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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A82953 it is the complementary color #57D6AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A82953. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A82953 shade: #AD294E, #BE3B61, #CF4D74, #E05F87 and #F1719A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A82953. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A82953 shade: #A82953, #971740, #86052D, #75001A and #640007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A82953 shade: #A82852, #A82830 and #A82828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A82953 shade: #A82852, #A82875, #A82897, #9628A8 and #7428A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A82953 shade matches the following richer shades: #A82852, #B9174D and #CA0647

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A82953 shade: #A82852, #973958, #864A5E, #755B64 and #646C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A82953 shade: #A82897, #A82875, #A82853, #A82831 and #A84228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A82953 shade: #651832, #872042, #A82852, #C93063 and #D44F7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A82953 shade: #A82953, #A89728 and #2886A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A82953 shade: #A82953, #53A828 and #2853A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A82953 shade: #A82953, #A89728, #28A87D and #2839A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A82953 shade: #A82953, #93A828, #28A87D and #3E28A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 51 / 34

HEX #A82953

RGB 168 41 83

HSL 340.16, 0.61%, 0.41%

LAB 38.79, 53.63, 6.56

 

Complementary color

CMYK 59 / 0 / 20 / 16

HEX #57D6AC

RGB 87 214 172

HSL 160.16, 0.61%, 0.59%

LAB 77.93, -45.06, 10.36

 

CMYK 0 / 76 / 55 / 32

HEX #AD294E

RGB 173 41 78

HSL 343.18, 0.62%, 0.42%

LAB 39.61, 54.68, 11.04

 

CMYK 0 / 69 / 49 / 25

HEX #BE3B61

RGB 190 59 97

HSL 342.6, 0.53%, 0.49%

LAB 45.55, 54.88, 7.95

 

CMYK 0 / 63 / 44 / 19

HEX #CF4D74

RGB 207 77 116

HSL 342, 0.58%, 0.56%

LAB 51.65, 54.56, 5.49

 

CMYK 0 / 58 / 40 / 12

HEX #E05F87

RGB 224 95 135

HSL 341.4, 0.68%, 0.63%

LAB 57.83, 53.97, 3.48

 

CMYK 0 / 53 / 36 / 5

HEX #F1719A

RGB 241 113 154

HSL 340.78, 0.82%, 0.69%

LAB 64.03, 53.23, 1.8

 

CMYK 0 / 76 / 51 / 34

HEX #A82953

RGB 168 41 83

HSL 340.16, 0.61%, 0.41%

LAB 38.79, 53.63, 6.56

 

CMYK 0 / 85 / 58 / 41

HEX #971740

RGB 151 23 64

HSL 340.78, 0.74%, 0.34%

LAB 33.05, 52.58, 10.32

 

CMYK 0 / 96 / 66 / 47

HEX #86052D

RGB 134 5 45

HSL 341.4, 0.93%, 0.27%

LAB 27.75, 50.24, 15.22

 

CMYK 0 / 100 / 78 / 54

HEX #75001A

RGB 117 0 26

HSL 346.67, 1%, 0.23%

LAB 23.19, 45.75, 21.57

 

CMYK 0 / 100 / 93 / 61

HEX #640007

RGB 100 0 7

HSL 355.8, 1%, 0.2%

LAB 18.91, 40.49, 26.19

 

CMYK 0 / 76 / 51 / 34

HEX #A82852

RGB 168 40 82

HSL 340.31, 0.62%, 0.41%

LAB 38.64, 53.88, 7

 

CMYK 0 / 76 / 71 / 34

HEX #A82830

RGB 168 40 48

HSL 356.25, 0.62%, 0.41%

LAB 37.94, 51.62, 27.54

 

CMYK 0 / 76 / 76 / 34

HEX #A82828

RGB 168 40 40

HSL 0, 0.62%, 0.41%

LAB 37.83, 51.26, 32.24

 

CMYK 0 / 76 / 51 / 34

HEX #A82852

RGB 168 40 82

HSL 340.31, 0.62%, 0.41%

LAB 38.64, 53.88, 7

 

CMYK 0 / 76 / 30 / 34

HEX #A82875

RGB 168 40 117

HSL 323.91, 0.62%, 0.41%

LAB 39.79, 57.49, -13.4

 

CMYK 0 / 76 / 10 / 34

HEX #A82897

RGB 168 40 151

HSL 307.97, 0.62%, 0.41%

LAB 41.34, 62.13, -31.89

 

CMYK 11 / 76 / 0 / 34

HEX #9628A8

RGB 150 40 168

HSL 291.56, 0.62%, 0.41%

LAB 39.29, 61.06, -45.56

 

CMYK 31 / 76 / 0 / 34

HEX #7428A8

RGB 116 40 168

HSL 275.63, 0.62%, 0.41%

LAB 34.1, 54.42, -54.19

 

CMYK 0 / 76 / 51 / 34

HEX #A82852

RGB 168 40 82

HSL 340.31, 0.62%, 0.41%

LAB 38.64, 53.88, 7

 

CMYK 0 / 88 / 58 / 27

HEX #B9174D

RGB 185 23 77

HSL 340, 0.78%, 0.41%

LAB 40.35, 62.49, 13.07

 

CMYK 0 / 97 / 65 / 21

HEX #CA0647

RGB 202 6 71

HSL 340.1, 0.94%, 0.41%

LAB 42.98, 68.52, 20.99

 

CMYK 0 / 76 / 51 / 34

HEX #A82852

RGB 168 40 82

HSL 340.31, 0.62%, 0.41%

LAB 38.64, 53.88, 7

 

CMYK 0 / 62 / 42 / 41

HEX #973958

RGB 151 57 88

HSL 340.21, 0.45%, 0.41%

LAB 38.22, 42.31, 2.17

 

CMYK 0 / 45 / 30 / 47

HEX #864A5E

RGB 134 74 94

HSL 340, 0.29%, 0.41%

LAB 39.2, 28.02, -0.5

 

CMYK 0 / 22 / 15 / 54

HEX #755B64

RGB 117 91 100

HSL 339.23, 0.13%, 0.41%

LAB 41.51, 12.21, -1.08

 

CMYK 7 / 0 / 3 / 58

HEX #646C69

RGB 100 108 105

HSL 157.5, 0.04%, 0.41%

LAB 44.88, -3.68, 0.62

 

CMYK 0 / 76 / 10 / 34

HEX #A82897

RGB 168 40 151

HSL 307.97, 0.62%, 0.41%

LAB 41.34, 62.13, -31.89

 

CMYK 0 / 76 / 30 / 34

HEX #A82875

RGB 168 40 117

HSL 323.91, 0.62%, 0.41%

LAB 39.79, 57.49, -13.4

 

CMYK 0 / 76 / 51 / 34

HEX #A82853

RGB 168 40 83

HSL 339.84, 0.62%, 0.41%

LAB 38.67, 53.97, 6.4

 

CMYK 0 / 76 / 71 / 34

HEX #A82831

RGB 168 40 49

HSL 355.78, 0.62%, 0.41%

LAB 37.96, 51.67, 26.95

 

CMYK 0 / 61 / 76 / 34

HEX #A84228

RGB 168 66 40

HSL 12.19, 0.62%, 0.41%

LAB 41.81, 40.5, 36.55

 

CMYK 0 / 76 / 50 / 60

HEX #651832

RGB 101 24 50

HSL 339.74, 0.62%, 0.25%

LAB 22.48, 36.16, 3.42

 

CMYK 0 / 76 / 51 / 47

HEX #872042

RGB 135 32 66

HSL 340.19, 0.62%, 0.33%

LAB 30.82, 45.41, 5.4

 

CMYK 0 / 76 / 51 / 34

HEX #A82852

RGB 168 40 82

HSL 340.31, 0.62%, 0.41%

LAB 38.64, 53.88, 7

 

CMYK 0 / 76 / 51 / 21

HEX #C93063

RGB 201 48 99

HSL 340, 0.61%, 0.49%

LAB 46.22, 62.09, 7.95

 

CMYK 0 / 63 / 42 / 17

HEX #D44F7B

RGB 212 79 123

HSL 340.15, 0.61%, 0.57%

LAB 52.97, 55.98, 3.31

 

CMYK 0 / 76 / 51 / 34

HEX #A82953

RGB 168 41 83

HSL 340.16, 0.61%, 0.41%

LAB 38.79, 53.63, 6.56

 

CMYK 0 / 10 / 76 / 34

HEX #A89728

RGB 168 151 40

HSL 52.03, 0.62%, 0.41%

LAB 62.18, -5.88, 56.78

 

CMYK 76 / 20 / 0 / 34

HEX #2886A8

RGB 40 134 168

HSL 195.94, 0.62%, 0.41%

LAB 52.21, -15.25, -25.76

 

CMYK 0 / 76 / 51 / 34

HEX #A82953

RGB 168 41 83

HSL 340.16, 0.61%, 0.41%

LAB 38.79, 53.63, 6.56

 

CMYK 51 / 0 / 76 / 34

HEX #53A828

RGB 83 168 40

HSL 99.84, 0.62%, 0.41%

LAB 61.65, -47.83, 54.33

 

CMYK 76 / 51 / 0 / 34

HEX #2853A8

RGB 40 83 168

HSL 219.84, 0.62%, 0.41%

LAB 36.86, 16.07, -50.02

 

CMYK 0 / 76 / 51 / 34

HEX #A82953

RGB 168 41 83

HSL 340.16, 0.61%, 0.41%

LAB 38.79, 53.63, 6.56

 

CMYK 0 / 10 / 76 / 34

HEX #A89728

RGB 168 151 40

HSL 52.03, 0.62%, 0.41%

LAB 62.18, -5.88, 56.78

 

CMYK 76 / 0 / 26 / 34

HEX #28A87D

RGB 40 168 125

HSL 159.84, 0.62%, 0.41%

LAB 61.6, -44.3, 12.64

 

CMYK 76 / 66 / 0 / 34

HEX #2839A8

RGB 40 57 168

HSL 232.03, 0.62%, 0.41%

LAB 29.92, 33.33, -61.32

 

CMYK 0 / 76 / 51 / 34

HEX #A82953

RGB 168 41 83

HSL 340.16, 0.61%, 0.41%

LAB 38.79, 53.63, 6.56

 

CMYK 13 / 0 / 76 / 34

HEX #93A828

RGB 147 168 40

HSL 69.84, 0.62%, 0.41%

LAB 65.25, -23.9, 59.03

 

CMYK 76 / 0 / 26 / 34

HEX #28A87D

RGB 40 168 125

HSL 159.84, 0.62%, 0.41%

LAB 61.6, -44.3, 12.64

 

CMYK 63 / 76 / 0 / 34

HEX #3E28A8

RGB 62 40 168

HSL 250.31, 0.62%, 0.41%

LAB 27.76, 45.94, -64.82

 

Description

Color code: HEX #A82953 | qconv.com Color code: HEX #A82953 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 41 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 41 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 51 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 51% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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