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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A73940 it is the complementary color #58C6BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A73940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A73940: #AC393B, #BD4B4E, #CE5D61, #DF6F74 and #F08187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A73940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A73940: #A73940, #96272D, #85151A, #740307 and #630000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 62 / 35

HEX #A73940

RGB 167 57 64

HSL 356.18, 0.49%, 0.44%

LAB 40.43, 45.62, 20.74

 

Complementary color

CMYK 56 / 0 / 4 / 22

HEX #58C6BF

RGB 88 198 191

HSL 176.18, 0.49%, 0.56%

LAB 73.69, -32.98, -6.02

 

CMYK 0 / 67 / 66 / 33

HEX #AC393B

RGB 172 57 59

HSL 358.96, 0.5%, 0.45%

LAB 41.24, 47, 25.02

 

CMYK 0 / 60 / 59 / 26

HEX #BD4B4E

RGB 189 75 78

HSL 358.42, 0.46%, 0.52%

LAB 47.5, 46.14, 22.15

 

CMYK 0 / 55 / 53 / 19

HEX #CE5D61

RGB 206 93 97

HSL 357.88, 0.54%, 0.59%

LAB 53.83, 45.12, 19.79

 

CMYK 0 / 50 / 48 / 13

HEX #DF6F74

RGB 223 111 116

HSL 357.32, 0.64%, 0.65%

LAB 60.17, 44.06, 17.8

 

CMYK 0 / 46 / 44 / 6

HEX #F08187

RGB 240 129 135

HSL 356.76, 0.79%, 0.72%

LAB 66.5, 43, 16.09

 

CMYK 0 / 66 / 62 / 35

HEX #A73940

RGB 167 57 64

HSL 356.18, 0.49%, 0.44%

LAB 40.43, 45.62, 20.74

 

CMYK 0 / 74 / 70 / 41

HEX #96272D

RGB 150 39 45

HSL 356.76, 0.59%, 0.37%

LAB 34.24, 46.09, 24.11

 

CMYK 0 / 84 / 80 / 48

HEX #85151A

RGB 133 21 26

HSL 357.32, 0.73%, 0.3%

LAB 28.37, 45.78, 28.31

 

CMYK 0 / 97 / 94 / 55

HEX #740307

RGB 116 3 7

HSL 357.88, 0.95%, 0.23%

LAB 22.98, 44.27, 31.75

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 66 / 62 / 35

HEX #A73940

RGB 167 57 64

HSL 356.18, 0.49%, 0.44%

LAB 40.43, 45.62, 20.74

 

CMYK 0 / 59 / 66 / 35

HEX #A74439

RGB 167 68 57

HSL 6, 0.49%, 0.44%

LAB 42.22, 40.06, 27.25

 

CMYK 0 / 49 / 66 / 35

HEX #A75639

RGB 167 86 57

HSL 15.82, 0.49%, 0.44%

LAB 45.86, 30.76, 31.65

 

CMYK 0 / 38 / 66 / 35

HEX #A76839

RGB 167 104 57

HSL 25.64, 0.49%, 0.44%

LAB 49.99, 20.8, 36.48

 

CMYK 0 / 26 / 66 / 35

HEX #A77B39

RGB 167 123 57

HSL 36, 0.49%, 0.44%

LAB 54.74, 10.06, 41.86

 

CMYK 0 / 66 / 62 / 35

HEX #A73940

RGB 167 57 64

HSL 356.18, 0.49%, 0.44%

LAB 40.43, 45.62, 20.74

 

CMYK 0 / 66 / 61 / 15

HEX #DA4A54

RGB 218 74 84

HSL 355.83, 0.66%, 0.57%

LAB 52.33, 56.74, 25.82

 

CMYK 0 / 64 / 64 / 95

HEX #0E0505

RGB 14 5 5

HSL 0, 0.47%, 0.04%

LAB 1.92, 2.48, 0.87

 

CMYK 0 / 66 / 62 / 75

HEX #411619

RGB 65 22 25

HSL 355.81, 0.49%, 0.17%

LAB 14.22, 21.22, 8.58

 

CMYK 0 / 66 / 62 / 55

HEX #74282C

RGB 116 40 44

HSL 356.84, 0.49%, 0.31%

LAB 27.88, 33.72, 15.35

 

CMYK 0 / 66 / 62 / 35

HEX #A73940

RGB 167 57 64

HSL 356.18, 0.49%, 0.44%

LAB 40.43, 45.62, 20.74

 

CMYK 9 / 0 / 66 / 35

HEX #98A739

RGB 152 167 57

HSL 68.18, 0.49%, 0.44%

LAB 65.44, -20.32, 52.97

 

CMYK 66 / 35 / 0 / 35

HEX #396CA7

RGB 57 108 167

HSL 212.18, 0.49%, 0.44%

LAB 44.78, 2.23, -36.75

 

CMYK 0 / 66 / 62 / 35

HEX #A73940

RGB 167 57 64

HSL 356.18, 0.49%, 0.44%

LAB 40.43, 45.62, 20.74

 

CMYK 62 / 0 / 66 / 35

HEX #40A739

RGB 64 167 57

HSL 116.18, 0.49%, 0.44%

LAB 60.8, -51.16, 46.63

 

CMYK 66 / 62 / 0 / 35

HEX #3940A7

RGB 57 64 167

HSL 236.18, 0.49%, 0.44%

LAB 32.54, 30.66, -56.4

 

CMYK 0 / 66 / 62 / 35

HEX #A73940

RGB 167 57 64

HSL 356.18, 0.49%, 0.44%

LAB 40.43, 45.62, 20.74

 

CMYK 9 / 0 / 66 / 35

HEX #98A739

RGB 152 167 57

HSL 68.18, 0.49%, 0.44%

LAB 65.44, -20.32, 52.97

 

CMYK 66 / 0 / 5 / 35

HEX #39A79F

RGB 57 167 159

HSL 175.64, 0.49%, 0.44%

LAB 62.52, -32.54, -4.99

 

CMYK 57 / 66 / 0 / 35

HEX #4739A7

RGB 71 57 167

HSL 247.64, 0.49%, 0.44%

LAB 31.93, 37.32, -57.35

 

CMYK 0 / 66 / 62 / 35

HEX #A73940

RGB 167 57 64

HSL 356.18, 0.49%, 0.44%

LAB 40.43, 45.62, 20.74

 

CMYK 29 / 0 / 66 / 35

HEX #77A739

RGB 119 167 57

HSL 86.18, 0.49%, 0.44%

LAB 63.22, -33.72, 49.95

 

CMYK 66 / 0 / 5 / 35

HEX #39A79F

RGB 57 167 159

HSL 175.64, 0.49%, 0.44%

LAB 62.52, -32.54, -4.99

 

CMYK 38 / 66 / 0 / 35

HEX #6839A7

RGB 104 57 167

HSL 265.64, 0.49%, 0.44%

LAB 35.32, 43.77, -51.69

 

Description

Color code: HEX #A73940 | qconv.com Color code: HEX #A73940 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 57 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 57 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 62 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 62% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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