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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8A28B it is the complementary color #575D74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8A28B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A8A28B: #ADA286, #BEB499, #CFC6AC, #E0D8BF and #F1EAD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8A28B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A8A28B: #A8A28B, #979078, #867E65, #756C52 and #645A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 17 / 34

HEX #A8A28B

RGB 168 162 139

HSL 47.59, 0.14%, 0.6%

LAB 66.54, -1.8, 12.75

 

Complementary color

CMYK 25 / 20 / 0 / 55

HEX #575D74

RGB 87 93 116

HSL 227.59, 0.14%, 0.4%

LAB 39.77, 3.23, -13.78

 

CMYK 0 / 6 / 23 / 32

HEX #ADA286

RGB 173 162 134

HSL 43.08, 0.19%, 0.6%

LAB 66.86, -0.63, 16.02

 

CMYK 0 / 5 / 19 / 25

HEX #BEB499

RGB 190 180 153

HSL 43.78, 0.22%, 0.67%

LAB 73.47, -0.92, 15.06

 

CMYK 0 / 4 / 17 / 19

HEX #CFC6AC

RGB 207 198 172

HSL 44.57, 0.27%, 0.74%

LAB 79.97, -1.17, 14.16

 

CMYK 0 / 4 / 15 / 12

HEX #E0D8BF

RGB 224 216 191

HSL 45.45, 0.35%, 0.81%

LAB 86.37, -1.39, 13.31

 

CMYK 0 / 3 / 13 / 5

HEX #F1EAD2

RGB 241 234 210

HSL 46.45, 0.53%, 0.88%

LAB 92.66, -1.6, 12.49

 

CMYK 0 / 4 / 17 / 34

HEX #A8A28B

RGB 168 162 139

HSL 47.59, 0.14%, 0.6%

LAB 66.54, -1.8, 12.75

 

CMYK 0 / 5 / 21 / 41

HEX #979078

RGB 151 144 120

HSL 46.45, 0.13%, 0.53%

LAB 59.78, -1.55, 13.7

 

CMYK 0 / 6 / 25 / 47

HEX #867E65

RGB 134 126 101

HSL 45.45, 0.14%, 0.46%

LAB 52.87, -1.26, 14.73

 

CMYK 0 / 8 / 30 / 54

HEX #756C52

RGB 117 108 82

HSL 44.57, 0.18%, 0.39%

LAB 45.79, -0.9, 15.85

 

CMYK 0 / 10 / 37 / 61

HEX #645A3F

RGB 100 90 63

HSL 43.78, 0.23%, 0.32%

LAB 38.52, -0.46, 17.1

 

CMYK 0 / 4 / 17 / 34

HEX #A8A28B

RGB 168 162 139

HSL 47.59, 0.14%, 0.6%

LAB 66.54, -1.8, 12.75

 

CMYK 0 / 1 / 17 / 35

HEX #A7A58A

RGB 167 165 138

HSL 55.86, 0.14%, 0.6%

LAB 67.25, -3.96, 14.28

 

CMYK 2 / 0 / 17 / 35

HEX #A3A78A

RGB 163 167 138

HSL 68.28, 0.14%, 0.6%

LAB 67.47, -6.56, 14.54

 

CMYK 5 / 0 / 17 / 35

HEX #9FA78A

RGB 159 167 138

HSL 76.55, 0.14%, 0.6%

LAB 67.16, -8.08, 14.06

 

CMYK 8 / 0 / 17 / 35

HEX #9AA78A

RGB 154 167 138

HSL 86.9, 0.14%, 0.6%

LAB 66.78, -9.95, 13.48

 

CMYK 0 / 4 / 17 / 34

HEX #A8A28B

RGB 168 162 139

HSL 47.59, 0.14%, 0.6%

LAB 66.54, -1.8, 12.75

 

CMYK 0 / 4 / 17 / 14

HEX #DBD3B5

RGB 219 211 181

HSL 47.37, 0.35%, 0.78%

LAB 84.48, -2.16, 15.86

 

CMYK 0 / 7 / 20 / 94

HEX #0F0E0C

RGB 15 14 12

HSL 40, 0.11%, 0.05%

LAB 3.99, 0.01, 1.01

 

CMYK 0 / 3 / 17 / 74

HEX #424037

RGB 66 64 55

HSL 49.09, 0.09%, 0.24%

LAB 27.02, -1.01, 5.81

 

CMYK 0 / 3 / 17 / 54

HEX #757161

RGB 117 113 97

HSL 48, 0.09%, 0.42%

LAB 47.57, -1.42, 9.44

 

CMYK 0 / 4 / 17 / 34

HEX #A8A28B

RGB 168 162 139

HSL 47.59, 0.14%, 0.6%

LAB 66.54, -1.8, 12.75

 

CMYK 17 / 0 / 17 / 35

HEX #8BA78A

RGB 139 167 138

HSL 117.93, 0.14%, 0.6%

LAB 65.72, -15.42, 11.83

 

CMYK 11 / 17 / 0 / 35

HEX #958AA7

RGB 149 138 167

HSL 262.76, 0.14%, 0.6%

LAB 59.3, 9.92, -13.81

 

CMYK 0 / 4 / 17 / 34

HEX #A8A28B

RGB 168 162 139

HSL 47.59, 0.14%, 0.6%

LAB 66.54, -1.8, 12.75

 

CMYK 17 / 0 / 4 / 35

HEX #8AA7A1

RGB 138 167 161

HSL 167.59, 0.14%, 0.6%

LAB 66.22, -11.23, -0.24

 

CMYK 4 / 17 / 0 / 35

HEX #A18AA7

RGB 161 138 167

HSL 287.59, 0.14%, 0.6%

LAB 60.38, 14.08, -12.09

 

CMYK 0 / 4 / 17 / 34

HEX #A8A28B

RGB 168 162 139

HSL 47.59, 0.14%, 0.6%

LAB 66.54, -1.8, 12.75

 

CMYK 17 / 0 / 17 / 35

HEX #8BA78A

RGB 139 167 138

HSL 117.93, 0.14%, 0.6%

LAB 65.72, -15.42, 11.83

 

CMYK 17 / 14 / 0 / 35

HEX #8A90A7

RGB 138 144 167

HSL 227.59, 0.14%, 0.6%

LAB 60.01, 2.77, -12.83

 

CMYK 1 / 17 / 0 / 35

HEX #A68AA7

RGB 166 138 167

HSL 297.93, 0.14%, 0.6%

LAB 60.85, 15.83, -11.33

 

CMYK 0 / 4 / 17 / 34

HEX #A8A28B

RGB 168 162 139

HSL 47.59, 0.14%, 0.6%

LAB 66.54, -1.8, 12.75

 

CMYK 17 / 0 / 13 / 35

HEX #8AA792

RGB 138 167 146

HSL 136.55, 0.14%, 0.6%

LAB 65.84, -14.27, 7.55

 

CMYK 17 / 14 / 0 / 35

HEX #8A90A7

RGB 138 144 167

HSL 227.59, 0.14%, 0.6%

LAB 60.01, 2.77, -12.83

 

CMYK 0 / 17 / 5 / 35

HEX #A78A9F

RGB 167 138 159

HSL 316.55, 0.14%, 0.6%

LAB 60.69, 14.66, -7

 

Description

Color code: HEX #A8A28B | qconv.com Color code: HEX #A8A28B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 162 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 162 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 17 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 17% 34% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - カワサキワールド
Link: http://www.khi.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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