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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A77C6A it is the complementary color #588395. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A77C6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A77C6A: #AC7C65, #BD8E78, #CEA08B, #DFB29E and #F0C4B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A77C6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A77C6A: #A77C6A, #966A57, #855844, #744631 and #63341E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 37 / 35

HEX #A77C6A

RGB 167 124 106

HSL 17.7, 0.26%, 0.54%

LAB 55.76, 14.21, 16.35

 

Complementary color

CMYK 41 / 12 / 0 / 42

HEX #588395

RGB 88 131 149

HSL 197.7, 0.26%, 0.46%

LAB 52.37, -9.91, -14.34

 

CMYK 0 / 28 / 41 / 33

HEX #AC7C65

RGB 172 124 101

HSL 19.44, 0.3%, 0.54%

LAB 56.21, 15.67, 19.92

 

CMYK 0 / 25 / 37 / 26

HEX #BD8E78

RGB 189 142 120

HSL 19.13, 0.34%, 0.61%

LAB 62.94, 14.83, 18.65

 

CMYK 0 / 22 / 33 / 19

HEX #CEA08B

RGB 206 160 139

HSL 18.81, 0.41%, 0.68%

LAB 69.56, 14.1, 17.49

 

CMYK 0 / 20 / 29 / 13

HEX #DFB29E

RGB 223 178 158

HSL 18.46, 0.5%, 0.75%

LAB 76.07, 13.46, 16.42

 

CMYK 0 / 18 / 26 / 6

HEX #F0C4B1

RGB 240 196 177

HSL 18.1, 0.68%, 0.82%

LAB 82.48, 12.89, 15.43

 

CMYK 0 / 26 / 37 / 35

HEX #A77C6A

RGB 167 124 106

HSL 17.7, 0.26%, 0.54%

LAB 55.76, 14.21, 16.35

 

CMYK 0 / 29 / 42 / 41

HEX #966A57

RGB 150 106 87

HSL 18.1, 0.27%, 0.46%

LAB 48.86, 15.09, 17.66

 

CMYK 0 / 34 / 49 / 48

HEX #855844

RGB 133 88 68

HSL 18.46, 0.32%, 0.39%

LAB 41.82, 16.13, 19.15

 

CMYK 0 / 40 / 58 / 55

HEX #744631

RGB 116 70 49

HSL 18.81, 0.41%, 0.32%

LAB 34.63, 17.39, 20.88

 

CMYK 0 / 47 / 70 / 61

HEX #63341E

RGB 99 52 30

HSL 19.13, 0.53%, 0.25%

LAB 27.3, 18.94, 22.93

 

CMYK 0 / 26 / 37 / 35

HEX #A77C6A

RGB 167 124 106

HSL 17.7, 0.26%, 0.54%

LAB 55.76, 14.21, 16.35

 

CMYK 0 / 20 / 36 / 34

HEX #A8866B

RGB 168 134 107

HSL 26.56, 0.26%, 0.54%

LAB 58.45, 9.11, 19.47

 

CMYK 0 / 14 / 36 / 34

HEX #A8906B

RGB 168 144 107

HSL 36.39, 0.26%, 0.54%

LAB 61.07, 3.52, 23.01

 

CMYK 0 / 8 / 36 / 34

HEX #A89A6B

RGB 168 154 107

HSL 46.23, 0.26%, 0.54%

LAB 63.75, -1.98, 26.57

 

CMYK 0 / 2 / 36 / 34

HEX #A8A56B

RGB 168 165 107

HSL 57.05, 0.26%, 0.54%

LAB 66.75, -7.9, 30.48

 

CMYK 0 / 26 / 37 / 35

HEX #A77C6A

RGB 167 124 106

HSL 17.7, 0.26%, 0.54%

LAB 55.76, 14.21, 16.35

 

CMYK 0 / 26 / 37 / 15

HEX #DAA28A

RGB 218 162 138

HSL 18, 0.52%, 0.7%

LAB 71.27, 17.6, 20.59

 

CMYK 0 / 29 / 36 / 95

HEX #0E0A09

RGB 14 10 9

HSL 12, 0.22%, 0.05%

LAB 2.98, 1.03, 0.79

 

CMYK 0 / 26 / 37 / 75

HEX #413029

RGB 65 48 41

HSL 17.5, 0.23%, 0.21%

LAB 21.57, 6.55, 7.47

 

CMYK 0 / 26 / 36 / 55

HEX #74564A

RGB 116 86 74

HSL 17.14, 0.22%, 0.37%

LAB 39.35, 10.62, 11.82

 

CMYK 0 / 26 / 37 / 35

HEX #A77C6A

RGB 167 124 106

HSL 17.7, 0.26%, 0.54%

LAB 55.76, 14.21, 16.35

 

CMYK 18 / 0 / 36 / 34

HEX #8AA86B

RGB 138 168 107

HSL 89.51, 0.26%, 0.54%

LAB 65.33, -21.34, 28.21

 

CMYK 36 / 32 / 0 / 34

HEX #6B72A8

RGB 107 114 168

HSL 233.11, 0.26%, 0.54%

LAB 49.48, 10.87, -29.75

 

CMYK 0 / 26 / 37 / 35

HEX #A77C6A

RGB 167 124 106

HSL 17.7, 0.26%, 0.54%

LAB 55.76, 14.21, 16.35

 

CMYK 36 / 0 / 26 / 34

HEX #6BA87C

RGB 107 168 124

HSL 136.72, 0.26%, 0.54%

LAB 63.82, -29.35, 16.63

 

CMYK 26 / 36 / 0 / 34

HEX #7C6BA8

RGB 124 107 168

HSL 256.72, 0.26%, 0.54%

LAB 49.04, 20.17, -30.33

 

CMYK 0 / 26 / 37 / 35

HEX #A77C6A

RGB 167 124 106

HSL 17.7, 0.26%, 0.54%

LAB 55.76, 14.21, 16.35

 

CMYK 18 / 0 / 36 / 34

HEX #8AA86B

RGB 138 168 107

HSL 89.51, 0.26%, 0.54%

LAB 65.33, -21.34, 28.21

 

CMYK 36 / 11 / 0 / 34

HEX #6B96A8

RGB 107 150 168

HSL 197.7, 0.26%, 0.54%

LAB 59.68, -10, -14.11

 

CMYK 19 / 36 / 0 / 34

HEX #886BA8

RGB 136 107 168

HSL 268.52, 0.26%, 0.54%

LAB 50.19, 23.91, -28.46

 

CMYK 0 / 26 / 37 / 35

HEX #A77C6A

RGB 167 124 106

HSL 17.7, 0.26%, 0.54%

LAB 55.76, 14.21, 16.35

 

CMYK 29 / 0 / 36 / 34

HEX #78A86B

RGB 120 168 107

HSL 107.21, 0.26%, 0.54%

LAB 64.21, -27.94, 26.52

 

CMYK 36 / 11 / 0 / 34

HEX #6B96A8

RGB 107 150 168

HSL 197.7, 0.26%, 0.54%

LAB 59.68, -10, -14.11

 

CMYK 8 / 36 / 0 / 34

HEX #9A6BA8

RGB 154 107 168

HSL 286.23, 0.26%, 0.54%

LAB 52.08, 29.69, -25.38

 

Description

Color code: HEX #A77C6A | qconv.com Color code: HEX #A77C6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 124 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 124 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 37 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 37% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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