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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDC0FF3F it is the complementary color #423F003F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDC0FF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDC0FF3F shade: #C2C0FA3F, #D3D2FF3F, #E4E4FF3F, #F5F6FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDC0FF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDC0FF3F shade: #BDC0FF3F, #ACAEEC3F, #9B9CD93F, #8A8AC63F and #7978B33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDC0FF3F shade: #BDC0FF, #CCBDFF, #DDBDFF, #EFBDFF and #FFBDFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDC0FF3F shade: #BDC0FF and #BDBDFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDC0FF3F shade matches the following richer shades: #BDC0FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDC0FF3F shade: #BDC0FF, #C2C5FA, #C7C9F4, #CDCEEF and #D2D3EA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDC0FF3F shade: #BDE3FF, #BDD2FF, #BDC0FF, #CBBDFF and #DDBDFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDC0FF3F shade: #6A71FF, #9398FF, #BDC0FF, #E6E7FF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDC0FF3F shade: #BDC0FF, #FFBDF5 and #DBFFBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDC0FF3F shade: #BDC0FF, #FFBDC0 and #C0FFBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDC0FF3F shade: #BDC0FF, #FFBDF5, #FFFCBD and #BDFFC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDC0FF3F shade: #BDC0FF, #FFBDE1, #FFFCBD and #BDFFDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 6 / 0 / 0

HEX #BDC0FF3F

RGBA 189 192 255 0.25

HSLA 237.27, 1%, 0.87%, 0.25

LABA 79.46, 12.33, -31.3, 0.25

 

Complementary color

CMYK 0 / 1 / 25 / 19

HEX #423F003F

RGBA 66 63 0 0.25

HSLA 57.27, 1%, 0.13%, 0.25

LABA 25.9, -6.34, 34.68, 0.25

 

CMYK 6 / 6 / 0 / 0

HEX #C2C0FA3F

RGBA 194 192 250 0.25

HSLA 242.07, 0.85%, 0.87%, 0.25

LABA 79.65, 12.66, -28.31, 0.25

 

CMYK 4 / 4 / 0 / 0

HEX #D3D2FF3F

RGBA 211 210 255 0.25

HSLA 241.33, 1%, 0.91%, 0.25

LABA 85.59, 9.24, -21.81, 0.25

 

CMYK 3 / 3 / 0 / 0

HEX #E4E4FF3F

RGBA 228 228 255 0.25

HSLA 240, 1%, 0.95%, 0.25

LABA 91.33, 5.09, -13.05, 0.25

 

CMYK 1 / 1 / 0 / 0

HEX #F5F6FF3F

RGBA 245 246 255 0.25

HSLA 234, 1%, 0.98%, 0.25

LABA 97.04, 1.29, -4.43, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 6 / 6 / 0 / 0

HEX #BDC0FF3F

RGBA 189 192 255 0.25

HSLA 237.27, 1%, 0.87%, 0.25

LABA 79.46, 12.33, -31.3, 0.25

 

CMYK 7 / 7 / 0 / 2

HEX #ACAEEC3F

RGBA 172 174 236 0.25

HSLA 238.13, 0.63%, 0.8%, 0.25

LABA 72.96, 12.76, -31.19, 0.25

 

CMYK 7 / 7 / 0 / 4

HEX #9B9CD93F

RGBA 155 156 217 0.25

HSLA 239.03, 0.45%, 0.73%, 0.25

LABA 66.33, 13.24, -31.11, 0.25

 

CMYK 8 / 8 / 0 / 6

HEX #8A8AC63F

RGBA 138 138 198 0.25

HSLA 240, 0.34%, 0.66%, 0.25

LABA 59.58, 13.77, -31.07, 0.25

 

CMYK 8 / 8 / 0 / 7

HEX #7978B33F

RGBA 121 120 179 0.25

HSLA 241.02, 0.28%, 0.59%, 0.25

LABA 52.68, 14.37, -31.07, 0.25

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 20 / 26 / 0 / 0

HEX #CCBDFF

RGB 204 189 255

HSL 253.64, 1%, 0.87%

LAB 79.87, 18.4, -30.58

 

CMYK 13 / 26 / 0 / 0

HEX #DDBDFF

RGB 221 189 255

HSL 269.09, 1%, 0.87%

LAB 81.28, 23.58, -28.29

 

CMYK 6 / 26 / 0 / 0

HEX #EFBDFF

RGB 239 189 255

HSL 285.45, 1%, 0.87%

LAB 82.9, 29.19, -25.68

 

CMYK 0 / 26 / 1 / 0

HEX #FFBDFD

RGB 255 189 253

HSL 301.82, 1%, 0.87%

LAB 84.35, 33.89, -22.26

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 26 / 26 / 0 / 0

HEX #BDBDFF

RGB 189 189 255

HSL 240, 1%, 0.87%

LAB 78.71, 13.97, -32.46

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 22 / 21 / 0 / 2

HEX #C2C5FA

RGB 194 197 250

HSL 236.79, 0.85%, 0.87%

LAB 80.91, 9.95, -26.39

 

CMYK 18 / 18 / 0 / 4

HEX #C7C9F4

RGB 199 201 244

HSL 237.33, 0.67%, 0.87%

LAB 82.08, 7.98, -21.37

 

CMYK 14 / 14 / 0 / 6

HEX #CDCEEF

RGB 205 206 239

HSL 238.24, 0.52%, 0.87%

LAB 83.63, 6.12, -16.33

 

CMYK 10 / 10 / 0 / 8

HEX #D2D3EA

RGB 210 211 234

HSL 237.5, 0.36%, 0.87%

LAB 85.11, 4.06, -11.41

 

CMYK 26 / 11 / 0 / 0

HEX #BDE3FF

RGB 189 227 255

HSL 205.45, 1%, 0.87%

LAB 88.44, -6.27, -17.65

 

CMYK 26 / 18 / 0 / 0

HEX #BDD2FF

RGB 189 210 255

HSL 220.91, 1%, 0.87%

LAB 84.03, 2.64, -24.31

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 20 / 26 / 0 / 0

HEX #CBBDFF

RGB 203 189 255

HSL 252.73, 1%, 0.87%

LAB 79.79, 18.1, -30.71

 

CMYK 13 / 26 / 0 / 0

HEX #DDBDFF

RGB 221 189 255

HSL 269.09, 1%, 0.87%

LAB 81.28, 23.58, -28.29

 

CMYK 58 / 56 / 0 / 0

HEX #6A71FF

RGB 106 113 255

HSL 237.18, 1%, 0.71%

LAB 54.13, 37.78, -71.73

 

CMYK 42 / 40 / 0 / 0

HEX #9398FF

RGB 147 152 255

HSL 237.22, 1%, 0.79%

LAB 66.43, 23.45, -51.87

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 10 / 9 / 0 / 0

HEX #E6E7FF

RGB 230 231 255

HSL 237.6, 1%, 0.95%

LAB 92.22, 4.17, -11.7

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 0 / 26 / 4 / 0

HEX #FFBDF5

RGB 255 189 245

HSL 309.09, 1%, 0.87%

LAB 84.09, 32.48, -18.39

 

CMYK 14 / 0 / 26 / 0

HEX #DBFFBD

RGB 219 255 189

HSL 92.73, 1%, 0.87%

LAB 96.1, -22.89, 27.82

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 0 / 26 / 25 / 0

HEX #FFBDC0

RGB 255 189 192

HSL 357.27, 1%, 0.87%

LAB 82.63, 24.16, 7.83

 

CMYK 25 / 0 / 26 / 0

HEX #C0FFBD

RGB 192 255 189

HSL 117.27, 1%, 0.87%

LAB 94.48, -31.93, 25.34

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 0 / 26 / 4 / 0

HEX #FFBDF5

RGB 255 189 245

HSL 309.09, 1%, 0.87%

LAB 84.09, 32.48, -18.39

 

CMYK 0 / 1 / 26 / 0

HEX #FFFCBD

RGB 255 252 189

HSL 57.27, 1%, 0.87%

LAB 97.86, -8.59, 30.62

 

CMYK 26 / 0 / 22 / 0

HEX #BDFFC7

RGB 189 255 199

HSL 129.09, 1%, 0.87%

LAB 94.51, -31.22, 20.26

 

CMYK 26 / 25 / 0 / 0

HEX #BDC0FF

RGB 189 192 255

HSL 237.27, 1%, 0.87%

LAB 79.46, 12.33, -31.3

 

CMYK 0 / 26 / 12 / 0

HEX #FFBDE1

RGB 255 189 225

HSL 327.27, 1%, 0.87%

LAB 83.49, 29.11, -8.61

 

CMYK 0 / 1 / 26 / 0

HEX #FFFCBD

RGB 255 252 189

HSL 57.27, 1%, 0.87%

LAB 97.86, -8.59, 30.62

 

CMYK 26 / 0 / 14 / 0

HEX #BDFFDB

RGB 189 255 219

HSL 147.27, 1%, 0.87%

LAB 94.93, -27.62, 10.61

 

Description

Color code: HEX #BDC0FF3F | qconv.com Color code: HEX #BDC0FF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 192 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 192 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 6 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 6% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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