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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8A191 it is the complementary color #575E6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8A191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A8A191: #ADA18C, #BEB39F, #CFC5B2, #E0D7C5 and #F1E9D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8A191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A8A191: #A8A191, #978F7E, #867D6B, #756B58 and #645945

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 14 / 34

HEX #A8A191

RGB 168 161 145

HSL 41.74, 0.12%, 0.61%

LAB 66.41, -0.27, 9.23

 

Complementary color

CMYK 21 / 15 / 0 / 57

HEX #575E6E

RGB 87 94 110

HSL 221.74, 0.12%, 0.39%

LAB 39.84, 1.08, -10

 

CMYK 0 / 7 / 19 / 32

HEX #ADA18C

RGB 173 161 140

HSL 38.18, 0.17%, 0.61%

LAB 66.72, 0.83, 12.51

 

CMYK 0 / 6 / 16 / 25

HEX #BEB39F

RGB 190 179 159

HSL 38.71, 0.19%, 0.68%

LAB 73.34, 0.55, 11.62

 

CMYK 0 / 5 / 14 / 19

HEX #CFC5B2

RGB 207 197 178

HSL 39.31, 0.23%, 0.75%

LAB 79.85, 0.3, 10.77

 

CMYK 0 / 4 / 12 / 12

HEX #E0D7C5

RGB 224 215 197

HSL 40, 0.3%, 0.83%

LAB 86.25, 0.07, 9.97

 

CMYK 0 / 3 / 10 / 5

HEX #F1E9D8

RGB 241 233 216

HSL 40.8, 0.47%, 0.9%

LAB 92.55, -0.14, 9.21

 

CMYK 0 / 4 / 14 / 34

HEX #A8A191

RGB 168 161 145

HSL 41.74, 0.12%, 0.61%

LAB 66.41, -0.27, 9.23

 

CMYK 0 / 5 / 17 / 41

HEX #978F7E

RGB 151 143 126

HSL 40.8, 0.11%, 0.54%

LAB 59.64, -0.03, 10.11

 

CMYK 0 / 7 / 20 / 47

HEX #867D6B

RGB 134 125 107

HSL 40, 0.11%, 0.47%

LAB 52.73, 0.26, 11.05

 

CMYK 0 / 9 / 25 / 54

HEX #756B58

RGB 117 107 88

HSL 39.31, 0.14%, 0.4%

LAB 45.64, 0.6, 12.08

 

CMYK 0 / 11 / 31 / 61

HEX #645945

RGB 100 89 69

HSL 38.71, 0.18%, 0.33%

LAB 38.35, 1.02, 13.23

 

CMYK 0 / 4 / 14 / 34

HEX #A8A191

RGB 168 161 145

HSL 41.74, 0.12%, 0.61%

LAB 66.41, -0.27, 9.23

 

CMYK 0 / 2 / 14 / 35

HEX #A7A38F

RGB 167 163 143

HSL 50, 0.12%, 0.61%

LAB 66.82, -2.07, 10.91

 

CMYK 0 / 0 / 14 / 35

HEX #A7A78F

RGB 167 167 143

HSL 60, 0.12%, 0.61%

LAB 67.9, -4.24, 12.43

 

CMYK 2 / 0 / 14 / 35

HEX #A3A78F

RGB 163 167 143

HSL 70, 0.12%, 0.61%

LAB 67.58, -5.74, 11.94

 

CMYK 5 / 0 / 14 / 35

HEX #9FA78F

RGB 159 167 143

HSL 80, 0.12%, 0.61%

LAB 67.27, -7.24, 11.46

 

CMYK 0 / 4 / 14 / 34

HEX #A8A191

RGB 168 161 145

HSL 41.74, 0.12%, 0.61%

LAB 66.41, -0.27, 9.23

 

CMYK 0 / 4 / 14 / 14

HEX #DBD2BD

RGB 219 210 189

HSL 42, 0.29%, 0.8%

LAB 84.39, -0.4, 11.51

 

CMYK 0 / 7 / 13 / 94

HEX #0F0E0D

RGB 15 14 13

HSL 30, 0.07%, 0.05%

LAB 4.02, 0.16, 0.57

 

CMYK 0 / 5 / 14 / 74

HEX #423F39

RGB 66 63 57

HSL 40, 0.07%, 0.24%

LAB 26.76, 0.03, 4.13

 

CMYK 0 / 4 / 14 / 54

HEX #757065

RGB 117 112 101

HSL 41.25, 0.07%, 0.43%

LAB 47.38, -0.13, 6.8

 

CMYK 0 / 4 / 14 / 34

HEX #A8A191

RGB 168 161 145

HSL 41.74, 0.12%, 0.61%

LAB 66.41, -0.27, 9.23

 

CMYK 13 / 0 / 14 / 35

HEX #92A78F

RGB 146 167 143

HSL 112.5, 0.12%, 0.61%

LAB 66.31, -12, 9.97

 

CMYK 10 / 14 / 0 / 35

HEX #968FA7

RGB 150 143 167

HSL 257.5, 0.12%, 0.61%

LAB 60.71, 7.41, -11.69

 

CMYK 0 / 4 / 14 / 34

HEX #A8A191

RGB 168 161 145

HSL 41.74, 0.12%, 0.61%

LAB 66.41, -0.27, 9.23

 

CMYK 14 / 0 / 5 / 35

HEX #8FA79F

RGB 143 167 159

HSL 160, 0.12%, 0.61%

LAB 66.5, -9.96, 1.33

 

CMYK 5 / 14 / 0 / 35

HEX #9F8FA7

RGB 159 143 167

HSL 280, 0.12%, 0.61%

LAB 61.49, 10.53, -10.44

 

CMYK 0 / 4 / 14 / 34

HEX #A8A191

RGB 168 161 145

HSL 41.74, 0.12%, 0.61%

LAB 66.41, -0.27, 9.23

 

CMYK 13 / 0 / 14 / 35

HEX #92A78F

RGB 146 167 143

HSL 112.5, 0.12%, 0.61%

LAB 66.31, -12, 9.97

 

CMYK 14 / 10 / 0 / 35

HEX #8F97A7

RGB 143 151 167

HSL 220, 0.12%, 0.61%

LAB 62.31, 0.5, -9.35

 

CMYK 2 / 14 / 0 / 35

HEX #A48FA7

RGB 164 143 167

HSL 292.5, 0.12%, 0.61%

LAB 61.94, 12.29, -9.72

 

CMYK 0 / 4 / 14 / 34

HEX #A8A191

RGB 168 161 145

HSL 41.74, 0.12%, 0.61%

LAB 66.41, -0.27, 9.23

 

CMYK 14 / 0 / 12 / 35

HEX #8FA793

RGB 143 167 147

HSL 130, 0.12%, 0.61%

LAB 66.2, -12.33, 7.56

 

CMYK 14 / 10 / 0 / 35

HEX #8F97A7

RGB 143 151 167

HSL 220, 0.12%, 0.61%

LAB 62.31, 0.5, -9.35

 

CMYK 0 / 14 / 2 / 35

HEX #A78FA3

RGB 167 143 163

HSL 310, 0.12%, 0.61%

LAB 62.09, 12.59, -7.2

 

Description

Color code: HEX #A8A191 | qconv.com Color code: HEX #A8A191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 161 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 161 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 14 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 14% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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