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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 0 / 57 / 17 it is the complementary color CMYK 27 / 74 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 0 / 57 / 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 0 / 57 / 17: CMYK 34 / 0 / 59 / 17, CMYK 32 / 0 / 54 / 10, CMYK 30 / 0 / 50 / 3, CMYK 25 / 0 / 44 / 0 and CMYK 18 / 0 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 0 / 57 / 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 0 / 57 / 17: CMYK 36 / 0 / 57 / 17, CMYK 39 / 0 / 63 / 24, CMYK 43 / 0 / 70 / 31, CMYK 47 / 0 / 78 / 38 and CMYK 52 / 0 / 89 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 57 / 17

HEX #87D45B

RGB 135 212 91

HSL 98.18, 0.58%, 0.59%

LAB 77.87, -44.79, 51.56

 

Complementary color

CMYK 27 / 74 / 0 / 36

HEX #782BA4

RGB 120 43 164

HSL 278.18, 0.58%, 0.41%

LAB 34.8, 53.07, -50.62

 

CMYK 34 / 0 / 59 / 17

HEX #8CD456

RGB 140 212 86

HSL 94.29, 0.59%, 0.58%

LAB 78.07, -43.59, 54.08

 

CMYK 32 / 0 / 54 / 10

HEX #9DE669

RGB 157 230 105

HSL 95.04, 0.71%, 0.66%

LAB 84.37, -43.66, 53.07

 

CMYK 30 / 0 / 50 / 3

HEX #AEF87C

RGB 174 248 124

HSL 95.81, 0.9%, 0.73%

LAB 90.59, -43.65, 51.98

 

CMYK 25 / 0 / 44 / 0

HEX #BFFF8F

RGB 191 255 143

HSL 94.29, 1%, 0.78%

LAB 93.7, -38.75, 47.06

 

CMYK 18 / 0 / 36 / 0

HEX #D0FFA2

RGB 208 255 162

HSL 90.32, 1%, 0.82%

LAB 94.97, -30.47, 39.66

 

CMYK 36 / 0 / 57 / 17

HEX #87D45B

RGB 135 212 91

HSL 98.18, 0.58%, 0.59%

LAB 77.87, -44.79, 51.56

 

CMYK 39 / 0 / 63 / 24

HEX #76C248

RGB 118 194 72

HSL 97.38, 0.5%, 0.52%

LAB 71.49, -44.68, 52.51

 

CMYK 43 / 0 / 70 / 31

HEX #65B035

RGB 101 176 53

HSL 96.59, 0.54%, 0.45%

LAB 65.02, -44.42, 53.19

 

CMYK 47 / 0 / 78 / 38

HEX #549E22

RGB 84 158 34

HSL 95.81, 0.65%, 0.38%

LAB 58.47, -43.91, 53.28

 

CMYK 52 / 0 / 89 / 45

HEX #438C0F

RGB 67 140 15

HSL 95.04, 0.81%, 0.3%

LAB 51.82, -43.04, 52.22

 

CMYK 36 / 0 / 57 / 17

HEX #87D45B

RGB 135 212 91

HSL 98.18, 0.58%, 0.59%

LAB 77.87, -44.79, 51.56

 

CMYK 46 / 0 / 58 / 17

HEX #72D359

RGB 114 211 89

HSL 107.7, 0.58%, 0.59%

LAB 76.61, -51.21, 50.76

 

CMYK 56 / 0 / 58 / 17

HEX #5DD359

RGB 93 211 89

HSL 118.03, 0.58%, 0.59%

LAB 75.85, -56.93, 49.67

 

CMYK 58 / 0 / 50 / 17

HEX #59D369

RGB 89 211 105

HSL 127.87, 0.58%, 0.59%

LAB 75.9, -55.84, 42.2

 

CMYK 58 / 0 / 40 / 17

HEX #59D37E

RGB 89 211 126

HSL 138.2, 0.58%, 0.59%

LAB 76.2, -52.59, 32.11

 

CMYK 36 / 0 / 57 / 17

HEX #87D45B

RGB 135 212 91

HSL 98.18, 0.58%, 0.59%

LAB 77.87, -44.79, 51.56

 

CMYK 37 / 0 / 63 / 97

HEX #050803

RGB 5 8 3

HSL 96, 0.45%, 0.02%

LAB 1.92, -1.48, 1.62

 

CMYK 36 / 0 / 58 / 77

HEX #263B19

RGB 38 59 25

HSL 97.06, 0.4%, 0.16%

LAB 22.34, -15.79, 18.34

 

CMYK 36 / 0 / 57 / 57

HEX #466E2F

RGB 70 110 47

HSL 98.1, 0.4%, 0.31%

LAB 42.25, -26.46, 30.37

 

CMYK 36 / 0 / 57 / 37

HEX #67A145

RGB 103 161 69

HSL 97.83, 0.4%, 0.45%

LAB 60.61, -35.75, 41.35

 

CMYK 36 / 0 / 57 / 17

HEX #87D45B

RGB 135 212 91

HSL 98.18, 0.58%, 0.59%

LAB 77.87, -44.79, 51.56

 

CMYK 58 / 0 / 10 / 17

HEX #59D3BE

RGB 89 211 190

HSL 169.67, 0.58%, 0.59%

LAB 77.54, -39.06, 0.18

 

CMYK 0 / 58 / 14 / 17

HEX #D359B6

RGB 211 89 182

HSL 314.26, 0.58%, 0.59%

LAB 56.46, 58.85, -26.13

 

CMYK 36 / 0 / 57 / 17

HEX #87D45B

RGB 135 212 91

HSL 98.18, 0.58%, 0.59%

LAB 77.87, -44.79, 51.56

 

CMYK 58 / 36 / 0 / 17

HEX #5986D3

RGB 89 134 211

HSL 217.87, 0.58%, 0.59%

LAB 55.96, 7.6, -44.28

 

CMYK 0 / 58 / 36 / 17

HEX #D35986

RGB 211 89 134

HSL 337.87, 0.58%, 0.59%

LAB 54.78, 52.42, -0.61

 

CMYK 36 / 0 / 57 / 17

HEX #87D45B

RGB 135 212 91

HSL 98.18, 0.58%, 0.59%

LAB 77.87, -44.79, 51.56

 

CMYK 58 / 0 / 10 / 17

HEX #59D3BE

RGB 89 211 190

HSL 169.67, 0.58%, 0.59%

LAB 77.54, -39.06, 0.18

 

CMYK 21 / 58 / 0 / 17

HEX #A659D3

RGB 166 89 211

HSL 277.87, 0.58%, 0.59%

LAB 51.79, 52.2, -50.52

 

CMYK 0 / 58 / 48 / 17

HEX #D3596E

RGB 211 89 110

HSL 349.67, 0.58%, 0.59%

LAB 54.15, 49.92, 12.7

 

CMYK 36 / 0 / 57 / 17

HEX #87D45B

RGB 135 212 91

HSL 98.18, 0.58%, 0.59%

LAB 77.87, -44.79, 51.56

 

CMYK 58 / 8 / 0 / 17

HEX #59C2D3

RGB 89 194 211

HSL 188.36, 0.58%, 0.59%

LAB 73.16, -25.36, -17.68

 

CMYK 21 / 58 / 0 / 17

HEX #A659D3

RGB 166 89 211

HSL 277.87, 0.58%, 0.59%

LAB 51.79, 52.2, -50.52

 

CMYK 0 / 50 / 58 / 17

HEX #D36959

RGB 211 105 89

HSL 7.87, 0.58%, 0.59%

LAB 56.76, 40.35, 28.4

 

Description

Color code: CMYK 36 / 0 / 57 / 17 | qconv.com Color code: CMYK 36 / 0 / 57 / 17 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 212 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 212 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 57 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 57% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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