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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8B7E2 it is the complementary color #57481D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8B7E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8B7E2 shade: #ADB7DD, #BEC9F0, #CFDBFF, #E0EDFF and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8B7E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8B7E2 shade: #A8B7E2, #97A5CF, #8693BC, #7581A9 and #646F96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8B7E2 shade: #A7B6E2, #A8A7E2, #B7A7E2, #C7A7E2 and #D7A7E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8B7E2 shade: #A7B6E2 and #A7A7E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8B7E2 shade matches the following richer shades: #A7B6E2, #9EB2EB, #94ADF5 and #8BA8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8B7E2 shade: #A7B6E2, #B1BBD8, #BABFCF, #C3C4C5 and #CDC9BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8B7E2 shade: #A7D6E2, #A7C6E2, #A7B7E2, #A7A7E2 and #B7A7E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8B7E2 shade: #6983CD, #889DD7, #A7B6E2, #C6D0EC and #E5E9F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8B7E2 shade: #A8B7E2, #DEA7E2 and #CEE2A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8B7E2 shade: #A8B7E2, #E2A7B7 and #B7E2A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8B7E2 shade: #A8B7E2, #DEA7E2, #E2D2A7 and #ABE2A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8B7E2 shade: #A8B7E2, #E2A7D4, #E2D2A7 and #A7E2B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 19 / 0 / 11

HEX #A8B7E2

RGB 168 183 226

HSL 224.48, 0.5%, 0.77%

LAB 74.62, 4.23, -23.23

 

Complementary color

CMYK 0 / 17 / 67 / 66

HEX #57481D

RGB 87 72 29

HSL 44.48, 0.5%, 0.23%

LAB 31.23, 0.57, 27.59

 

CMYK 22 / 17 / 0 / 13

HEX #ADB7DD

RGB 173 183 221

HSL 227.5, 0.41%, 0.77%

LAB 74.81, 4.59, -20.2

 

CMYK 21 / 16 / 0 / 6

HEX #BEC9F0

RGB 190 201 240

HSL 226.8, 0.63%, 0.84%

LAB 81.3, 4.34, -20.48

 

CMYK 19 / 14 / 0 / 0

HEX #CFDBFF

RGB 207 219 255

HSL 225, 1%, 0.91%

LAB 87.56, 3.25, -18.86

 

CMYK 12 / 7 / 0 / 0

HEX #E0EDFF

RGB 224 237 255

HSL 214.84, 1%, 0.94%

LAB 93.29, -0.83, -10.15

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 26 / 19 / 0 / 11

HEX #A8B7E2

RGB 168 183 226

HSL 224.48, 0.5%, 0.77%

LAB 74.62, 4.23, -23.23

 

CMYK 27 / 20 / 0 / 19

HEX #97A5CF

RGB 151 165 207

HSL 225, 0.37%, 0.7%

LAB 68.02, 4.51, -23.02

 

CMYK 29 / 22 / 0 / 26

HEX #8693BC

RGB 134 147 188

HSL 225.56, 0.29%, 0.63%

LAB 61.28, 4.83, -22.83

 

CMYK 31 / 24 / 0 / 34

HEX #7581A9

RGB 117 129 169

HSL 226.15, 0.23%, 0.56%

LAB 54.39, 5.19, -22.67

 

CMYK 33 / 26 / 0 / 41

HEX #646F96

RGB 100 111 150

HSL 226.8, 0.2%, 0.49%

LAB 47.34, 5.6, -22.55

 

CMYK 26 / 19 / 0 / 11

HEX #A7B6E2

RGB 167 182 226

HSL 224.75, 0.5%, 0.77%

LAB 74.29, 4.48, -23.74

 

CMYK 26 / 26 / 0 / 11

HEX #A8A7E2

RGB 168 167 226

HSL 241.02, 0.5%, 0.77%

LAB 70.49, 13.08, -29.56

 

CMYK 19 / 26 / 0 / 11

HEX #B7A7E2

RGB 183 167 226

HSL 256.27, 0.5%, 0.77%

LAB 71.69, 17.63, -27.62

 

CMYK 12 / 26 / 0 / 11

HEX #C7A7E2

RGB 199 167 226

HSL 272.54, 0.5%, 0.77%

LAB 73.07, 22.64, -25.38

 

CMYK 5 / 26 / 0 / 11

HEX #D7A7E2

RGB 215 167 226

HSL 288.81, 0.5%, 0.77%

LAB 74.56, 27.76, -22.98

 

CMYK 26 / 19 / 0 / 11

HEX #A7B6E2

RGB 167 182 226

HSL 224.75, 0.5%, 0.77%

LAB 74.29, 4.48, -23.74

 

CMYK 26 / 26 / 0 / 11

HEX #A7A7E2

RGB 167 167 226

HSL 240, 0.5%, 0.77%

LAB 70.42, 12.78, -29.68

 

CMYK 26 / 19 / 0 / 11

HEX #A7B6E2

RGB 167 182 226

HSL 224.75, 0.5%, 0.77%

LAB 74.29, 4.48, -23.74

 

CMYK 33 / 24 / 0 / 8

HEX #9EB2EB

RGB 158 178 235

HSL 224.42, 0.66%, 0.77%

LAB 72.96, 6.28, -30.72

 

CMYK 40 / 29 / 0 / 4

HEX #94ADF5

RGB 148 173 245

HSL 224.54, 0.83%, 0.77%

LAB 71.4, 8.99, -38.62

 

CMYK 45 / 34 / 0 / 0

HEX #8BA8FE

RGB 139 168 254

HSL 224.87, 0.98%, 0.77%

LAB 69.93, 12.07, -45.84

 

CMYK 26 / 19 / 0 / 11

HEX #A7B6E2

RGB 167 182 226

HSL 224.75, 0.5%, 0.77%

LAB 74.29, 4.48, -23.74

 

CMYK 18 / 13 / 0 / 15

HEX #B1BBD8

RGB 177 187 216

HSL 224.62, 0.33%, 0.77%

LAB 75.97, 2.55, -15.7

 

CMYK 10 / 8 / 0 / 19

HEX #BABFCF

RGB 186 191 207

HSL 225.71, 0.18%, 0.77%

LAB 77.4, 1.41, -8.62

 

CMYK 1 / 1 / 0 / 23

HEX #C3C4C5

RGB 195 196 197

HSL 210, 0.02%, 0.77%

LAB 79.11, -0.16, -0.63

 

CMYK 0 / 2 / 8 / 20

HEX #CDC9BC

RGB 205 201 188

HSL 45.88, 0.15%, 0.77%

LAB 80.95, -0.88, 6.97

 

CMYK 26 / 5 / 0 / 11

HEX #A7D6E2

RGB 167 214 226

HSL 192.2, 0.5%, 0.77%

LAB 82.81, -12.52, -10.9

 

CMYK 26 / 12 / 0 / 11

HEX #A7C6E2

RGB 167 198 226

HSL 208.47, 0.5%, 0.77%

LAB 78.52, -4.16, -17.33

 

CMYK 26 / 19 / 0 / 11

HEX #A7B7E2

RGB 167 183 226

HSL 223.73, 0.5%, 0.77%

LAB 74.56, 3.93, -23.34

 

CMYK 26 / 26 / 0 / 11

HEX #A7A7E2

RGB 167 167 226

HSL 240, 0.5%, 0.77%

LAB 70.42, 12.78, -29.68

 

CMYK 19 / 26 / 0 / 11

HEX #B7A7E2

RGB 183 167 226

HSL 256.27, 0.5%, 0.77%

LAB 71.69, 17.63, -27.62

 

CMYK 49 / 36 / 0 / 20

HEX #6983CD

RGB 105 131 205

HSL 224.4, 0.5%, 0.61%

LAB 55.73, 11.02, -41.21

 

CMYK 37 / 27 / 0 / 16

HEX #889DD7

RGB 136 157 215

HSL 224.05, 0.5%, 0.69%

LAB 65.16, 6.74, -31.92

 

CMYK 26 / 19 / 0 / 11

HEX #A7B6E2

RGB 167 182 226

HSL 224.75, 0.5%, 0.77%

LAB 74.29, 4.48, -23.74

 

CMYK 16 / 12 / 0 / 7

HEX #C6D0EC

RGB 198 208 236

HSL 224.21, 0.5%, 0.85%

LAB 83.53, 2.23, -14.92

 

CMYK 7 / 5 / 0 / 4

HEX #E5E9F6

RGB 229 233 246

HSL 225.88, 0.49%, 0.93%

LAB 92.39, 1.08, -6.75

 

CMYK 26 / 19 / 0 / 11

HEX #A8B7E2

RGB 168 183 226

HSL 224.48, 0.5%, 0.77%

LAB 74.62, 4.23, -23.23

 

CMYK 2 / 26 / 0 / 11

HEX #DEA7E2

RGB 222 167 226

HSL 295.93, 0.5%, 0.77%

LAB 75.24, 30.03, -21.88

 

CMYK 9 / 0 / 26 / 11

HEX #CEE2A7

RGB 206 226 167

HSL 80.34, 0.5%, 0.77%

LAB 87.15, -16.57, 26.7

 

CMYK 26 / 19 / 0 / 11

HEX #A8B7E2

RGB 168 183 226

HSL 224.48, 0.5%, 0.77%

LAB 74.62, 4.23, -23.23

 

CMYK 0 / 26 / 19 / 11

HEX #E2A7B7

RGB 226 167 183

HSL 343.73, 0.5%, 0.77%

LAB 74.33, 24.06, 0.34

 

CMYK 19 / 0 / 26 / 11

HEX #B7E2A7

RGB 183 226 167

HSL 103.73, 0.5%, 0.77%

LAB 85.63, -24.71, 24.39

 

CMYK 26 / 19 / 0 / 11

HEX #A8B7E2

RGB 168 183 226

HSL 224.48, 0.5%, 0.77%

LAB 74.62, 4.23, -23.23

 

CMYK 2 / 26 / 0 / 11

HEX #DEA7E2

RGB 222 167 226

HSL 295.93, 0.5%, 0.77%

LAB 75.24, 30.03, -21.88

 

CMYK 0 / 7 / 26 / 11

HEX #E2D2A7

RGB 226 210 167

HSL 43.73, 0.5%, 0.77%

LAB 84.51, -1.04, 23.35

 

CMYK 24 / 0 / 26 / 11

HEX #ABE2A7

RGB 171 226 167

HSL 115.93, 0.5%, 0.77%

LAB 84.92, -28.77, 23.29

 

CMYK 26 / 19 / 0 / 11

HEX #A8B7E2

RGB 168 183 226

HSL 224.48, 0.5%, 0.77%

LAB 74.62, 4.23, -23.23

 

CMYK 0 / 26 / 6 / 11

HEX #E2A7D4

RGB 226 167 212

HSL 314.24, 0.5%, 0.77%

LAB 75.18, 28.81, -14.3

 

CMYK 0 / 7 / 26 / 11

HEX #E2D2A7

RGB 226 210 167

HSL 43.73, 0.5%, 0.77%

LAB 84.51, -1.04, 23.35

 

CMYK 26 / 0 / 20 / 11

HEX #A7E2B5

RGB 167 226 181

HSL 134.24, 0.5%, 0.77%

LAB 84.97, -27.65, 16.04

 

Description

Color code: HEX #A8B7E2 | qconv.com Color code: HEX #A8B7E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 183 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 183 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 19 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 19% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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