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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A758D3 it is the complementary color #58A72C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A758D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A758D3 shade: #AC58CE, #BD6AE1, #CE7CF4, #DF8EFF and #F0A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A758D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A758D3 shade: #A758D3, #9646C0, #8534AD, #74229A and #631087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A758D3 shade: #A85AD3, #C85AD3, #D35ABD, #D35A9C and #D35A7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A758D3 shade: #A85AD3, #875AD3, #665AD3 and #5A5AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A758D3 shade matches the following richer shades: #A85AD3, #AD49E4 and #B138F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A758D3 shade: #A85AD3, #A36BC2, #9E7CB1, #998DA0 and #949D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A758D3 shade: #665AD3, #865AD3, #A75AD3, #C75AD3 and #D35ABF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A758D3 shade: #7F2EAD, #9639CA, #A85AD3, #B97ADC and #CA9BE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A758D3 shade: #A758D3, #D35A6E and #5AD376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A758D3 shade: #A758D3, #D3A75A and #5AD3A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A758D3 shade: #A758D3, #D35A6E, #86D35A and #5AD3BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A758D3 shade: #A758D3, #D36A5A, #86D35A and #5AC3D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 58 / 0 / 17

HEX #A758D3

RGB 167 88 211

HSL 278.54, 0.58%, 0.59%

LAB 51.72, 52.95, -50.62

 

Complementary color

CMYK 47 / 0 / 74 / 35

HEX #58A72C

RGB 88 167 44

HSL 98.54, 0.58%, 0.41%

LAB 61.56, -45.61, 52.9

 

CMYK 17 / 57 / 0 / 19

HEX #AC58CE

RGB 172 88 206

HSL 282.71, 0.55%, 0.58%

LAB 52.07, 53.14, -47.17

 

CMYK 16 / 53 / 0 / 12

HEX #BD6AE1

RGB 189 106 225

HSL 281.85, 0.66%, 0.65%

LAB 58.57, 52.44, -47.49

 

CMYK 16 / 49 / 0 / 4

HEX #CE7CF4

RGB 206 124 244

HSL 281, 0.85%, 0.72%

LAB 65.02, 51.68, -47.72

 

CMYK 13 / 44 / 0 / 0

HEX #DF8EFF

RGB 223 142 255

HSL 283.01, 1%, 0.78%

LAB 71.05, 49.28, -44.13

 

CMYK 6 / 37 / 0 / 0

HEX #F0A0FF

RGB 240 160 255

HSL 290.53, 1%, 0.81%

LAB 76.61, 44.82, -35.33

 

CMYK 21 / 58 / 0 / 17

HEX #A758D3

RGB 167 88 211

HSL 278.54, 0.58%, 0.59%

LAB 51.72, 52.95, -50.62

 

CMYK 22 / 64 / 0 / 25

HEX #9646C0

RGB 150 70 192

HSL 279.34, 0.49%, 0.51%

LAB 45.18, 53.56, -50.27

 

CMYK 23 / 70 / 0 / 32

HEX #8534AD

RGB 133 52 173

HSL 280.17, 0.54%, 0.44%

LAB 38.66, 53.89, -49.7

 

CMYK 25 / 78 / 0 / 40

HEX #74229A

RGB 116 34 154

HSL 281, 0.64%, 0.37%

LAB 32.24, 53.65, -48.75

 

CMYK 27 / 88 / 0 / 47

HEX #631087

RGB 99 16 135

HSL 281.85, 0.79%, 0.3%

LAB 26.08, 52.33, -47.13

 

CMYK 20 / 57 / 0 / 17

HEX #A85AD3

RGB 168 90 211

HSL 278.68, 0.58%, 0.59%

LAB 52.22, 52.19, -49.82

 

CMYK 5 / 57 / 0 / 17

HEX #C85AD3

RGB 200 90 211

HSL 294.55, 0.58%, 0.59%

LAB 56.38, 60.29, -42.96

 

CMYK 0 / 57 / 10 / 17

HEX #D35ABD

RGB 211 90 189

HSL 310.91, 0.58%, 0.59%

LAB 56.91, 59.49, -29.45

 

CMYK 0 / 57 / 26 / 17

HEX #D35A9C

RGB 211 90 156

HSL 327.27, 0.58%, 0.59%

LAB 55.65, 54.68, -12.26

 

CMYK 0 / 57 / 41 / 17

HEX #D35A7C

RGB 211 90 124

HSL 343.14, 0.58%, 0.59%

LAB 54.68, 50.85, 5.15

 

CMYK 20 / 57 / 0 / 17

HEX #A85AD3

RGB 168 90 211

HSL 278.68, 0.58%, 0.59%

LAB 52.22, 52.19, -49.82

 

CMYK 36 / 57 / 0 / 17

HEX #875AD3

RGB 135 90 211

HSL 262.31, 0.58%, 0.59%

LAB 48.47, 44.2, -56.03

 

CMYK 52 / 57 / 0 / 17

HEX #665AD3

RGB 102 90 211

HSL 245.95, 0.58%, 0.59%

LAB 45.41, 37.04, -61.11

 

CMYK 57 / 57 / 0 / 17

HEX #5A5AD3

RGB 90 90 211

HSL 240, 0.58%, 0.59%

LAB 44.5, 34.76, -62.63

 

CMYK 20 / 57 / 0 / 17

HEX #A85AD3

RGB 168 90 211

HSL 278.68, 0.58%, 0.59%

LAB 52.22, 52.19, -49.82

 

CMYK 24 / 68 / 0 / 11

HEX #AD49E4

RGB 173 73 228

HSL 278.71, 0.74%, 0.59%

LAB 50.98, 64.9, -61.42

 

CMYK 28 / 77 / 0 / 4

HEX #B138F5

RGB 177 56 245

HSL 278.41, 0.9%, 0.59%

LAB 50.41, 75.58, -71.87

 

CMYK 20 / 57 / 0 / 17

HEX #A85AD3

RGB 168 90 211

HSL 278.68, 0.58%, 0.59%

LAB 52.22, 52.19, -49.82

 

CMYK 16 / 45 / 0 / 24

HEX #A36BC2

RGB 163 107 194

HSL 278.62, 0.42%, 0.59%

LAB 54.24, 38.07, -36.96

 

CMYK 11 / 30 / 0 / 31

HEX #9E7CB1

RGB 158 124 177

HSL 278.49, 0.25%, 0.59%

LAB 56.94, 23.16, -23.06

 

CMYK 4 / 12 / 0 / 37

HEX #998DA0

RGB 153 141 160

HSL 277.89, 0.09%, 0.59%

LAB 60.21, 8.13, -8.42

 

CMYK 6 / 0 / 9 / 38

HEX #949D8F

RGB 148 157 143

HSL 98.57, 0.07%, 0.59%

LAB 63.67, -5.9, 6.21

 

CMYK 52 / 57 / 0 / 17

HEX #665AD3

RGB 102 90 211

HSL 245.95, 0.58%, 0.59%

LAB 45.41, 37.04, -61.11

 

CMYK 36 / 57 / 0 / 17

HEX #865AD3

RGB 134 90 211

HSL 261.82, 0.58%, 0.59%

LAB 48.37, 43.97, -56.2

 

CMYK 21 / 57 / 0 / 17

HEX #A75AD3

RGB 167 90 211

HSL 278.18, 0.58%, 0.59%

LAB 52.1, 51.94, -50.02

 

CMYK 6 / 57 / 0 / 17

HEX #C75AD3

RGB 199 90 211

HSL 294.05, 0.58%, 0.59%

LAB 56.25, 60.04, -43.18

 

CMYK 0 / 57 / 9 / 17

HEX #D35ABF

RGB 211 90 191

HSL 309.92, 0.58%, 0.59%

LAB 57, 59.8, -30.47

 

CMYK 27 / 73 / 0 / 32

HEX #7F2EAD

RGB 127 46 173

HSL 278.27, 0.58%, 0.43%

LAB 36.9, 55.2, -52.58

 

CMYK 26 / 72 / 0 / 21

HEX #9639CA

RGB 150 57 202

HSL 278.48, 0.58%, 0.51%

LAB 43.76, 61.48, -58.35

 

CMYK 20 / 57 / 0 / 17

HEX #A85AD3

RGB 168 90 211

HSL 278.68, 0.58%, 0.59%

LAB 52.22, 52.19, -49.82

 

CMYK 16 / 45 / 0 / 14

HEX #B97ADC

RGB 185 122 220

HSL 278.57, 0.58%, 0.67%

LAB 61.13, 41.86, -40.67

 

CMYK 11 / 32 / 0 / 11

HEX #CA9BE4

RGB 202 155 228

HSL 278.63, 0.57%, 0.75%

LAB 70.59, 30.59, -30.25

 

CMYK 21 / 58 / 0 / 17

HEX #A758D3

RGB 167 88 211

HSL 278.54, 0.58%, 0.59%

LAB 51.72, 52.95, -50.62

 

CMYK 0 / 57 / 48 / 17

HEX #D35A6E

RGB 211 90 110

HSL 350.08, 0.58%, 0.59%

LAB 54.33, 49.46, 12.94

 

CMYK 57 / 0 / 44 / 17

HEX #5AD376

RGB 90 211 118

HSL 133.88, 0.58%, 0.59%

LAB 76.11, -53.68, 36.05

 

CMYK 21 / 58 / 0 / 17

HEX #A758D3

RGB 167 88 211

HSL 278.54, 0.58%, 0.59%

LAB 51.72, 52.95, -50.62

 

CMYK 0 / 21 / 57 / 17

HEX #D3A75A

RGB 211 167 90

HSL 38.18, 0.58%, 0.59%

LAB 71.03, 7.32, 45.43

 

CMYK 57 / 0 / 21 / 17

HEX #5AD3A7

RGB 90 211 167

HSL 158.18, 0.58%, 0.59%

LAB 77.01, -44.3, 11.73

 

CMYK 21 / 58 / 0 / 17

HEX #A758D3

RGB 167 88 211

HSL 278.54, 0.58%, 0.59%

LAB 51.72, 52.95, -50.62

 

CMYK 0 / 57 / 48 / 17

HEX #D35A6E

RGB 211 90 110

HSL 350.08, 0.58%, 0.59%

LAB 54.33, 49.46, 12.94

 

CMYK 36 / 0 / 57 / 17

HEX #86D35A

RGB 134 211 90

HSL 98.18, 0.58%, 0.59%

LAB 77.52, -44.8, 51.59

 

CMYK 57 / 0 / 9 / 17

HEX #5AD3BF

RGB 90 211 191

HSL 170.08, 0.58%, 0.59%

LAB 77.59, -38.62, -0.28

 

CMYK 21 / 58 / 0 / 17

HEX #A758D3

RGB 167 88 211

HSL 278.54, 0.58%, 0.59%

LAB 51.72, 52.95, -50.62

 

CMYK 0 / 50 / 57 / 17

HEX #D36A5A

RGB 211 106 90

HSL 7.93, 0.58%, 0.59%

LAB 56.97, 39.92, 28.11

 

CMYK 36 / 0 / 57 / 17

HEX #86D35A

RGB 134 211 90

HSL 98.18, 0.58%, 0.59%

LAB 77.52, -44.8, 51.59

 

CMYK 57 / 8 / 0 / 17

HEX #5AC3D3

RGB 90 195 211

HSL 187.93, 0.58%, 0.59%

LAB 73.49, -25.67, -17.19

 

Description

Color code: HEX #A758D3 | qconv.com Color code: HEX #A758D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 88 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 88 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 58 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 58% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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