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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 113 113 it is the complementary color RGB 154 142 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 113 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 101 113 113: RGB 106 113 108, RGB 123 131 127, RGB 140 149 146, RGB 157 167 165 and RGB 174 185 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 113 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 101 113 113: RGB 101 113 113, RGB 84 95 94, RGB 67 77 75, RGB 50 59 56 and RGB 33 41 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 0 / 56

HEX #657171

RGB 101 113 113

HSL 180, 0.06%, 0.42%

LAB 46.67, -4.49, -1.54

 

Complementary color

CMYK 0 / 8 / 8 / 40

HEX #9A8E8E

RGB 154 142 142

HSL 0, 0.06%, 0.58%

LAB 60.04, 4.46, 1.6

 

CMYK 6 / 0 / 4 / 56

HEX #6A716C

RGB 106 113 108

HSL 137.14, 0.03%, 0.43%

LAB 46.92, -3.69, 1.85

 

CMYK 6 / 0 / 3 / 49

HEX #7B837F

RGB 123 131 127

HSL 150, 0.03%, 0.5%

LAB 54, -3.76, 1.13

 

CMYK 6 / 0 / 2 / 42

HEX #8C9592

RGB 140 149 146

HSL 160, 0.04%, 0.57%

LAB 60.91, -3.84, 0.45

 

CMYK 6 / 0 / 1 / 35

HEX #9DA7A5

RGB 157 167 165

HSL 168, 0.05%, 0.64%

LAB 67.67, -3.91, -0.19

 

CMYK 6 / 0 / 1 / 27

HEX #AEB9B8

RGB 174 185 184

HSL 174.55, 0.07%, 0.7%

LAB 74.29, -3.99, -0.82

 

CMYK 11 / 0 / 0 / 56

HEX #657171

RGB 101 113 113

HSL 180, 0.06%, 0.42%

LAB 46.67, -4.49, -1.54

 

CMYK 12 / 0 / 1 / 63

HEX #545F5E

RGB 84 95 94

HSL 174.55, 0.06%, 0.35%

LAB 39.37, -4.47, -0.88

 

CMYK 13 / 0 / 3 / 70

HEX #434D4B

RGB 67 77 75

HSL 168, 0.07%, 0.28%

LAB 31.83, -4.46, -0.18

 

CMYK 15 / 0 / 5 / 77

HEX #323B38

RGB 50 59 56

HSL 160, 0.08%, 0.21%

LAB 23.97, -4.48, 0.59

 

CMYK 20 / 0 / 10 / 84

HEX #212925

RGB 33 41 37

HSL 150, 0.11%, 0.15%

LAB 15.71, -4.55, 1.45

 

CMYK 11 / 0 / 0 / 56

HEX #657171

RGB 101 113 113

HSL 180, 0.06%, 0.42%

LAB 46.67, -4.49, -1.54

 

CMYK 12 / 2 / 0 / 56

HEX #646F71

RGB 100 111 113

HSL 189.23, 0.06%, 0.42%

LAB 46, -3.69, -2.53

 

CMYK 12 / 4 / 0 / 56

HEX #646D71

RGB 100 109 113

HSL 198.46, 0.06%, 0.42%

LAB 45.41, -2.52, -3.4

 

CMYK 12 / 5 / 0 / 56

HEX #646B71

RGB 100 107 113

HSL 207.69, 0.06%, 0.42%

LAB 44.83, -1.34, -4.27

 

CMYK 12 / 8 / 0 / 56

HEX #646871

RGB 100 104 113

HSL 221.54, 0.06%, 0.42%

LAB 43.95, 0.45, -5.57

 

CMYK 11 / 0 / 0 / 56

HEX #657171

RGB 101 113 113

HSL 180, 0.06%, 0.42%

LAB 46.67, -4.49, -1.54

 

CMYK 10 / 0 / 0 / 36

HEX #93A4A4

RGB 147 164 164

HSL 180, 0.09%, 0.61%

LAB 66.09, -5.95, -2.04

 

CMYK 11 / 0 / 0 / 16

HEX #C0D7D7

RGB 192 215 215

HSL 180, 0.22%, 0.8%

LAB 84.34, -7.64, -2.62

 

CMYK 9 / 0 / 0 / 96

HEX #0A0B0B

RGB 10 11 11

HSL 180, 0.05%, 0.04%

LAB 2.96, -0.27, -0.1

 

CMYK 11 / 0 / 0 / 76

HEX #373E3E

RGB 55 62 62

HSL 180, 0.06%, 0.23%

LAB 25.58, -2.91, -1

 

CMYK 11 / 0 / 0 / 56

HEX #657171

RGB 101 113 113

HSL 180, 0.06%, 0.42%

LAB 46.67, -4.49, -1.54

 

CMYK 9 / 12 / 0 / 56

HEX #676471

RGB 103 100 113

HSL 253.85, 0.06%, 0.42%

LAB 43.05, 3.96, -6.88

 

CMYK 0 / 4 / 12 / 56

HEX #716C64

RGB 113 108 100

HSL 36.92, 0.06%, 0.42%

LAB 45.85, 0.42, 5.16

 

CMYK 11 / 0 / 0 / 56

HEX #657171

RGB 101 113 113

HSL 180, 0.06%, 0.42%

LAB 46.67, -4.49, -1.54

 

CMYK 0 / 12 / 0 / 56

HEX #716471

RGB 113 100 113

HSL 300, 0.06%, 0.42%

LAB 43.97, 7.74, -5.41

 

CMYK 0 / 0 / 12 / 56

HEX #717164

RGB 113 113 100

HSL 60, 0.06%, 0.42%

LAB 47.29, -2.5, 7.22

 

CMYK 11 / 0 / 0 / 56

HEX #657171

RGB 101 113 113

HSL 180, 0.06%, 0.42%

LAB 46.67, -4.49, -1.54

 

CMYK 9 / 12 / 0 / 56

HEX #676471

RGB 103 100 113

HSL 253.85, 0.06%, 0.42%

LAB 43.05, 3.96, -6.88

 

CMYK 0 / 12 / 12 / 56

HEX #716464

RGB 113 100 100

HSL 0, 0.06%, 0.42%

LAB 43.57, 5.17, 1.89

 

CMYK 3 / 0 / 12 / 56

HEX #6E7164

RGB 110 113 100

HSL 73.85, 0.06%, 0.42%

LAB 47.03, -3.7, 6.82

 

CMYK 11 / 0 / 0 / 56

HEX #657171

RGB 101 113 113

HSL 180, 0.06%, 0.42%

LAB 46.67, -4.49, -1.54

 

CMYK 5 / 12 / 0 / 56

HEX #6B6471

RGB 107 100 113

HSL 272.31, 0.06%, 0.42%

LAB 43.41, 5.46, -6.31

 

CMYK 0 / 12 / 12 / 56

HEX #716464

RGB 113 100 100

HSL 0, 0.06%, 0.42%

LAB 43.57, 5.17, 1.89

 

CMYK 5 / 0 / 12 / 56

HEX #6B7164

RGB 107 113 100

HSL 87.69, 0.06%, 0.42%

LAB 46.79, -4.89, 6.44

 

Description

Color code: RGB 101 113 113 | qconv.com Color code: RGB 101 113 113 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 113 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 113 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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