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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 78 / 35 it is the complementary color CMYK 59 / 39 / 0 / 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 78 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 27 / 78 / 35: CMYK 0 / 29 / 82 / 33, CMYK 0 / 26 / 73 / 26, CMYK 0 / 23 / 66 / 20, CMYK 0 / 21 / 60 / 13 and CMYK 0 / 19 / 55 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 78 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 27 / 78 / 35: CMYK 0 / 27 / 78 / 35, CMYK 0 / 31 / 89 / 42, CMYK 0 / 36 / 100 / 48, CMYK 0 / 42 / 100 / 55 and CMYK 0 / 50 / 100 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 78 / 35

HEX #A67924

RGB 166 121 36

HSL 39.23, 0.64%, 0.4%

LAB 53.93, 9.62, 50.45

 

Complementary color

CMYK 59 / 39 / 0 / 14

HEX #5986DB

RGB 89 134 219

HSL 219.23, 0.64%, 0.6%

LAB 56.38, 10.23, -48.13

 

CMYK 0 / 29 / 82 / 33

HEX #AB791F

RGB 171 121 31

HSL 38.57, 0.69%, 0.4%

LAB 54.48, 11.7, 53.06

 

CMYK 0 / 26 / 73 / 26

HEX #BC8B32

RGB 188 139 50

HSL 38.7, 0.58%, 0.47%

LAB 61.12, 10.07, 52.54

 

CMYK 0 / 23 / 66 / 20

HEX #CD9D45

RGB 205 157 69

HSL 38.82, 0.58%, 0.54%

LAB 67.67, 8.7, 51.52

 

CMYK 0 / 21 / 60 / 13

HEX #DEAF58

RGB 222 175 88

HSL 38.96, 0.67%, 0.61%

LAB 74.12, 7.53, 50.29

 

CMYK 0 / 19 / 55 / 6

HEX #EFC16B

RGB 239 193 107

HSL 39.09, 0.8%, 0.68%

LAB 80.49, 6.53, 49.01

 

CMYK 0 / 27 / 78 / 35

HEX #A67924

RGB 166 121 36

HSL 39.23, 0.64%, 0.4%

LAB 53.93, 9.62, 50.45

 

CMYK 0 / 31 / 89 / 42

HEX #956711

RGB 149 103 17

HSL 39.09, 0.8%, 0.33%

LAB 47.15, 11.43, 50.34

 

CMYK 0 / 36 / 100 / 48

HEX #845500

RGB 132 85 0

HSL 38.64, 1%, 0.26%

LAB 40.25, 13.59, 48.74

 

CMYK 0 / 42 / 100 / 55

HEX #734300

RGB 115 67 0

HSL 34.96, 1%, 0.23%

LAB 33.26, 16.21, 43.05

 

CMYK 0 / 50 / 100 / 62

HEX #623100

RGB 98 49 0

HSL 30, 1%, 0.19%

LAB 26.14, 18.94, 36.46

 

CMYK 0 / 27 / 78 / 35

HEX #A67924

RGB 166 121 36

HSL 39.23, 0.64%, 0.4%

LAB 53.93, 9.62, 50.45

 

CMYK 0 / 14 / 78 / 35

HEX #A78F24

RGB 167 143 36

HSL 49.01, 0.65%, 0.4%

LAB 59.88, -2.16, 56.02

 

CMYK 0 / 1 / 78 / 35

HEX #A7A524

RGB 167 165 36

HSL 59.08, 0.65%, 0.4%

LAB 65.95, -13.88, 61.52

 

CMYK 12 / 0 / 78 / 35

HEX #93A724

RGB 147 167 36

HSL 69.16, 0.65%, 0.4%

LAB 64.94, -23.59, 60.02

 

CMYK 25 / 0 / 78 / 35

HEX #7DA724

RGB 125 167 36

HSL 79.24, 0.65%, 0.4%

LAB 63.45, -32.7, 58.1

 

CMYK 0 / 27 / 78 / 35

HEX #A67924

RGB 166 121 36

HSL 39.23, 0.64%, 0.4%

LAB 53.93, 9.62, 50.45

 

CMYK 0 / 27 / 78 / 15

HEX #D99E2F

RGB 217 158 47

HSL 39.18, 0.69%, 0.52%

LAB 69.05, 12.29, 62.46

 

CMYK 0 / 31 / 77 / 95

HEX #0D0903

RGB 13 9 3

HSL 36, 0.63%, 0.03%

LAB 2.6, 0.28, 2.66

 

CMYK 0 / 27 / 78 / 75

HEX #402F0E

RGB 64 47 14

HSL 39.6, 0.64%, 0.15%

LAB 20.65, 3.63, 23.38

 

CMYK 0 / 27 / 78 / 55

HEX #735419

RGB 115 84 25

HSL 39.33, 0.64%, 0.27%

LAB 37.94, 6.76, 37.62

 

CMYK 0 / 27 / 78 / 35

HEX #A67924

RGB 166 121 36

HSL 39.23, 0.64%, 0.4%

LAB 53.93, 9.62, 50.45

 

CMYK 66 / 0 / 78 / 35

HEX #38A724

RGB 56 167 36

HSL 110.84, 0.65%, 0.4%

LAB 60.43, -54.71, 54.18

 

CMYK 59 / 78 / 0 / 35

HEX #4524A7

RGB 69 36 167

HSL 255.11, 0.65%, 0.4%

LAB 27.62, 48.5, -64.43

 

CMYK 0 / 27 / 78 / 35

HEX #A67924

RGB 166 121 36

HSL 39.23, 0.64%, 0.4%

LAB 53.93, 9.62, 50.45

 

CMYK 78 / 0 / 28 / 35

HEX #24A779

RGB 36 167 121

HSL 158.93, 0.65%, 0.4%

LAB 61.13, -45.33, 14.19

 

CMYK 28 / 78 / 0 / 35

HEX #7924A7

RGB 121 36 167

HSL 278.93, 0.65%, 0.4%

LAB 34.22, 56.63, -53.36

 

CMYK 0 / 27 / 78 / 35

HEX #A67924

RGB 166 121 36

HSL 39.23, 0.64%, 0.4%

LAB 53.93, 9.62, 50.45

 

CMYK 66 / 0 / 78 / 35

HEX #38A724

RGB 56 167 36

HSL 110.84, 0.65%, 0.4%

LAB 60.43, -54.71, 54.18

 

CMYK 78 / 51 / 0 / 35

HEX #2452A7

RGB 36 82 167

HSL 218.93, 0.65%, 0.4%

LAB 36.37, 15.86, -50.24

 

CMYK 12 / 78 / 0 / 35

HEX #9324A7

RGB 147 36 167

HSL 290.84, 0.65%, 0.4%

LAB 38.3, 61.56, -46.58

 

CMYK 0 / 27 / 78 / 35

HEX #A67924

RGB 166 121 36

HSL 39.23, 0.64%, 0.4%

LAB 53.93, 9.62, 50.45

 

CMYK 78 / 0 / 66 / 35

HEX #24A738

RGB 36 167 56

HSL 129.16, 0.65%, 0.4%

LAB 60.16, -56.51, 46.17

 

CMYK 78 / 51 / 0 / 35

HEX #2452A7

RGB 36 82 167

HSL 218.93, 0.65%, 0.4%

LAB 36.37, 15.86, -50.24

 

CMYK 0 / 78 / 12 / 35

HEX #A72493

RGB 167 36 147

HSL 309.16, 0.65%, 0.4%

LAB 40.55, 62.48, -30.72

 

Description

Color code: CMYK 0 / 27 / 78 / 35 | qconv.com Color code: CMYK 0 / 27 / 78 / 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 121 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 121 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 78 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 78% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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