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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6DBDB it is the complementary color #592424. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6DBDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A6DBDB: #ABDBD6, #BCEDE9, #CDFFFC, #DEFFFF and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6DBDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A6DBDB: #A6DBDB, #95C9C8, #84B7B5, #73A5A2 and #62938F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 0 / 14

HEX #A6DBDB

RGB 166 219 219

HSL 180, 0.42%, 0.75%

LAB 83.91, -16.91, -5.56

 

Complementary color

CMYK 0 / 60 / 60 / 65

HEX #592424

RGB 89 36 36

HSL 0, 0.42%, 0.25%

LAB 21.99, 24.45, 12.04

 

CMYK 22 / 0 / 2 / 14

HEX #ABDBD6

RGB 171 219 214

HSL 173.75, 0.4%, 0.76%

LAB 84.06, -16.49, -2.65

 

CMYK 21 / 0 / 2 / 7

HEX #BCEDE9

RGB 188 237 233

HSL 175.1, 0.58%, 0.83%

LAB 90.39, -16.4, -3.23

 

CMYK 20 / 0 / 1 / 0

HEX #CDFFFC

RGB 205 255 252

HSL 176.4, 1%, 0.9%

LAB 96.63, -16.33, -3.8

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 24 / 0 / 0 / 14

HEX #A6DBDB

RGB 166 219 219

HSL 180, 0.42%, 0.75%

LAB 83.91, -16.91, -5.56

 

CMYK 26 / 0 / 0 / 21

HEX #95C9C8

RGB 149 201 200

HSL 178.85, 0.33%, 0.69%

LAB 77.48, -17, -4.99

 

CMYK 28 / 0 / 1 / 28

HEX #84B7B5

RGB 132 183 181

HSL 177.65, 0.26%, 0.62%

LAB 70.95, -17.1, -4.4

 

CMYK 30 / 0 / 2 / 35

HEX #73A5A2

RGB 115 165 162

HSL 176.4, 0.22%, 0.55%

LAB 64.29, -17.22, -3.79

 

CMYK 33 / 0 / 3 / 42

HEX #62938F

RGB 98 147 143

HSL 175.1, 0.2%, 0.48%

LAB 57.51, -17.34, -3.14

 

CMYK 24 / 0 / 0 / 14

HEX #A6DBDB

RGB 166 219 219

HSL 180, 0.42%, 0.75%

LAB 83.91, -16.91, -5.56

 

CMYK 25 / 4 / 0 / 15

HEX #A4D1DA

RGB 164 209 218

HSL 190, 0.42%, 0.75%

LAB 81.05, -12.63, -9.27

 

CMYK 25 / 8 / 0 / 15

HEX #A4C8DA

RGB 164 200 218

HSL 200, 0.42%, 0.75%

LAB 78.61, -7.95, -12.9

 

CMYK 25 / 12 / 0 / 15

HEX #A4BFDA

RGB 164 191 218

HSL 210, 0.42%, 0.75%

LAB 76.2, -3.17, -16.53

 

CMYK 25 / 17 / 0 / 15

HEX #A4B6DA

RGB 164 182 218

HSL 220, 0.42%, 0.75%

LAB 73.81, 1.69, -20.14

 

CMYK 24 / 0 / 0 / 14

HEX #A6DBDB

RGB 166 219 219

HSL 180, 0.42%, 0.75%

LAB 83.91, -16.91, -5.56

 

CMYK 27 / 0 / 0 / 94

HEX #0B0F0F

RGB 11 15 15

HSL 180, 0.15%, 0.05%

LAB 4.04, -1.23, -0.44

 

CMYK 24 / 0 / 0 / 74

HEX #324242

RGB 50 66 66

HSL 180, 0.14%, 0.23%

LAB 26.64, -6.38, -2.11

 

CMYK 24 / 0 / 0 / 54

HEX #597575

RGB 89 117 117

HSL 180, 0.14%, 0.4%

LAB 47.15, -10.07, -3.32

 

CMYK 24 / 0 / 0 / 34

HEX #7FA8A8

RGB 127 168 168

HSL 180, 0.19%, 0.58%

LAB 66.02, -13.76, -4.52

 

CMYK 24 / 0 / 0 / 14

HEX #A6DBDB

RGB 166 219 219

HSL 180, 0.42%, 0.75%

LAB 83.91, -16.91, -5.56

 

CMYK 20 / 25 / 0 / 15

HEX #AFA4DA

RGB 175 164 218

HSL 252.22, 0.42%, 0.75%

LAB 69.98, 15.02, -25.91

 

CMYK 0 / 10 / 25 / 15

HEX #DAC4A4

RGB 218 196 164

HSL 35.56, 0.42%, 0.75%

LAB 80.22, 2.82, 18.91

 

CMYK 24 / 0 / 0 / 14

HEX #A6DBDB

RGB 166 219 219

HSL 180, 0.42%, 0.75%

LAB 83.91, -16.91, -5.56

 

CMYK 0 / 25 / 0 / 15

HEX #DAA4DA

RGB 218 164 218

HSL 300, 0.42%, 0.75%

LAB 73.88, 28.85, -19.61

 

CMYK 0 / 0 / 25 / 15

HEX #DADAA4

RGB 218 218 164

HSL 60, 0.42%, 0.75%

LAB 85.87, -8.55, 26.67

 

CMYK 24 / 0 / 0 / 14

HEX #A6DBDB

RGB 166 219 219

HSL 180, 0.42%, 0.75%

LAB 83.91, -16.91, -5.56

 

CMYK 20 / 25 / 0 / 15

HEX #AFA4DA

RGB 175 164 218

HSL 252.22, 0.42%, 0.75%

LAB 69.98, 15.02, -25.91

 

CMYK 0 / 25 / 25 / 15

HEX #DAA4A4

RGB 218 164 164

HSL 0, 0.42%, 0.75%

LAB 72.32, 19.93, 7.78

 

CMYK 5 / 0 / 25 / 15

HEX #CFDAA4

RGB 207 218 164

HSL 72.22, 0.42%, 0.75%

LAB 85.04, -12.64, 25.4

 

CMYK 24 / 0 / 0 / 14

HEX #A6DBDB

RGB 166 219 219

HSL 180, 0.42%, 0.75%

LAB 83.91, -16.91, -5.56

 

CMYK 12 / 25 / 0 / 15

HEX #BFA4DA

RGB 191 164 218

HSL 270, 0.42%, 0.75%

LAB 71.34, 20.07, -23.71

 

CMYK 0 / 25 / 25 / 15

HEX #DAA4A4

RGB 218 164 164

HSL 0, 0.42%, 0.75%

LAB 72.32, 19.93, 7.78

 

CMYK 12 / 0 / 25 / 15

HEX #BFDAA4

RGB 191 218 164

HSL 90, 0.42%, 0.75%

LAB 83.91, -18.45, 23.68

 

Description

Color code: HEX #A6DBDB | qconv.com Color code: HEX #A6DBDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 219 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 219 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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