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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8DCC0 it is the complementary color #57233F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8DCC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8DCC0 shade: #ADDCBB, #BEEECE, #CFFFE1, #E0FFF4 and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8DCC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8DCC0 shade: #A8DCC0, #97CAAD, #86B89A, #75A687 and #649474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8DCC0 shade: #A7DCBF, #A7DCB1, #ABDCA7, #B9DCA7 and #C7DCA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8DCC0 shade: #A7DCBF, #A7DCCD, #A7DCDC, #A7CDDC and #A7BFDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8DCC0 shade matches the following richer shades: #A7DCBF, #9DE6BF, #93EFBE and #89F9BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8DCC0 shade: #A7DCBF, #B1D2C0, #BBC8C1, #C5BEC2 and #CFB4C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8DCC0 shade: #ABDCA7, #A7DCB1, #A7DCBF, #A7DCCD and #A7DCDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8DCC0 shade: #6CC495, #89D0AA, #A7DCBF, #C4E7D5 and #E2F3EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8DCC0 shade: #A8DCC0, #A7B9DC and #DCAAA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8DCC0 shade: #A8DCC0, #BFA7DC and #DCBFA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8DCC0 shade: #A8DCC0, #A7B9DC, #DCA7C4 and #DCC9A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8DCC0 shade: #A8DCC0, #A7AADC, #DCA7C4 and #DCD9A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 13 / 14

HEX #A8DCC0

RGB 168 220 192

HSL 147.69, 0.43%, 0.76%

LAB 83.61, -22.37, 8.33

 

Complementary color

CMYK 0 / 60 / 28 / 66

HEX #57233F

RGB 87 35 63

HSL 327.69, 0.43%, 0.24%

LAB 22.26, 27.66, -6.18

 

CMYK 21 / 0 / 15 / 14

HEX #ADDCBB

RGB 173 220 187

HSL 137.87, 0.4%, 0.77%

LAB 83.79, -21.71, 11.26

 

CMYK 20 / 0 / 13 / 7

HEX #BEEECE

RGB 190 238 206

HSL 140, 0.59%, 0.84%

LAB 90.12, -21.56, 10.47

 

CMYK 19 / 0 / 12 / 0

HEX #CFFFE1

RGB 207 255 225

HSL 142.5, 1%, 0.91%

LAB 96.09, -20.93, 9.32

 

CMYK 12 / 0 / 4 / 0

HEX #E0FFF4

RGB 224 255 244

HSL 158.71, 1%, 0.94%

LAB 97.59, -12.03, 1.87

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 24 / 0 / 13 / 14

HEX #A8DCC0

RGB 168 220 192

HSL 147.69, 0.43%, 0.76%

LAB 83.61, -22.37, 8.33

 

CMYK 25 / 0 / 14 / 21

HEX #97CAAD

RGB 151 202 173

HSL 145.88, 0.32%, 0.69%

LAB 77.18, -22.56, 9.13

 

CMYK 27 / 0 / 16 / 28

HEX #86B89A

RGB 134 184 154

HSL 144, 0.26%, 0.62%

LAB 70.65, -22.77, 9.97

 

CMYK 30 / 0 / 19 / 35

HEX #75A687

RGB 117 166 135

HSL 142.04, 0.22%, 0.55%

LAB 64, -23.01, 10.88

 

CMYK 32 / 0 / 22 / 42

HEX #649474

RGB 100 148 116

HSL 140, 0.19%, 0.49%

LAB 57.22, -23.27, 11.85

 

CMYK 24 / 0 / 13 / 14

HEX #A7DCBF

RGB 167 220 191

HSL 147.17, 0.43%, 0.76%

LAB 83.53, -22.88, 8.73

 

CMYK 24 / 0 / 20 / 14

HEX #A7DCB1

RGB 167 220 177

HSL 131.32, 0.43%, 0.76%

LAB 83.22, -25.48, 15.68

 

CMYK 22 / 0 / 24 / 14

HEX #ABDCA7

RGB 171 220 167

HSL 115.47, 0.43%, 0.76%

LAB 83.25, -25.89, 21

 

CMYK 16 / 0 / 24 / 14

HEX #B9DCA7

RGB 185 220 167

HSL 99.62, 0.43%, 0.76%

LAB 84.12, -21.1, 22.33

 

CMYK 10 / 0 / 24 / 14

HEX #C7DCA7

RGB 199 220 167

HSL 83.77, 0.43%, 0.76%

LAB 85.06, -16.12, 23.77

 

CMYK 24 / 0 / 13 / 14

HEX #A7DCBF

RGB 167 220 191

HSL 147.17, 0.43%, 0.76%

LAB 83.53, -22.88, 8.73

 

CMYK 24 / 0 / 7 / 14

HEX #A7DCCD

RGB 167 220 205

HSL 163.02, 0.43%, 0.76%

LAB 83.87, -20.09, 1.81

 

CMYK 24 / 0 / 0 / 14

HEX #A7DCDC

RGB 167 220 220

HSL 180, 0.43%, 0.76%

LAB 84.26, -16.9, -5.56

HEX #A7DCDC

CMYK 24 / 7 / 0 / 14

HEX #A7CDDC

RGB 167 205 220

HSL 196.98, 0.43%, 0.76%

LAB 80.21, -9.21, -11.58

HEX #A7CDDC

CMYK 24 / 13 / 0 / 14

HEX #A7BFDC

RGB 167 191 220

HSL 212.83, 0.43%, 0.76%

LAB 76.46, -1.8, -17.2

HEX #A7BFDC

CMYK 24 / 0 / 13 / 14

HEX #A7DCBF

RGB 167 220 191

HSL 147.17, 0.43%, 0.76%

LAB 83.53, -22.88, 8.73

 

CMYK 32 / 0 / 17 / 10

HEX #9DE6BF

RGB 157 230 191

HSL 147.95, 0.59%, 0.76%

LAB 85.77, -30.75, 11.85

 

CMYK 38 / 0 / 21 / 6

HEX #93EFBE

RGB 147 239 190

HSL 148.04, 0.74%, 0.76%

LAB 87.8, -37.98, 15.19

 

CMYK 45 / 0 / 24 / 2

HEX #89F9BD

RGB 137 249 189

HSL 147.86, 0.9%, 0.76%

LAB 90.2, -45.26, 19.01

 

CMYK 24 / 0 / 13 / 14

HEX #A7DCBF

RGB 167 220 191

HSL 147.17, 0.43%, 0.76%

LAB 83.53, -22.88, 8.73

 

CMYK 16 / 0 / 9 / 18

HEX #B1D2C0

RGB 177 210 192

HSL 147.27, 0.27%, 0.76%

LAB 81.43, -14.46, 5.26

 

CMYK 7 / 0 / 4 / 22

HEX #BBC8C1

RGB 187 200 193

HSL 147.69, 0.11%, 0.76%

LAB 79.46, -5.75, 1.96

 

CMYK 0 / 4 / 2 / 23

HEX #C5BEC2

RGB 197 190 194

HSL 325.71, 0.06%, 0.76%

LAB 77.63, 3.18, -1.15

 

CMYK 0 / 13 / 6 / 19

HEX #CFB4C2

RGB 207 180 194

HSL 328.89, 0.22%, 0.76%

LAB 75.95, 12.06, -3.52

 

CMYK 22 / 0 / 24 / 14

HEX #ABDCA7

RGB 171 220 167

HSL 115.47, 0.43%, 0.76%

LAB 83.25, -25.89, 21

 

CMYK 24 / 0 / 20 / 14

HEX #A7DCB1

RGB 167 220 177

HSL 131.32, 0.43%, 0.76%

LAB 83.22, -25.48, 15.68

 

CMYK 24 / 0 / 13 / 14

HEX #A7DCBF

RGB 167 220 191

HSL 147.17, 0.43%, 0.76%

LAB 83.53, -22.88, 8.73

 

CMYK 24 / 0 / 7 / 14

HEX #A7DCCD

RGB 167 220 205

HSL 163.02, 0.43%, 0.76%

LAB 83.87, -20.09, 1.81

 

CMYK 24 / 0 / 0 / 14

HEX #A7DCDB

RGB 167 220 219

HSL 178.87, 0.43%, 0.76%

LAB 84.23, -17.12, -5.07

 

CMYK 45 / 0 / 24 / 23

HEX #6CC495

RGB 108 196 149

HSL 147.95, 0.43%, 0.6%

LAB 72.79, -37.23, 15.51

 

CMYK 34 / 0 / 18 / 18

HEX #89D0AA

RGB 137 208 170

HSL 147.89, 0.43%, 0.68%

LAB 78.07, -30.38, 11.89

 

CMYK 24 / 0 / 13 / 14

HEX #A7DCBF

RGB 167 220 191

HSL 147.17, 0.43%, 0.76%

LAB 83.53, -22.88, 8.73

 

CMYK 15 / 0 / 8 / 9

HEX #C4E7D5

RGB 196 231 213

HSL 149.14, 0.42%, 0.84%

LAB 88.78, -14.86, 4.94

 

CMYK 7 / 0 / 4 / 5

HEX #E2F3EA

RGB 226 243 234

HSL 148.24, 0.41%, 0.92%

LAB 94.4, -7.22, 2.4

 

CMYK 24 / 0 / 13 / 14

HEX #A8DCC0

RGB 168 220 192

HSL 147.69, 0.43%, 0.76%

LAB 83.61, -22.37, 8.33

 

CMYK 24 / 16 / 0 / 14

HEX #A7B9DC

RGB 167 185 220

HSL 219.62, 0.43%, 0.76%

LAB 74.88, 1.44, -19.6

 

CMYK 0 / 23 / 24 / 14

HEX #DCAAA7

RGB 220 170 167

HSL 3.4, 0.43%, 0.76%

LAB 74.03, 17.87, 8.6

 

CMYK 24 / 0 / 13 / 14

HEX #A8DCC0

RGB 168 220 192

HSL 147.69, 0.43%, 0.76%

LAB 83.61, -22.37, 8.33

 

CMYK 13 / 24 / 0 / 14

HEX #BFA7DC

RGB 191 167 220

HSL 267.17, 0.43%, 0.76%

LAB 72.15, 18.84, -23.57

 

CMYK 0 / 13 / 24 / 14

HEX #DCBFA7

RGB 220 191 167

HSL 27.17, 0.43%, 0.76%

LAB 79.19, 6.64, 15.91

 

CMYK 24 / 0 / 13 / 14

HEX #A8DCC0

RGB 168 220 192

HSL 147.69, 0.43%, 0.76%

LAB 83.61, -22.37, 8.33

 

CMYK 24 / 16 / 0 / 14

HEX #A7B9DC

RGB 167 185 220

HSL 219.62, 0.43%, 0.76%

LAB 74.88, 1.44, -19.6

 

CMYK 0 / 24 / 11 / 14

HEX #DCA7C4

RGB 220 167 196

HSL 327.17, 0.43%, 0.76%

LAB 74.09, 24.01, -7.23

 

CMYK 0 / 9 / 24 / 14

HEX #DCC9A7

RGB 220 201 167

HSL 38.49, 0.43%, 0.76%

LAB 81.72, 1.38, 19.42

 

CMYK 24 / 0 / 13 / 14

HEX #A8DCC0

RGB 168 220 192

HSL 147.69, 0.43%, 0.76%

LAB 83.61, -22.37, 8.33

 

CMYK 24 / 23 / 0 / 14

HEX #A7AADC

RGB 167 170 220

HSL 236.6, 0.43%, 0.76%

LAB 70.96, 9.68, -25.56

 

CMYK 0 / 24 / 11 / 14

HEX #DCA7C4

RGB 220 167 196

HSL 327.17, 0.43%, 0.76%

LAB 74.09, 24.01, -7.23

 

CMYK 0 / 1 / 24 / 14

HEX #DCD9A7

RGB 220 217 167

HSL 56.6, 0.43%, 0.76%

LAB 85.82, -6.89, 25.07

 

Description

Color code: HEX #A8DCC0 | qconv.com Color code: HEX #A8DCC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 220 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 220 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 13 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 13% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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