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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA2FE9 it is the complementary color #25D016. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA2FE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA2FE9 shade: #DF2FE4, #F041F7, #FF53FF, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA2FE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA2FE9 shade: #DA2FE9, #C91DD6, #B80BC3, #A700B0 and #96009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA2FE9 shade: #DA2FE9, #E92FC6, #E92F94, #E92F62 and #E92F30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA2FE9 shade: #DA2FE9, #A82FE9, #762FE9, #442FE9 and #2F2FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA2FE9 shade matches the following richer shades: #DA2FE9 and #EA1DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA2FE9 shade: #DA2FE9, #CB42D7, #BB54C4, #AB67B1 and #9C7A9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA2FE9 shade: #772FE9, #A82FE9, #DA2FE9, #E92FC7 and #E92F96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA2FE9 shade: #A613B3, #C917D9, #DA2FE9, #E155ED and #E77AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA2FE9 shade: #DA2FE9, #E9452F and #2FE98F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA2FE9 shade: #DA2FE9, #E9DA2F and #2FE9DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA2FE9 shade: #DA2FE9, #E9452F, #3FE92F and #2FD4E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA2FE9 shade: #DA2FE9, #E97D2F, #3FE92F and #2F9CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

Complementary color

CMYK 82 / 0 / 89 / 18

HEX #25D016

RGB 37 208 22

HSL 115.16, 0.81%, 0.45%

LAB 73.26, -71.09, 69.04

 

CMYK 2 / 79 / 0 / 11

HEX #DF2FE4

RGB 223 47 228

HSL 298.34, 0.77%, 0.54%

LAB 55.4, 83.23, -53.92

 

CMYK 3 / 74 / 0 / 3

HEX #F041F7

RGB 240 65 247

HSL 297.69, 0.92%, 0.61%

LAB 60.8, 84.64, -55.78

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 6 / 86 / 0 / 16

HEX #C91DD6

RGB 201 29 214

HSL 295.78, 0.76%, 0.48%

LAB 49.68, 80.88, -55.33

 

CMYK 6 / 94 / 0 / 24

HEX #B80BC3

RGB 184 11 195

HSL 296.41, 0.89%, 0.4%

LAB 44.76, 77.54, -52.41

 

CMYK 5 / 100 / 0 / 31

HEX #A700B0

RGB 167 0 176

HSL 296.93, 1%, 0.35%

LAB 40.16, 72.94, -48.77

 

CMYK 4 / 100 / 0 / 38

HEX #96009D

RGB 150 0 157

HSL 297.32, 1%, 0.31%

LAB 35.83, 67.23, -44.49

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 0 / 80 / 15 / 9

HEX #E92FC6

RGB 233 47 198

HSL 311.29, 0.81%, 0.55%

LAB 55.52, 80.9, -36.54

 

CMYK 0 / 80 / 36 / 9

HEX #E92F94

RGB 233 47 148

HSL 327.42, 0.81%, 0.55%

LAB 53.49, 75.08, -10.42

 

CMYK 0 / 80 / 58 / 9

HEX #E92F62

RGB 233 47 98

HSL 343.55, 0.81%, 0.55%

LAB 52.11, 70.95, 17.64

 

CMYK 0 / 80 / 79 / 9

HEX #E92F30

RGB 233 47 48

HSL 359.68, 0.81%, 0.55%

LAB 51.35, 68.62, 45.86

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 28 / 80 / 0 / 9

HEX #A82FE9

RGB 168 47 233

HSL 279.03, 0.81%, 0.55%

LAB 47.29, 74.58, -70.25

 

CMYK 49 / 80 / 0 / 9

HEX #762FE9

RGB 118 47 233

HSL 262.9, 0.81%, 0.55%

LAB 40.84, 67.44, -81.05

 

CMYK 71 / 80 / 0 / 9

HEX #442FE9

RGB 68 47 233

HSL 246.77, 0.81%, 0.55%

LAB 36.26, 62.44, -88.77

 

CMYK 80 / 80 / 0 / 9

HEX #2F2FE9

RGB 47 47 233

HSL 240, 0.81%, 0.55%

LAB 35.04, 61.12, -90.83

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 7 / 88 / 0 / 1

HEX #EA1DFC

RGB 234 29 252

HSL 295.16, 0.97%, 0.55%

LAB 57.46, 92.14, -63.95

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 6 / 69 / 0 / 16

HEX #CB42D7

RGB 203 66 215

HSL 295.17, 0.65%, 0.55%

LAB 53.49, 71.51, -49.78

 

CMYK 5 / 57 / 0 / 23

HEX #BB54C4

RGB 187 84 196

HSL 295.18, 0.49%, 0.55%

LAB 52.83, 56.95, -40.11

 

CMYK 3 / 42 / 0 / 31

HEX #AB67B1

RGB 171 103 177

HSL 295.14, 0.32%, 0.55%

LAB 53.53, 39.15, -28.2

 

CMYK 2 / 23 / 0 / 38

HEX #9C7A9F

RGB 156 122 159

HSL 295.14, 0.16%, 0.55%

LAB 55.57, 19.88, -14.79

 

CMYK 49 / 80 / 0 / 9

HEX #772FE9

RGB 119 47 233

HSL 263.23, 0.81%, 0.55%

LAB 40.96, 67.56, -80.86

 

CMYK 28 / 80 / 0 / 9

HEX #A82FE9

RGB 168 47 233

HSL 279.03, 0.81%, 0.55%

LAB 47.29, 74.58, -70.25

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 0 / 80 / 15 / 9

HEX #E92FC7

RGB 233 47 199

HSL 310.97, 0.81%, 0.55%

LAB 55.56, 81.03, -37.04

 

CMYK 0 / 80 / 36 / 9

HEX #E92F96

RGB 233 47 150

HSL 326.77, 0.81%, 0.55%

LAB 53.56, 75.28, -11.51

 

CMYK 7 / 89 / 0 / 30

HEX #A613B3

RGB 166 19 179

HSL 295.13, 0.81%, 0.39%

LAB 40.94, 71.01, -49.31

 

CMYK 7 / 89 / 0 / 15

HEX #C917D9

RGB 201 23 217

HSL 295.05, 0.81%, 0.47%

LAB 49.54, 82.29, -57.26

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 5 / 64 / 0 / 7

HEX #E155ED

RGB 225 85 237

HSL 295.26, 0.81%, 0.63%

LAB 60.44, 73.01, -50.92

 

CMYK 4 / 49 / 0 / 5

HEX #E77AF1

RGB 231 122 241

HSL 294.96, 0.81%, 0.71%

LAB 67.47, 58.86, -42.01

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 0 / 70 / 80 / 9

HEX #E9452F

RGB 233 69 47

HSL 7.1, 0.81%, 0.55%

LAB 53.8, 61.73, 48.8

 

CMYK 80 / 0 / 39 / 9

HEX #2FE98F

RGB 47 233 143

HSL 150.97, 0.81%, 0.55%

LAB 82.31, -64.44, 31.36

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 0 / 6 / 80 / 9

HEX #E9DA2F

RGB 233 218 47

HSL 55.16, 0.81%, 0.55%

LAB 85.84, -12, 78.05

 

CMYK 80 / 0 / 6 / 9

HEX #2FE9DA

RGB 47 233 218

HSL 175.16, 0.81%, 0.55%

LAB 83.94, -47.03, -5.42

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 0 / 70 / 80 / 9

HEX #E9452F

RGB 233 69 47

HSL 7.1, 0.81%, 0.55%

LAB 53.8, 61.73, 48.8

 

CMYK 73 / 0 / 80 / 9

HEX #3FE92F

RGB 63 233 47

HSL 114.84, 0.81%, 0.55%

LAB 81.59, -73.88, 71.02

 

CMYK 80 / 9 / 0 / 9

HEX #2FD4E9

RGB 47 212 233

HSL 186.77, 0.81%, 0.55%

LAB 78.21, -33.2, -21.97

 

CMYK 6 / 80 / 0 / 9

HEX #DA2FE9

RGB 218 47 233

HSL 295.16, 0.81%, 0.55%

LAB 54.89, 83.1, -57.6

 

CMYK 0 / 46 / 80 / 9

HEX #E97D2F

RGB 233 125 47

HSL 25.16, 0.81%, 0.55%

LAB 63.5, 36.48, 58.04

 

CMYK 73 / 0 / 80 / 9

HEX #3FE92F

RGB 63 233 47

HSL 114.84, 0.81%, 0.55%

LAB 81.59, -73.88, 71.02

 

CMYK 80 / 33 / 0 / 9

HEX #2F9CE9

RGB 47 156 233

HSL 204.84, 0.81%, 0.55%

LAB 61.88, -3.92, -47.29

 

Description

Color code: HEX #DA2FE9 | qconv.com Color code: HEX #DA2FE9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 47 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 47 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 80 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 80% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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