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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A82594 it is the complementary color #57DA6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A82594. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A82594 shade: #AD258F, #BE37A2, #CF49B5, #E05BC8 and #F16DDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A82594. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A82594 shade: #A82594, #971381, #86016E, #75005B and #640048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A82594 shade: #A72593, #A72570, #A7254D, #A7252A and #A72525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A82594 shade: #A72593, #9825A7, #7525A7, #5225A7 and #2E25A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A82594 shade matches the following richer shades: #A72593, #B8149F and #C804AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A82594 shade: #A72593, #973588, #86467C, #765671 and #656765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A82594 shade: #7525A7, #9825A7, #A72594, #A72571 and #A7254E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A82594 shade: #641658, #851D76, #A72593, #C92CB1 and #D748C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A82594 shade: #A82594, #A75225 and #25A787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A82594 shade: #A82594, #94A725 and #2594A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A82594 shade: #A82594, #A75225, #25A738 and #257AA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A82594 shade: #A82594, #A77A25, #25A738 and #2552A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 12 / 34

HEX #A82594

RGB 168 37 148

HSL 309.16, 0.64%, 0.4%

LAB 40.87, 62.57, -30.8

 

Complementary color

CMYK 60 / 0 / 51 / 15

HEX #57DA6B

RGB 87 218 107

HSL 129.16, 0.64%, 0.6%

LAB 78.01, -58.64, 43.82

 

CMYK 0 / 79 / 17 / 32

HEX #AD258F

RGB 173 37 143

HSL 313.24, 0.65%, 0.41%

LAB 41.52, 62.99, -26.69

 

CMYK 0 / 71 / 15 / 25

HEX #BE37A2

RGB 190 55 162

HSL 312.44, 0.55%, 0.48%

LAB 47.35, 64.02, -28.8

 

CMYK 0 / 65 / 13 / 19

HEX #CF49B5

RGB 207 73 181

HSL 311.64, 0.58%, 0.55%

LAB 53.35, 64.37, -30.42

 

CMYK 0 / 59 / 11 / 12

HEX #E05BC8

RGB 224 91 200

HSL 310.83, 0.68%, 0.62%

LAB 59.43, 64.28, -31.68

 

CMYK 0 / 55 / 9 / 5

HEX #F16DDB

RGB 241 109 219

HSL 310, 0.83%, 0.69%

LAB 65.56, 63.93, -32.7

 

CMYK 0 / 78 / 12 / 34

HEX #A82594

RGB 168 37 148

HSL 309.16, 0.64%, 0.4%

LAB 40.87, 62.57, -30.8

 

CMYK 0 / 87 / 15 / 41

HEX #971381

RGB 151 19 129

HSL 310, 0.78%, 0.33%

LAB 35.26, 60.52, -28.15

 

CMYK 0 / 99 / 18 / 47

HEX #86016E

RGB 134 1 110

HSL 310.83, 0.99%, 0.26%

LAB 29.95, 57.27, -24.72

 

CMYK 0 / 100 / 22 / 54

HEX #75005B

RGB 117 0 91

HSL 313.33, 1%, 0.23%

LAB 25.37, 51.44, -19.76

 

CMYK 0 / 100 / 28 / 61

HEX #640048

RGB 100 0 72

HSL 316.8, 1%, 0.2%

LAB 20.74, 45.32, -14.44

 

CMYK 0 / 78 / 12 / 35

HEX #A72593

RGB 167 37 147

HSL 309.23, 0.64%, 0.4%

LAB 40.65, 62.2, -30.57

 

CMYK 0 / 78 / 33 / 35

HEX #A72570

RGB 167 37 112

HSL 325.38, 0.64%, 0.4%

LAB 39.09, 57.57, -11.37

 

CMYK 0 / 78 / 54 / 35

HEX #A7254D

RGB 167 37 77

HSL 341.54, 0.64%, 0.4%

LAB 37.98, 54.15, 9.22

 

CMYK 0 / 78 / 75 / 35

HEX #A7252A

RGB 167 37 42

HSL 357.69, 0.64%, 0.4%

LAB 37.31, 52.02, 30.4

 

CMYK 0 / 78 / 78 / 35

HEX #A72525

RGB 167 37 37

HSL 0, 0.64%, 0.4%

LAB 37.25, 51.82, 33.31

 

CMYK 0 / 78 / 12 / 35

HEX #A72593

RGB 167 37 147

HSL 309.23, 0.64%, 0.4%

LAB 40.65, 62.2, -30.57

 

CMYK 9 / 78 / 0 / 35

HEX #9825A7

RGB 152 37 167

HSL 293.08, 0.64%, 0.4%

LAB 39.22, 62.24, -45.05

 

CMYK 30 / 78 / 0 / 35

HEX #7525A7

RGB 117 37 167

HSL 276.92, 0.64%, 0.4%

LAB 33.76, 55.54, -54.13

 

CMYK 51 / 78 / 0 / 35

HEX #5225A7

RGB 82 37 167

HSL 260.77, 0.64%, 0.4%

LAB 29.18, 49.79, -61.82

 

CMYK 72 / 78 / 0 / 35

HEX #2E25A7

RGB 46 37 167

HSL 244.15, 0.64%, 0.4%

LAB 25.84, 45.52, -67.42

 

CMYK 0 / 78 / 12 / 35

HEX #A72593

RGB 167 37 147

HSL 309.23, 0.64%, 0.4%

LAB 40.65, 62.2, -30.57

 

CMYK 0 / 89 / 14 / 28

HEX #B8149F

RGB 184 20 159

HSL 309.15, 0.8%, 0.4%

LAB 43.05, 71.17, -33.82

 

CMYK 0 / 98 / 15 / 22

HEX #C804AA

RGB 200 4 170

HSL 309.18, 0.96%, 0.4%

LAB 46, 77.37, -35.55

 

CMYK 0 / 78 / 12 / 35

HEX #A72593

RGB 167 37 147

HSL 309.23, 0.64%, 0.4%

LAB 40.65, 62.2, -30.57

 

CMYK 0 / 65 / 10 / 41

HEX #973588

RGB 151 53 136

HSL 309.18, 0.48%, 0.4%

LAB 39.42, 50.79, -25.97

 

CMYK 0 / 48 / 7 / 47

HEX #86467C

RGB 134 70 124

HSL 309.38, 0.31%, 0.4%

LAB 39.42, 35.24, -18.8

 

CMYK 0 / 27 / 4 / 54

HEX #765671

RGB 118 86 113

HSL 309.38, 0.16%, 0.4%

LAB 40.73, 18.12, -10.2

 

CMYK 2 / 0 / 2 / 60

HEX #656765

RGB 101 103 101

HSL 120, 0.01%, 0.4%

LAB 43.37, -1.19, 0.85

 

CMYK 30 / 78 / 0 / 35

HEX #7525A7

RGB 117 37 167

HSL 276.92, 0.64%, 0.4%

LAB 33.76, 55.54, -54.13

 

CMYK 9 / 78 / 0 / 35

HEX #9825A7

RGB 152 37 167

HSL 293.08, 0.64%, 0.4%

LAB 39.22, 62.24, -45.05

 

CMYK 0 / 78 / 11 / 35

HEX #A72594

RGB 167 37 148

HSL 308.77, 0.64%, 0.4%

LAB 40.7, 62.34, -31.09

 

CMYK 0 / 78 / 32 / 35

HEX #A72571

RGB 167 37 113

HSL 324.92, 0.64%, 0.4%

LAB 39.12, 57.69, -11.94

 

CMYK 0 / 78 / 53 / 35

HEX #A7254E

RGB 167 37 78

HSL 341.08, 0.64%, 0.4%

LAB 38, 54.23, 8.62

 

CMYK 0 / 78 / 12 / 61

HEX #641658

RGB 100 22 88

HSL 309.23, 0.64%, 0.24%

LAB 23.63, 41.75, -20.74

 

CMYK 0 / 78 / 11 / 48

HEX #851D76

RGB 133 29 118

HSL 308.65, 0.64%, 0.32%

LAB 32.2, 52.37, -26.3

 

CMYK 0 / 78 / 12 / 35

HEX #A72593

RGB 167 37 147

HSL 309.23, 0.64%, 0.4%

LAB 40.65, 62.2, -30.57

 

CMYK 0 / 78 / 12 / 21

HEX #C92CB1

RGB 201 44 177

HSL 309.17, 0.64%, 0.48%

LAB 48.75, 72.05, -35.34

 

CMYK 0 / 67 / 10 / 16

HEX #D748C1

RGB 215 72 193

HSL 309.23, 0.64%, 0.56%

LAB 55, 68.55, -34.68

 

CMYK 0 / 78 / 12 / 34

HEX #A82594

RGB 168 37 148

HSL 309.16, 0.64%, 0.4%

LAB 40.87, 62.57, -30.8

 

CMYK 0 / 51 / 78 / 35

HEX #A75225

RGB 167 82 37

HSL 20.77, 0.64%, 0.4%

LAB 44.78, 31.85, 41.14

 

CMYK 78 / 0 / 19 / 35

HEX #25A787

RGB 37 167 135

HSL 165.23, 0.64%, 0.4%

LAB 61.46, -41.77, 6.88

 

CMYK 0 / 78 / 12 / 34

HEX #A82594

RGB 168 37 148

HSL 309.16, 0.64%, 0.4%

LAB 40.87, 62.57, -30.8

 

CMYK 11 / 0 / 78 / 35

HEX #94A725

RGB 148 167 37

HSL 68.77, 0.64%, 0.4%

LAB 65.02, -23.12, 59.81

 

CMYK 78 / 11 / 0 / 35

HEX #2594A7

RGB 37 148 167

HSL 188.77, 0.64%, 0.4%

LAB 56.45, -23.42, -18.68

 

CMYK 0 / 78 / 12 / 34

HEX #A82594

RGB 168 37 148

HSL 309.16, 0.64%, 0.4%

LAB 40.87, 62.57, -30.8

 

CMYK 0 / 51 / 78 / 35

HEX #A75225

RGB 167 82 37

HSL 20.77, 0.64%, 0.4%

LAB 44.78, 31.85, 41.14

 

CMYK 78 / 0 / 66 / 35

HEX #25A738

RGB 37 167 56

HSL 128.77, 0.64%, 0.4%

LAB 60.17, -56.37, 46.19

 

CMYK 78 / 27 / 0 / 35

HEX #257AA7

RGB 37 122 167

HSL 200.77, 0.64%, 0.4%

LAB 48.39, -9.17, -31.12

 

CMYK 0 / 78 / 12 / 34

HEX #A82594

RGB 168 37 148

HSL 309.16, 0.64%, 0.4%

LAB 40.87, 62.57, -30.8

 

CMYK 0 / 27 / 78 / 35

HEX #A77A25

RGB 167 122 37

HSL 39.23, 0.64%, 0.4%

LAB 54.31, 9.55, 50.45

 

CMYK 78 / 0 / 66 / 35

HEX #25A738

RGB 37 167 56

HSL 128.77, 0.64%, 0.4%

LAB 60.17, -56.37, 46.19

 

CMYK 78 / 51 / 0 / 35

HEX #2552A7

RGB 37 82 167

HSL 219.23, 0.64%, 0.4%

LAB 36.4, 15.98, -50.18

 

Description

Color code: HEX #A82594 | qconv.com Color code: HEX #A82594 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 37 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 37 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 12 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 12% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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