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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A77DD7 it is the complementary color #588228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A77DD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A77DD7: #AC7DD2, #BD8FE5, #CEA1F8, #DFB3FF and #F0C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A77DD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A77DD7: #A77DD7, #966BC4, #8559B1, #74479E and #63358B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 42 / 0 / 16

HEX #A77DD7

RGB 167 125 215

HSL 268, 0.53%, 0.67%

LAB 59.7, 33.92, -40.26

 

Complementary color

CMYK 32 / 0 / 69 / 49

HEX #588228

RGB 88 130 40

HSL 88, 0.53%, 0.33%

LAB 49.73, -29.79, 42.35

 

CMYK 18 / 40 / 0 / 18

HEX #AC7DD2

RGB 172 125 210

HSL 273.18, 0.49%, 0.66%

LAB 59.97, 34.23, -36.98

 

CMYK 17 / 38 / 0 / 10

HEX #BD8FE5

RGB 189 143 229

HSL 272.09, 0.62%, 0.73%

LAB 66.61, 33.47, -37.08

 

CMYK 17 / 35 / 0 / 3

HEX #CEA1F8

RGB 206 161 248

HSL 271.03, 0.86%, 0.8%

LAB 73.15, 32.76, -37.18

 

CMYK 13 / 30 / 0 / 0

HEX #DFB3FF

RGB 223 179 255

HSL 274.74, 1%, 0.85%

LAB 79.13, 29.59, -31.58

 

CMYK 6 / 23 / 0 / 0

HEX #F0C5FF

RGB 240 197 255

HSL 284.48, 1%, 0.89%

LAB 84.83, 25.25, -22.73

 

CMYK 22 / 42 / 0 / 16

HEX #A77DD7

RGB 167 125 215

HSL 268, 0.53%, 0.67%

LAB 59.7, 33.92, -40.26

 

CMYK 23 / 45 / 0 / 23

HEX #966BC4

RGB 150 107 196

HSL 268.99, 0.43%, 0.59%

LAB 52.93, 34.77, -40.25

 

CMYK 25 / 50 / 0 / 31

HEX #8559B1

RGB 133 89 177

HSL 270, 0.36%, 0.52%

LAB 46.05, 35.68, -40.24

 

CMYK 27 / 55 / 0 / 38

HEX #74479E

RGB 116 71 158

HSL 271.03, 0.38%, 0.45%

LAB 39.05, 36.63, -40.22

 

CMYK 29 / 62 / 0 / 45

HEX #63358B

RGB 99 53 139

HSL 272.09, 0.45%, 0.38%

LAB 31.95, 37.56, -40.13

 

CMYK 22 / 42 / 0 / 16

HEX #A77DD7

RGB 167 125 215

HSL 268, 0.53%, 0.67%

LAB 59.7, 33.92, -40.26

 

CMYK 15 / 41 / 0 / 16

HEX #B67ED7

RGB 182 126 215

HSL 277.75, 0.53%, 0.67%

LAB 61.46, 37.73, -37.39

 

CMYK 8 / 41 / 0 / 16

HEX #C57ED7

RGB 197 126 215

HSL 287.87, 0.53%, 0.67%

LAB 63.09, 42.18, -34.72

 

CMYK 1 / 41 / 0 / 16

HEX #D47ED7

RGB 212 126 215

HSL 297.98, 0.53%, 0.67%

LAB 64.82, 46.67, -31.89

 

CMYK 0 / 41 / 6 / 16

HEX #D77ECB

RGB 215 126 203

HSL 308.09, 0.53%, 0.67%

LAB 64.71, 45.43, -25.33

 

CMYK 22 / 42 / 0 / 16

HEX #A77DD7

RGB 167 125 215

HSL 268, 0.53%, 0.67%

LAB 59.7, 33.92, -40.26

 

CMYK 18 / 45 / 0 / 96

HEX #09060B

RGB 9 6 11

HSL 276, 0.29%, 0.03%

LAB 1.92, 1.48, -1.63

 

CMYK 23 / 42 / 0 / 76

HEX #30243E

RGB 48 36 62

HSL 267.69, 0.27%, 0.19%

LAB 16.69, 12.02, -14.52

 

CMYK 22 / 42 / 0 / 56

HEX #584271

RGB 88 66 113

HSL 268.09, 0.26%, 0.35%

LAB 32.18, 19.85, -23.64

 

CMYK 23 / 42 / 0 / 36

HEX #7F5FA4

RGB 127 95 164

HSL 267.83, 0.27%, 0.51%

LAB 46.15, 27.25, -32.49

 

CMYK 22 / 42 / 0 / 16

HEX #A77DD7

RGB 167 125 215

HSL 268, 0.53%, 0.67%

LAB 59.7, 33.92, -40.26

 

CMYK 0 / 41 / 28 / 16

HEX #D77E9B

RGB 215 126 155

HSL 340.45, 0.53%, 0.67%

LAB 63.12, 37.97, -0.52

 

CMYK 41 / 0 / 39 / 16

HEX #7ED784

RGB 126 215 132

HSL 124.04, 0.53%, 0.67%

LAB 78.87, -43.61, 32.8

 

CMYK 22 / 42 / 0 / 16

HEX #A77DD7

RGB 167 125 215

HSL 268, 0.53%, 0.67%

LAB 59.7, 33.92, -40.26

 

CMYK 0 / 22 / 41 / 16

HEX #D7A77E

RGB 215 167 126

HSL 27.64, 0.53%, 0.67%

LAB 71.95, 12.33, 27.97

 

CMYK 41 / 0 / 22 / 16

HEX #7ED7A7

RGB 126 215 167

HSL 147.64, 0.53%, 0.67%

LAB 79.51, -37.38, 15.45

 

CMYK 22 / 42 / 0 / 16

HEX #A77DD7

RGB 167 125 215

HSL 268, 0.53%, 0.67%

LAB 59.7, 33.92, -40.26

 

CMYK 0 / 41 / 28 / 16

HEX #D77E9B

RGB 215 126 155

HSL 340.45, 0.53%, 0.67%

LAB 63.12, 37.97, -0.52

 

CMYK 20 / 0 / 41 / 16

HEX #ADD77E

RGB 173 215 126

HSL 88.31, 0.53%, 0.67%

LAB 81.29, -28.78, 39.45

 

CMYK 41 / 0 / 14 / 16

HEX #7ED7B9

RGB 126 215 185

HSL 159.78, 0.53%, 0.67%

LAB 79.92, -33.63, 6.47

 

CMYK 22 / 42 / 0 / 16

HEX #A77DD7

RGB 167 125 215

HSL 268, 0.53%, 0.67%

LAB 59.7, 33.92, -40.26

 

CMYK 0 / 41 / 40 / 16

HEX #D77E81

RGB 215 126 129

HSL 357.98, 0.53%, 0.67%

LAB 62.47, 34.74, 13.37

 

CMYK 20 / 0 / 41 / 16

HEX #ADD77E

RGB 173 215 126

HSL 88.31, 0.53%, 0.67%

LAB 81.29, -28.78, 39.45

 

CMYK 41 / 0 / 1 / 16

HEX #7ED7D4

RGB 126 215 212

HSL 177.98, 0.53%, 0.67%

LAB 80.62, -27.39, -6.91

 

Description

Color code: HEX #A77DD7 | qconv.com Color code: HEX #A77DD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 125 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 125 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 42 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 42% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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