSL 0, 0.27%, 0.42%

LAB 40.23, 23.93, 10.35

 

CMYK 0 / 19 / 19 / 54

HEX #766060

RGB 118 96 96

HSL 0, 0.1%, 0.42%

LAB 42.86, 8.88, 3.34

 

CMYK 11 / 0 / 0 / 56

HEX #657171

RGB 101 113 113

HSL 180, 0.06%, 0.42%

LAB 46.67, -4.49, -1.54

 

CMYK 0 / 74 / 34 / 33

HEX #AA2C71

RGB 170 44 113

HSL 327.14, 0.59%, 0.42%

LAB 40.47, 56.23, -9.84

 

CMYK 0 / 74 / 53 / 33

HEX #AA2C50

RGB 170 44 80

HSL 342.86, 0.59%, 0.42%

LAB 39.46, 52.94, 9.47

 

CMYK 0 / 74 / 73 / 33

HEX #AA2C2E

RGB 170 44 46

HSL 359.05, 0.59%, 0.42%

LAB 38.8, 50.76, 29.87

 

CMYK 0 / 55 / 74 / 33

HEX #AA4C2C

RGB 170 76 44

HSL 15.24, 0.59%, 0.42%

LAB 44.08, 36.5, 36.94

 

CMYK 0 / 36 / 74 / 33

HEX #AA6D2C

RGB 170 109 44

HSL 30.95, 0.59%, 0.42%

LAB 51.46, 18.55, 44.72

 

CMYK 0 / 74 / 73 / 59

HEX #691B1C

RGB 105 27 28

HSL 359.23, 0.59%, 0.26%

LAB 23.24, 34.56, 19.64

 

CMYK 0 / 74 / 74 / 46

HEX #892324

RGB 137 35 36

HSL 359.41, 0.59%, 0.34%

LAB 30.99, 42.84, 25.26

 

CMYK 0 / 74 / 74 / 33

HEX #AA2C2D

RGB 170 44 45

HSL 359.52, 0.59%, 0.42%

LAB 38.79, 50.72, 30.45

 

CMYK 0 / 74 / 73 / 20

HEX #CB3536

RGB 203 53 54

HSL 359.6, 0.59%, 0.5%

LAB 46.32, 58.28, 35.44

 

CMYK 0 / 60 / 59 / 17

HEX #D35556

RGB 211 85 86

HSL 359.52, 0.59%, 0.58%

LAB 52.97, 49.8, 25.24

 

CMYK 0 / 75 / 74 / 34

HEX #A92B2C

RGB 169 43 44

HSL 359.52, 0.59%, 0.42%

LAB 38.45, 50.71, 30.61

 

CMYK 14 / 0 / 74 / 33

HEX #93AA2C

RGB 147 170 44

HSL 70.95, 0.59%, 0.42%

LAB 65.85, -24.69, 58.25

 

CMYK 74 / 43 / 0 / 33

HEX #2C61AA

RGB 44 97 170

HSL 214.76, 0.59%, 0.42%

LAB 41.2, 8.2, -44.25

 

CMYK 0 / 75 / 74 / 34

HEX #A92B2C

RGB 169 43 44

HSL 359.52, 0.59%, 0.42%

LAB 38.45, 50.71, 30.61

 

CMYK 73 / 0 / 74 / 33

HEX #2EAA2C

RGB 46 170 44

HSL 119.05, 0.59%, 0.42%

LAB 61.23, -57.07, 52.14

 

CMYK 74 / 73 / 0 / 33

HEX #2C2EAA

RGB 44 46 170

HSL 239.05, 0.59%, 0.42%

LAB 27.82, 41.27, -65.97

 

CMYK 0 / 75 / 74 / 34

HEX #A92B2C

RGB 169 43 44

HSL 359.52, 0.59%, 0.42%

LAB 38.45, 50.71, 30.61

 

CMYK 14 / 0 / 74 / 33

HEX #93AA2C

RGB 147 170 44

HSL 70.95, 0.59%, 0.42%

LAB 65.85, -24.69, 58.25

 

CMYK 74 / 0 / 1 / 33

HEX #2CAAA8

RGB 44 170 168

HSL 179.05, 0.59%, 0.42%

LAB 63.44, -33.18, -8.7

 

CMYK 61 / 74 / 0 / 33

HEX #432CAA

RGB 67 44 170

HSL 250.95, 0.59%, 0.42%

LAB 29.15, 45.08, -63.72

 

CMYK 0 / 75 / 74 / 34

HEX #A92B2C

RGB 169 43 44

HSL 359.52, 0.59%, 0.42%

LAB 38.45, 50.71, 30.61

 

CMYK 36 / 0 / 74 / 33

HEX #6DAA2C

RGB 109 170 44

HSL 89.05, 0.59%, 0.42%

LAB 63.49, -39.72, 55.14

 

CMYK 74 / 0 / 1 / 33

HEX #2CAAA8

RGB 44 170 168

HSL 179.05, 0.59%, 0.42%

LAB 63.44, -33.18, -8.7

 

CMYK 38 / 74 / 0 / 33

HEX #692CAA

RGB 105 44 170

HSL 269.05, 0.59%, 0.42%

LAB 33.36, 51.17, -56.66

 

Description

Color code: HEX #A92B2C | qconv.com Color code: HEX #A92B2C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 43 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 43 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 74 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 74% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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