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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7AEFF3F it is the complementary color #5851003F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7AEFF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7AEFF3F shade: #ACAEFA3F, #BDC0FF3F, #CED2FF3F, #DFE4FF3F and #F0F6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7AEFF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7AEFF3F shade: #A7AEFF3F, #969CEC3F, #858AD93F, #7478C63F and #6366B33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7AEFF3F shade: #A8AFFF, #B9A8FF, #D0A8FF, #E8A8FF and #FFA8FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7AEFF3F shade: #A8AFFF and #A8A8FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7AEFF3F shade matches the following richer shades: #A8AFFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7AEFF3F shade: #A8AFFF, #AFB5F8, #B6BBF1, #BDC1EA and #C4C7E3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7AEFF3F shade: #A8DEFF, #A8C7FF, #A8B0FF, #B8A8FF and #CFA8FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7AEFF3F shade: #5663FF, #7F89FF, #A8AFFF, #D2D5FF and #FBFBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7AEFF3F shade: #A7AEFF, #FFA8F5 and #D2FFA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7AEFF3F shade: #A7AEFF, #FFA8B0 and #B0FFA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7AEFF3F shade: #A7AEFF, #FFA8F5, #FFF8A8 and #A8FFB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7AEFF3F shade: #A7AEFF, #FFA8DB, #FFF8A8 and #A8FFCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 8 / 0 / 0

HEX #A7AEFF3F

RGBA 167 174 255 0.25

HSLA 235.23, 1%, 0.83%, 0.25

LABA 73.36, 16.1, -40.89, 0.25

 

Complementary color

CMYK 0 / 2 / 25 / 16

HEX #5851003F

RGBA 88 81 0 0.25

HSLA 55.23, 1%, 0.17%, 0.25

LABA 33.9, -5.83, 41.91, 0.25

 

CMYK 8 / 8 / 0 / 0

HEX #ACAEFA3F

RGBA 172 174 250 0.25

HSLA 238.46, 0.89%, 0.83%, 0.25

LABA 73.51, 16.2, -37.92, 0.25

 

CMYK 6 / 6 / 0 / 0

HEX #BDC0FF3F

RGBA 189 192 255 0.25

HSLA 237.27, 1%, 0.87%, 0.25

LABA 79.46, 12.33, -31.3, 0.25

 

CMYK 5 / 4 / 0 / 0

HEX #CED2FF3F

RGBA 206 210 255 0.25

HSLA 235.1, 1%, 0.9%, 0.25

LABA 85.22, 7.71, -22.4, 0.25

 

CMYK 3 / 3 / 0 / 0

HEX #DFE4FF3F

RGBA 223 228 255 0.25

HSLA 230.63, 1%, 0.94%, 0.25

LABA 90.96, 3.51, -13.63, 0.25

 

CMYK 1 / 1 / 0 / 0

HEX #F0F6FF3F

RGBA 240 246 255 0.25

HSLA 216, 1%, 0.97%, 0.25

LABA 96.68, -0.33, -5.01, 0.25

 

CMYK 9 / 8 / 0 / 0

HEX #A7AEFF3F

RGBA 167 174 255 0.25

HSLA 235.23, 1%, 0.83%, 0.25

LABA 73.36, 16.1, -40.89, 0.25

 

CMYK 9 / 8 / 0 / 2

HEX #969CEC3F

RGBA 150 156 236 0.25

HSLA 235.81, 0.69%, 0.76%, 0.25

LABA 66.76, 16.73, -40.94, 0.25

 

CMYK 10 / 9 / 0 / 4

HEX #858AD93F

RGBA 133 138 217 0.25

HSLA 236.43, 0.53%, 0.69%, 0.25

LABA 60.04, 17.45, -41.04, 0.25

 

CMYK 10 / 10 / 0 / 6

HEX #7478C63F

RGBA 116 120 198 0.25

HSLA 237.07, 0.42%, 0.62%, 0.25

LABA 53.19, 18.28, -41.18, 0.25

 

CMYK 11 / 11 / 0 / 7

HEX #6366B33F

RGBA 99 102 179 0.25

HSLA 237.75, 0.34%, 0.55%, 0.25

LABA 46.19, 19.25, -41.39, 0.25

 

CMYK 34 / 31 / 0 / 0

HEX #A8AFFF

RGB 168 175 255

HSL 235.17, 1%, 0.83%

LAB 73.68, 15.81, -40.38

 

CMYK 27 / 34 / 0 / 0

HEX #B9A8FF

RGB 185 168 255

HSL 251.72, 1%, 0.83%

LAB 73.25, 24.42, -40.96

 

CMYK 18 / 34 / 0 / 0

HEX #D0A8FF

RGB 208 168 255

HSL 267.59, 1%, 0.83%

LAB 75.22, 31.05, -37.73

 

CMYK 9 / 34 / 0 / 0

HEX #E8A8FF

RGB 232 168 255

HSL 284.14, 1%, 0.83%

LAB 77.51, 38.21, -34.01

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 34 / 31 / 0 / 0

HEX #A8AFFF

RGB 168 175 255

HSL 235.17, 1%, 0.83%

LAB 73.68, 15.81, -40.38

 

CMYK 34 / 34 / 0 / 0

HEX #A8A8FF

RGB 168 168 255

HSL 240, 1%, 0.83%

LAB 71.93, 19.73, -43.11

 

CMYK 34 / 31 / 0 / 0

HEX #A8AFFF

RGB 168 175 255

HSL 235.17, 1%, 0.83%

LAB 73.68, 15.81, -40.38

 

CMYK 34 / 31 / 0 / 0

HEX #A8AFFF

RGB 168 175 255

HSL 235.17, 1%, 0.83%

LAB 73.68, 15.81, -40.38

 

CMYK 29 / 27 / 0 / 3

HEX #AFB5F8

RGB 175 181 248

HSL 235.07, 0.84%, 0.83%

LAB 75.41, 12.67, -33.87

 

CMYK 24 / 22 / 0 / 5

HEX #B6BBF1

RGB 182 187 241

HSL 234.92, 0.68%, 0.83%

LAB 77.18, 9.73, -27.34

 

CMYK 19 / 18 / 0 / 8

HEX #BDC1EA

RGB 189 193 234

HSL 234.67, 0.52%, 0.83%

LAB 78.98, 7.01, -20.78

 

CMYK 14 / 12 / 0 / 11

HEX #C4C7E3

RGB 196 199 227

HSL 234.19, 0.36%, 0.83%

LAB 80.81, 4.49, -14.22

 

CMYK 34 / 13 / 0 / 0

HEX #A8DEFF

RGB 168 222 255

HSL 202.76, 1%, 0.83%

LAB 85.9, -9.55, -21.6

 

CMYK 34 / 22 / 0 / 0

HEX #A8C7FF

RGB 168 199 255

HSL 218.62, 1%, 0.83%

LAB 79.84, 2.61, -30.85

 

CMYK 34 / 31 / 0 / 0

HEX #A8B0FF

RGB 168 176 255

HSL 234.48, 1%, 0.83%

LAB 73.93, 15.25, -39.99

 

CMYK 28 / 34 / 0 / 0

HEX #B8A8FF

RGB 184 168 255

HSL 251.03, 1%, 0.83%

LAB 73.16, 24.14, -41.09

 

CMYK 19 / 34 / 0 / 0

HEX #CFA8FF

RGB 207 168 255

HSL 266.9, 1%, 0.83%

LAB 75.13, 30.76, -37.88

 

CMYK 66 / 61 / 0 / 0

HEX #5663FF

RGB 86 99 255

HSL 235.38, 1%, 0.67%

LAB 49.64, 43.08, -79.08

 

CMYK 50 / 46 / 0 / 0

HEX #7F89FF

RGB 127 137 255

HSL 235.31, 1%, 0.75%

LAB 61.33, 27.61, -60.07

 

CMYK 34 / 31 / 0 / 0

HEX #A8AFFF

RGB 168 175 255

HSL 235.17, 1%, 0.83%

LAB 73.68, 15.81, -40.38

 

CMYK 18 / 16 / 0 / 0

HEX #D2D5FF

RGB 210 213 255

HSL 236, 1%, 0.91%

LAB 86.26, 7.34, -20.79

 

CMYK 2 / 2 / 0 / 0

HEX #FBFBFF

RGB 251 251 255

HSL 240, 1%, 0.99%

LAB 98.72, 0.71, -1.92

 

CMYK 35 / 32 / 0 / 0

HEX #A7AEFF

RGB 167 174 255

HSL 235.23, 1%, 0.83%

LAB 73.36, 16.1, -40.89

 

CMYK 0 / 34 / 4 / 0

HEX #FFA8F5

RGB 255 168 245

HSL 306.9, 1%, 0.83%

LAB 79.53, 43.43, -25.31

 

CMYK 18 / 0 / 34 / 0

HEX #D2FFA8

RGB 210 255 168

HSL 91.03, 1%, 0.83%

LAB 95.18, -28.98, 37

 

CMYK 35 / 32 / 0 / 0

HEX #A7AEFF

RGB 167 174 255

HSL 235.23, 1%, 0.83%

LAB 73.36, 16.1, -40.89

 

CMYK 0 / 34 / 31 / 0

HEX #FFA8B0

RGB 255 168 176

HSL 354.48, 1%, 0.83%

LAB 77.52, 33.03, 9.17

 

CMYK 31 / 0 / 34 / 0

HEX #B0FFA8

RGB 176 255 168

HSL 114.48, 1%, 0.83%

LAB 93.27, -40.32, 34.11

 

CMYK 35 / 32 / 0 / 0

HEX #A7AEFF

RGB 167 174 255

HSL 235.23, 1%, 0.83%

LAB 73.36, 16.1, -40.89

 

CMYK 0 / 34 / 4 / 0

HEX #FFA8F5

RGB 255 168 245

HSL 306.9, 1%, 0.83%

LAB 79.53, 43.43, -25.31

 

CMYK 0 / 3 / 34 / 0

HEX #FFF8A8

RGB 255 248 168

HSL 55.17, 1%, 0.83%

LAB 96.5, -9.17, 39.32

 

CMYK 34 / 0 / 30 / 0

HEX #A8FFB2

RGB 168 255 178

HSL 126.9, 1%, 0.83%

LAB 93.04, -41.22, 28.73

 

CMYK 35 / 32 / 0 / 0

HEX #A7AEFF

RGB 167 174 255

HSL 235.23, 1%, 0.83%

LAB 73.36, 16.1, -40.89

 

CMYK 0 / 34 / 14 / 0

HEX #FFA8DB

RGB 255 168 219

HSL 324.83, 1%, 0.83%

LAB 78.68, 39.14, -12.54

 

CMYK 0 / 3 / 34 / 0

HEX #FFF8A8

RGB 255 248 168

HSL 55.17, 1%, 0.83%

LAB 96.5, -9.17, 39.32

 

CMYK 34 / 0 / 20 / 0

HEX #A8FFCC

RGB 168 255 204

HSL 144.83, 1%, 0.83%

LAB 93.54, -36.65, 16.19

 

Description

Color code: HEX #A7AEFF3F | qconv.com Color code: HEX #A7AEFF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 174 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 174 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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