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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A78A56 it is the complementary color #5875A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A78A56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A78A56: #AC8A51, #BD9C64, #CEAE77, #DFC08A and #F0D29D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A78A56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A78A56: #A78A56, #967843, #856630, #74541D and #63420A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 49 / 35

HEX #A78A56

RGB 167 138 86

HSL 38.52, 0.32%, 0.5%

LAB 59.03, 4.06, 31.85

 

Complementary color

CMYK 48 / 31 / 0 / 34

HEX #5875A9

RGB 88 117 169

HSL 218.52, 0.32%, 0.5%

LAB 49.08, 4.17, -31.05

 

CMYK 0 / 20 / 53 / 33

HEX #AC8A51

RGB 172 138 81

HSL 37.58, 0.36%, 0.5%

LAB 59.47, 5.74, 35.19

 

CMYK 0 / 17 / 47 / 26

HEX #BD9C64

RGB 189 156 100

HSL 37.75, 0.4%, 0.57%

LAB 66.15, 4.89, 33.82

 

CMYK 0 / 16 / 42 / 19

HEX #CEAE77

RGB 206 174 119

HSL 37.93, 0.47%, 0.64%

LAB 72.71, 4.18, 32.52

 

CMYK 0 / 14 / 38 / 13

HEX #DFC08A

RGB 223 192 138

HSL 38.12, 0.57%, 0.71%

LAB 79.17, 3.57, 31.3

 

CMYK 0 / 13 / 35 / 6

HEX #F0D29D

RGB 240 210 157

HSL 38.31, 0.73%, 0.78%

LAB 85.53, 3.04, 30.15

 

CMYK 0 / 17 / 49 / 35

HEX #A78A56

RGB 167 138 86

HSL 38.52, 0.32%, 0.5%

LAB 59.03, 4.06, 31.85

 

CMYK 0 / 20 / 55 / 41

HEX #967843

RGB 150 120 67

HSL 38.31, 0.38%, 0.43%

LAB 52.2, 4.95, 33.26

 

CMYK 0 / 23 / 64 / 48

HEX #856630

RGB 133 102 48

HSL 38.12, 0.47%, 0.35%

LAB 45.22, 6.05, 34.68

 

CMYK 0 / 28 / 75 / 55

HEX #74541D

RGB 116 84 29

HSL 37.93, 0.6%, 0.28%

LAB 38.1, 7.46, 35.96

 

CMYK 0 / 33 / 90 / 61

HEX #63420A

RGB 99 66 10

HSL 37.75, 0.82%, 0.21%

LAB 30.81, 9.29, 36.46

 

CMYK 0 / 17 / 49 / 35

HEX #A78A56

RGB 167 138 86

HSL 38.52, 0.32%, 0.5%

LAB 59.03, 4.06, 31.85

 

CMYK 0 / 10 / 49 / 34

HEX #A89756

RGB 168 151 86

HSL 47.56, 0.32%, 0.5%

LAB 62.62, -2.67, 36.34

 

CMYK 0 / 2 / 49 / 34

HEX #A8A556

RGB 168 165 86

HSL 57.8, 0.32%, 0.5%

LAB 66.45, -10.16, 41

 

CMYK 7 / 0 / 49 / 34

HEX #9DA856

RGB 157 168 86

HSL 68.05, 0.32%, 0.5%

LAB 66.4, -16.32, 40.73

 

CMYK 15 / 0 / 49 / 34

HEX #8FA856

RGB 143 168 86

HSL 78.29, 0.32%, 0.5%

LAB 65.37, -22.01, 39.25

 

CMYK 0 / 17 / 49 / 35

HEX #A78A56

RGB 167 138 86

HSL 38.52, 0.32%, 0.5%

LAB 59.03, 4.06, 31.85

 

CMYK 0 / 17 / 49 / 15

HEX #DAB470

RGB 218 180 112

HSL 38.49, 0.59%, 0.65%

LAB 75.28, 5.18, 39.67

 

CMYK 0 / 14 / 50 / 95

HEX #0E0C07

RGB 14 12 7

HSL 42.86, 0.33%, 0.04%

LAB 3.36, -0.09, 2.15

 

CMYK 0 / 17 / 49 / 75

HEX #413621

RGB 65 54 33

HSL 39.38, 0.33%, 0.19%

LAB 23.24, 1.42, 15

 

CMYK 0 / 17 / 48 / 55

HEX #74603C

RGB 116 96 60

HSL 38.57, 0.32%, 0.35%

LAB 41.85, 2.86, 23.53

 

CMYK 0 / 17 / 49 / 35

HEX #A78A56

RGB 167 138 86

HSL 38.52, 0.32%, 0.5%

LAB 59.03, 4.06, 31.85

 

CMYK 40 / 0 / 49 / 34

HEX #64A856

RGB 100 168 86

HSL 109.76, 0.32%, 0.5%

LAB 62.83, -37.82, 35.56

 

CMYK 38 / 49 / 0 / 34

HEX #6956A8

RGB 105 86 168

HSL 253.9, 0.32%, 0.5%

LAB 41.98, 27.44, -41.59

 

CMYK 0 / 17 / 49 / 35

HEX #A78A56

RGB 167 138 86

HSL 38.52, 0.32%, 0.5%

LAB 59.03, 4.06, 31.85

 

CMYK 49 / 0 / 18 / 34

HEX #56A88A

RGB 86 168 138

HSL 158.05, 0.32%, 0.5%

LAB 63.19, -32.38, 7.85

 

CMYK 18 / 49 / 0 / 34

HEX #8A56A8

RGB 138 86 168

HSL 278.05, 0.32%, 0.5%

LAB 45.48, 36.69, -35.82

 

CMYK 0 / 17 / 49 / 35

HEX #A78A56

RGB 167 138 86

HSL 38.52, 0.32%, 0.5%

LAB 59.03, 4.06, 31.85

 

CMYK 40 / 0 / 49 / 34

HEX #64A856

RGB 100 168 86

HSL 109.76, 0.32%, 0.5%

LAB 62.83, -37.82, 35.56

 

CMYK 49 / 31 / 0 / 34

HEX #5674A8

RGB 86 116 168

HSL 218.05, 0.32%, 0.5%

LAB 48.63, 3.96, -31.18

 

CMYK 8 / 49 / 0 / 34

HEX #9A56A8

RGB 154 86 168

HSL 289.76, 0.32%, 0.5%

LAB 47.43, 41.38, -32.61

 

CMYK 0 / 17 / 49 / 35

HEX #A78A56

RGB 167 138 86

HSL 38.52, 0.32%, 0.5%

LAB 59.03, 4.06, 31.85

 

CMYK 49 / 0 / 42 / 34

HEX #56A861

RGB 86 168 97

HSL 128.05, 0.32%, 0.5%

LAB 62.38, -40.45, 29.14

 

CMYK 49 / 31 / 0 / 34

HEX #5674A8

RGB 86 116 168

HSL 218.05, 0.32%, 0.5%

LAB 48.63, 3.96, -31.18

 

CMYK 0 / 49 / 7 / 34

HEX #A8569D

RGB 168 86 157

HSL 308.05, 0.32%, 0.5%

LAB 48.78, 43.52, -23.88

 

Description

Color code: HEX #A78A56 | qconv.com Color code: HEX #A78A56 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 138 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 138 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 49 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 49% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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