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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A75130 it is the complementary color #58AECF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A75130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A75130: #AC512B, #BD633E, #CE7551, #DF8764 and #F09977

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A75130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A75130: #A75130, #963F1D, #852D0A, #741B00 and #630900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 71 / 35

HEX #A75130

RGB 167 81 48

HSL 16.64, 0.55%, 0.42%

LAB 44.68, 32.9, 35.29

 

Complementary color

CMYK 57 / 16 / 0 / 19

HEX #58AECF

RGB 88 174 207

HSL 196.64, 0.55%, 0.58%

LAB 67.17, -16.45, -24.62

 

CMYK 0 / 53 / 75 / 33

HEX #AC512B

RGB 172 81 43

HSL 17.67, 0.6%, 0.42%

LAB 45.4, 34.67, 38.97

 

CMYK 0 / 48 / 67 / 26

HEX #BD633E

RGB 189 99 62

HSL 17.48, 0.51%, 0.49%

LAB 51.94, 33.05, 36.83

 

CMYK 0 / 43 / 61 / 19

HEX #CE7551

RGB 206 117 81

HSL 17.28, 0.56%, 0.56%

LAB 58.45, 31.57, 34.84

 

CMYK 0 / 39 / 55 / 13

HEX #DF8764

RGB 223 135 100

HSL 17.07, 0.66%, 0.63%

LAB 64.91, 30.24, 33.04

 

CMYK 0 / 36 / 50 / 6

HEX #F09977

RGB 240 153 119

HSL 16.86, 0.8%, 0.7%

LAB 71.31, 29.05, 31.4

 

CMYK 0 / 51 / 71 / 35

HEX #A75130

RGB 167 81 48

HSL 16.64, 0.55%, 0.42%

LAB 44.68, 32.9, 35.29

 

CMYK 0 / 58 / 81 / 41

HEX #963F1D

RGB 150 63 29

HSL 16.86, 0.68%, 0.35%

LAB 38.07, 34.57, 37.55

 

CMYK 0 / 66 / 92 / 48

HEX #852D0A

RGB 133 45 10

HSL 17.07, 0.86%, 0.28%

LAB 31.54, 36.24, 39.35

 

CMYK 0 / 77 / 100 / 55

HEX #741B00

RGB 116 27 0

HSL 13.97, 1%, 0.23%

LAB 25.25, 37.55, 36.85

 

CMYK 0 / 91 / 100 / 61

HEX #630900

RGB 99 9 0

HSL 5.45, 1%, 0.19%

LAB 19.42, 37.65, 29.58

 

CMYK 0 / 51 / 71 / 35

HEX #A75130

RGB 167 81 48

HSL 16.64, 0.55%, 0.42%

LAB 44.68, 32.9, 35.29

 

CMYK 0 / 40 / 71 / 35

HEX #A66330

RGB 166 99 48

HSL 25.93, 0.55%, 0.42%

LAB 48.57, 22.63, 39.55

 

CMYK 0 / 29 / 71 / 35

HEX #A67630

RGB 166 118 48

HSL 35.59, 0.55%, 0.42%

LAB 53.25, 11.89, 44.56

 

CMYK 0 / 17 / 71 / 35

HEX #A68A30

RGB 166 138 48

HSL 45.76, 0.55%, 0.42%

LAB 58.51, 0.69, 49.99

 

CMYK 0 / 5 / 71 / 35

HEX #A69E30

RGB 166 158 48

HSL 55.93, 0.55%, 0.42%

LAB 63.98, -10.12, 55.47

 

CMYK 0 / 51 / 71 / 35

HEX #A75130

RGB 167 81 48

HSL 16.64, 0.55%, 0.42%

LAB 44.68, 32.9, 35.29

 

CMYK 0 / 51 / 71 / 15

HEX #DA6A3F

RGB 218 106 63

HSL 16.65, 0.68%, 0.55%

LAB 57.63, 40.9, 43.9

 

CMYK 0 / 50 / 71 / 95

HEX #0E0704

RGB 14 7 4

HSL 18, 0.56%, 0.04%

LAB 2.3, 1.54, 1.82

 

CMYK 0 / 51 / 71 / 75

HEX #412013

RGB 65 32 19

HSL 16.96, 0.55%, 0.16%

LAB 16.52, 14.5, 15.71

 

CMYK 0 / 52 / 72 / 55

HEX #743821

RGB 116 56 33

HSL 16.63, 0.56%, 0.29%

LAB 31, 24.39, 26.12

 

CMYK 0 / 51 / 71 / 35

HEX #A75130

RGB 167 81 48

HSL 16.64, 0.55%, 0.42%

LAB 44.68, 32.9, 35.29

 

CMYK 33 / 0 / 71 / 35

HEX #6FA630

RGB 111 166 48

HSL 87.97, 0.55%, 0.42%

LAB 62.39, -36.96, 52.59

 

CMYK 71 / 62 / 0 / 35

HEX #303FA6

RGB 48 63 166

HSL 232.37, 0.55%, 0.42%

LAB 31.66, 29.65, -57.26

 

CMYK 0 / 51 / 71 / 35

HEX #A75130

RGB 167 81 48

HSL 16.64, 0.55%, 0.42%

LAB 44.68, 32.9, 35.29

 

CMYK 71 / 0 / 52 / 35

HEX #30A64F

RGB 48 166 79

HSL 135.76, 0.55%, 0.42%

LAB 60.31, -51.31, 35.58

 

CMYK 52 / 71 / 0 / 35

HEX #4F30A6

RGB 79 48 166

HSL 255.76, 0.55%, 0.42%

LAB 30.71, 43.53, -58.71

 

CMYK 0 / 51 / 71 / 35

HEX #A75130

RGB 167 81 48

HSL 16.64, 0.55%, 0.42%

LAB 44.68, 32.9, 35.29

 

CMYK 33 / 0 / 71 / 35

HEX #6FA630

RGB 111 166 48

HSL 87.97, 0.55%, 0.42%

LAB 62.39, -36.96, 52.59

 

CMYK 71 / 19 / 0 / 35

HEX #3086A6

RGB 48 134 166

HSL 196.27, 0.55%, 0.42%

LAB 52.32, -14.85, -24.41

 

CMYK 38 / 71 / 0 / 35

HEX #6730A6

RGB 103 48 166

HSL 267.97, 0.55%, 0.42%

LAB 33.46, 47.91, -54.12

 

CMYK 0 / 51 / 71 / 35

HEX #A75130

RGB 167 81 48

HSL 16.64, 0.55%, 0.42%

LAB 44.68, 32.9, 35.29

 

CMYK 55 / 0 / 71 / 35

HEX #4BA630

RGB 75 166 48

HSL 106.27, 0.55%, 0.42%

LAB 60.77, -48.78, 50.4

 

CMYK 71 / 19 / 0 / 35

HEX #3086A6

RGB 48 134 166

HSL 196.27, 0.55%, 0.42%

LAB 52.32, -14.85, -24.41

 

CMYK 17 / 71 / 0 / 35

HEX #8A30A6

RGB 138 48 166

HSL 285.76, 0.55%, 0.42%

LAB 38.32, 55.2, -46.01

 

Description

Color code: HEX #A75130 | qconv.com Color code: HEX #A75130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 81 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 81 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 71 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 71% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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