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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A82EE9 it is the complementary color #57D116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A82EE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A82EE9 shade: #AD2EE4, #BE40F7, #CF52FF, #E064FF and #F176FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A82EE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A82EE9 shade: #A82EE9, #971CD6, #860AC3, #7500B0 and #64009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A82EE9 shade: #A92FE9, #DB2FE9, #E92FC6, #E92F93 and #E92F61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A82EE9 shade: #A92FE9, #762FE9, #442FE9 and #2F2FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A82EE9 shade matches the following richer shades: #A92FE9 and #AE1DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A82EE9 shade: #A92FE9, #A342D7, #9D54C4, #9867B1 and #927A9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A82EE9 shade: #452FE9, #772FE9, #A82FE9, #DA2FE9 and #E92FC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A82EE9 shade: #7B13B3, #9517D9, #A92FE9, #B855ED and #C87AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A82EE9 shade: #A82EE9, #E92F4B and #2FE95E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A82EE9 shade: #A82EE9, #E9A82F and #2FE9A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A82EE9 shade: #A82EE9, #E92F4B, #70E92F and #2FE9CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A82EE9 shade: #A82EE9, #E94B2F, #70E92F and #2FCDE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 80 / 0 / 9

HEX #A82EE9

RGB 168 46 233

HSL 279.14, 0.81%, 0.55%

LAB 47.19, 74.88, -70.42

 

Complementary color

CMYK 58 / 0 / 89 / 18

HEX #57D116

RGB 87 209 22

HSL 99.14, 0.81%, 0.45%

LAB 74.63, -62.45, 70.62

 

CMYK 24 / 80 / 0 / 11

HEX #AD2EE4

RGB 173 46 228

HSL 281.87, 0.77%, 0.54%

LAB 47.55, 74.7, -66.97

 

CMYK 23 / 74 / 0 / 3

HEX #BE40F7

RGB 190 64 247

HSL 281.31, 0.92%, 0.61%

LAB 53.31, 75.51, -68.21

 

CMYK 19 / 68 / 0 / 0

HEX #CF52FF

RGB 207 82 255

HSL 283.35, 1%, 0.66%

LAB 58.53, 73.59, -64.12

 

CMYK 12 / 61 / 0 / 0

HEX #E064FF

RGB 224 100 255

HSL 288, 1%, 0.7%

LAB 63.49, 69.8, -56.05

 

CMYK 5 / 54 / 0 / 0

HEX #F176FF

RGB 241 118 255

HSL 293.87, 1%, 0.73%

LAB 68.66, 65.9, -47.73

 

CMYK 28 / 80 / 0 / 9

HEX #A82EE9

RGB 168 46 233

HSL 279.14, 0.81%, 0.55%

LAB 47.19, 74.88, -70.42

 

CMYK 29 / 87 / 0 / 16

HEX #971CD6

RGB 151 28 214

HSL 279.68, 0.77%, 0.47%

LAB 41.63, 73.28, -68.73

 

CMYK 31 / 95 / 0 / 24

HEX #860AC3

RGB 134 10 195

HSL 280.22, 0.9%, 0.4%

LAB 36.41, 70.43, -66.33

 

CMYK 34 / 100 / 0 / 31

HEX #7500B0

RGB 117 0 176

HSL 279.89, 1%, 0.35%

LAB 31.62, 65.99, -63.04

 

CMYK 36 / 100 / 0 / 38

HEX #64009D

RGB 100 0 157

HSL 278.22, 1%, 0.31%

LAB 27.14, 60.21, -59

 

CMYK 27 / 80 / 0 / 9

HEX #A92FE9

RGB 169 47 233

HSL 279.35, 0.81%, 0.55%

LAB 47.43, 74.74, -70.01

 

CMYK 6 / 80 / 0 / 9

HEX #DB2FE9

RGB 219 47 233

HSL 295.48, 0.81%, 0.55%

LAB 55.05, 83.28, -57.34

 

CMYK 0 / 80 / 15 / 9

HEX #E92FC6

RGB 233 47 198

HSL 311.29, 0.81%, 0.55%

LAB 55.52, 80.9, -36.54

 

CMYK 0 / 80 / 37 / 9

HEX #E92F93

RGB 233 47 147

HSL 327.74, 0.81%, 0.55%

LAB 53.45, 74.98, -9.88

 

CMYK 0 / 80 / 58 / 9

HEX #E92F61

RGB 233 47 97

HSL 343.87, 0.81%, 0.55%

LAB 52.08, 70.88, 18.22

 

CMYK 27 / 80 / 0 / 9

HEX #A92FE9

RGB 169 47 233

HSL 279.35, 0.81%, 0.55%

LAB 47.43, 74.74, -70.01

 

CMYK 49 / 80 / 0 / 9

HEX #762FE9

RGB 118 47 233

HSL 262.9, 0.81%, 0.55%

LAB 40.84, 67.44, -81.05

 

CMYK 71 / 80 / 0 / 9

HEX #442FE9

RGB 68 47 233

HSL 246.77, 0.81%, 0.55%

LAB 36.26, 62.44, -88.77

 

CMYK 80 / 80 / 0 / 9

HEX #2F2FE9

RGB 47 47 233

HSL 240, 0.81%, 0.55%

LAB 35.04, 61.12, -90.83

 

CMYK 27 / 80 / 0 / 9

HEX #A92FE9

RGB 169 47 233

HSL 279.35, 0.81%, 0.55%

LAB 47.43, 74.74, -70.01

 

CMYK 31 / 88 / 0 / 1

HEX #AE1DFC

RGB 174 29 252

HSL 279.01, 0.97%, 0.55%

LAB 48.14, 83.49, -79.5

 

CMYK 27 / 80 / 0 / 9

HEX #A92FE9

RGB 169 47 233

HSL 279.35, 0.81%, 0.55%

LAB 47.43, 74.74, -70.01

 

CMYK 24 / 69 / 0 / 16

HEX #A342D7

RGB 163 66 215

HSL 279.06, 0.65%, 0.55%

LAB 47.74, 63.1, -59.32

 

CMYK 20 / 57 / 0 / 23

HEX #9D54C4

RGB 157 84 196

HSL 279.11, 0.49%, 0.55%

LAB 48.88, 49.2, -46.63

 

CMYK 14 / 42 / 0 / 31

HEX #9867B1

RGB 152 103 177

HSL 279.73, 0.32%, 0.55%

LAB 51.32, 33.28, -31.8

 

CMYK 8 / 23 / 0 / 38

HEX #927A9F

RGB 146 122 159

HSL 278.92, 0.16%, 0.55%

LAB 54.59, 16.4, -16.37

 

CMYK 70 / 80 / 0 / 9

HEX #452FE9

RGB 69 47 233

HSL 247.1, 0.81%, 0.55%

LAB 36.33, 62.51, -88.65

 

CMYK 49 / 80 / 0 / 9

HEX #772FE9

RGB 119 47 233

HSL 263.23, 0.81%, 0.55%

LAB 40.96, 67.56, -80.86

 

CMYK 28 / 80 / 0 / 9

HEX #A82FE9

RGB 168 47 233

HSL 279.03, 0.81%, 0.55%

LAB 47.29, 74.58, -70.25

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 0 / 80 / 15 / 9

HEX #E92FC7

RGB 233 47 199

HSL 310.97, 0.81%, 0.55%

LAB 55.56, 81.03, -37.04

 

CMYK 31 / 89 / 0 / 30

HEX #7B13B3

RGB 123 19 179

HSL 279, 0.81%, 0.39%

LAB 33.84, 64.31, -61.15

 

CMYK 31 / 89 / 0 / 15

HEX #9517D9

RGB 149 23 217

HSL 278.97, 0.81%, 0.47%

LAB 41.24, 74.61, -71.12

 

CMYK 27 / 80 / 0 / 9

HEX #A92FE9

RGB 169 47 233

HSL 279.35, 0.81%, 0.55%

LAB 47.43, 74.74, -70.01

 

CMYK 22 / 64 / 0 / 7

HEX #B855ED

RGB 184 85 237

HSL 279.08, 0.81%, 0.63%

LAB 54.87, 63.85, -60.15

 

CMYK 17 / 49 / 0 / 5

HEX #C87AF1

RGB 200 122 241

HSL 279.33, 0.81%, 0.71%

LAB 63.79, 50.48, -48.04

 

CMYK 28 / 80 / 0 / 9

HEX #A82EE9

RGB 168 46 233

HSL 279.14, 0.81%, 0.55%

LAB 47.19, 74.88, -70.42

 

CMYK 0 / 80 / 68 / 9

HEX #E92F4B

RGB 233 47 75

HSL 350.97, 0.81%, 0.55%

LAB 51.68, 69.66, 30.89

 

CMYK 80 / 0 / 60 / 9

HEX #2FE95E

RGB 47 233 94

HSL 135.16, 0.81%, 0.55%

LAB 81.67, -71.96, 53.94

 

CMYK 28 / 80 / 0 / 9

HEX #A82EE9

RGB 168 46 233

HSL 279.14, 0.81%, 0.55%

LAB 47.19, 74.88, -70.42

 

CMYK 0 / 28 / 80 / 9

HEX #E9A82F

RGB 233 168 47

HSL 39.03, 0.81%, 0.55%

LAB 73.24, 13.84, 66.93

 

CMYK 80 / 0 / 28 / 9

HEX #2FE9A8

RGB 47 233 168

HSL 159.03, 0.81%, 0.55%

LAB 82.76, -59.36, 19.14

 

CMYK 28 / 80 / 0 / 9

HEX #A82EE9

RGB 168 46 233

HSL 279.14, 0.81%, 0.55%

LAB 47.19, 74.88, -70.42

 

CMYK 0 / 80 / 68 / 9

HEX #E92F4B

RGB 233 47 75

HSL 350.97, 0.81%, 0.55%

LAB 51.68, 69.66, 30.89

 

CMYK 52 / 0 / 80 / 9

HEX #70E92F

RGB 112 233 47

HSL 99.03, 0.81%, 0.55%

LAB 82.88, -63.31, 72.68

 

CMYK 80 / 0 / 12 / 9

HEX #2FE9CD

RGB 47 233 205

HSL 170.97, 0.81%, 0.55%

LAB 83.59, -50.48, 0.93

 

CMYK 28 / 80 / 0 / 9

HEX #A82EE9

RGB 168 46 233

HSL 279.14, 0.81%, 0.55%

LAB 47.19, 74.88, -70.42

 

CMYK 0 / 68 / 80 / 9

HEX #E94B2F

RGB 233 75 47

HSL 9.03, 0.81%, 0.55%

LAB 54.62, 59.49, 49.6

 

CMYK 52 / 0 / 80 / 9

HEX #70E92F

RGB 112 233 47

HSL 99.03, 0.81%, 0.55%

LAB 82.88, -63.31, 72.68

 

CMYK 80 / 12 / 0 / 9

HEX #2FCDE9

RGB 47 205 233

HSL 189.03, 0.81%, 0.55%

LAB 76.16, -29.84, -25.1

 

Description

Color code: HEX #A82EE9 | qconv.com Color code: HEX #A82EE9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 46 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 46 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 80 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 80% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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