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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6D5D1 it is the complementary color #592A2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6D5D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6D5D1 shade: #ABD5CC, #BCE7DF, #CDF9F2, #DEFFFF and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6D5D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6D5D1 shade: #A6D5D1, #95C3BE, #84B1AB, #739F98 and #628D85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6D5D1 shade: #A5D5D1, #A5D5C4, #A5D5B7, #A5D5AA and #ADD5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6D5D1 shade: #A5D5D1, #A5CCD5, #A5BFD5, #A5B2D5 and #A5A5D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6D5D1 shade matches the following richer shades: #A5D5D1, #9ADFD9, #8FEAE2 and #85F5EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6D5D1 shade: #A5D5D1, #B0CAC8, #BABFBF, #C5B4B6 and #D0AAAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6D5D1 shade: #A5D5B6, #A5D5C3, #A5D5D0, #A5CDD5 and #A5C0D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6D5D1 shade: #6DBAB4, #89C7C2, #A5D5D1, #C1E2DF and #DDEFED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6D5D1 shade: #A6D5D1, #AAA5D5 and #D5BDA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6D5D1 shade: #A6D5D1, #D0A5D5 and #D5D0A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6D5D1 shade: #A6D5D1, #AAA5D5, #D5A5AA and #D0D5A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6D5D1 shade: #A6D5D1, #B8A5D5, #D5A5AA and #C1D5A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 2 / 16

HEX #A6D5D1

RGB 166 213 209

HSL 174.89, 0.36%, 0.74%

LAB 82, -16.04, -3.05

 

Complementary color

CMYK 0 / 53 / 48 / 65

HEX #592A2E

RGB 89 42 46

HSL 354.89, 0.36%, 0.26%

LAB 23.6, 22.03, 7.42

 

CMYK 20 / 0 / 4 / 16

HEX #ABD5CC

RGB 171 213 204

HSL 167.14, 0.33%, 0.75%

LAB 82.17, -15.54, -0.1

 

CMYK 19 / 0 / 3 / 9

HEX #BCE7DF

RGB 188 231 223

HSL 168.84, 0.47%, 0.82%

LAB 88.53, -15.45, -0.72

 

CMYK 18 / 0 / 3 / 2

HEX #CDF9F2

RGB 205 249 242

HSL 170.45, 0.79%, 0.89%

LAB 94.8, -15.38, -1.32

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 22 / 0 / 2 / 16

HEX #A6D5D1

RGB 166 213 209

HSL 174.89, 0.36%, 0.74%

LAB 82, -16.04, -3.05

 

CMYK 24 / 0 / 3 / 24

HEX #95C3BE

RGB 149 195 190

HSL 173.48, 0.28%, 0.67%

LAB 75.54, -16.14, -2.45

 

CMYK 25 / 0 / 3 / 31

HEX #84B1AB

RGB 132 177 171

HSL 172, 0.22%, 0.61%

LAB 68.96, -16.26, -1.82

 

CMYK 28 / 0 / 4 / 38

HEX #739F98

RGB 115 159 152

HSL 170.45, 0.19%, 0.54%

LAB 62.26, -16.39, -1.16

 

CMYK 30 / 0 / 6 / 45

HEX #628D85

RGB 98 141 133

HSL 168.84, 0.18%, 0.47%

LAB 55.42, -16.55, -0.47

 

CMYK 23 / 0 / 2 / 16

HEX #A5D5D1

RGB 165 213 209

HSL 175, 0.36%, 0.74%

LAB 81.94, -16.34, -3.14

 

CMYK 23 / 0 / 8 / 16

HEX #A5D5C4

RGB 165 213 196

HSL 158.75, 0.36%, 0.74%

LAB 81.61, -19.05, 3.3

 

CMYK 23 / 0 / 14 / 16

HEX #A5D5B7

RGB 165 213 183

HSL 142.5, 0.36%, 0.74%

LAB 81.3, -21.6, 9.77

 

CMYK 23 / 0 / 20 / 16

HEX #A5D5AA

RGB 165 213 170

HSL 126.25, 0.36%, 0.74%

LAB 81.01, -23.98, 16.25

 

CMYK 19 / 0 / 23 / 16

HEX #ADD5A5

RGB 173 213 165

HSL 110, 0.36%, 0.74%

LAB 81.4, -22.14, 19.5

 

CMYK 23 / 0 / 2 / 16

HEX #A5D5D1

RGB 165 213 209

HSL 175, 0.36%, 0.74%

LAB 81.94, -16.34, -3.14

 

CMYK 23 / 4 / 0 / 16

HEX #A5CCD5

RGB 165 204 213

HSL 191.25, 0.36%, 0.74%

LAB 79.61, -10.86, -8.73

 

CMYK 23 / 10 / 0 / 16

HEX #A5BFD5

RGB 165 191 213

HSL 207.5, 0.36%, 0.74%

LAB 76.11, -4.01, -13.95

 

CMYK 23 / 16 / 0 / 16

HEX #A5B2D5

RGB 165 178 213

HSL 223.75, 0.36%, 0.74%

LAB 72.66, 3.02, -19.16

 

CMYK 23 / 23 / 0 / 16

HEX #A5A5D5

RGB 165 165 213

HSL 240, 0.36%, 0.74%

LAB 69.27, 10.22, -24.33

 

CMYK 23 / 0 / 2 / 16

HEX #A5D5D1

RGB 165 213 209

HSL 175, 0.36%, 0.74%

LAB 81.94, -16.34, -3.14

 

CMYK 31 / 0 / 3 / 13

HEX #9ADFD9

RGB 154 223 217

HSL 174.78, 0.52%, 0.74%

LAB 84.31, -22.79, -3.98

 

CMYK 39 / 0 / 3 / 8

HEX #8FEAE2

RGB 143 234 226

HSL 174.73, 0.68%, 0.74%

LAB 87.08, -28.99, -4.69

 

CMYK 46 / 0 / 4 / 4

HEX #85F5EB

RGB 133 245 235

HSL 174.64, 0.85%, 0.74%

LAB 89.99, -34.43, -5.16

 

CMYK 23 / 0 / 2 / 16

HEX #A5D5D1

RGB 165 213 209

HSL 175, 0.36%, 0.74%

LAB 81.94, -16.34, -3.14

 

CMYK 13 / 0 / 1 / 21

HEX #B0CAC8

RGB 176 202 200

HSL 175.38, 0.2%, 0.74%

LAB 79.41, -9.1, -1.96

 

CMYK 3 / 0 / 0 / 25

HEX #BABFBF

RGB 186 191 191

HSL 180, 0.04%, 0.74%

LAB 76.96, -1.72, -0.61

 

CMYK 0 / 9 / 8 / 23

HEX #C5B4B6

RGB 197 180 182

HSL 352.94, 0.13%, 0.74%

LAB 74.76, 6.4, 1.17

 

CMYK 0 / 18 / 17 / 18

HEX #D0AAAD

RGB 208 170 173

HSL 355.26, 0.29%, 0.74%

LAB 73.01, 14.32, 3.69

 

CMYK 23 / 0 / 15 / 16

HEX #A5D5B6

RGB 165 213 182

HSL 141.25, 0.36%, 0.74%

LAB 81.27, -21.78, 10.27

 

CMYK 23 / 0 / 8 / 16

HEX #A5D5C3

RGB 165 213 195

HSL 157.5, 0.36%, 0.74%

LAB 81.58, -19.25, 3.79

 

CMYK 23 / 0 / 2 / 16

HEX #A5D5D0

RGB 165 213 208

HSL 173.75, 0.36%, 0.74%

LAB 81.92, -16.56, -2.65

 

CMYK 23 / 4 / 0 / 16

HEX #A5CDD5

RGB 165 205 213

HSL 190, 0.36%, 0.74%

LAB 79.88, -11.37, -8.33

 

CMYK 23 / 10 / 0 / 16

HEX #A5C0D5

RGB 165 192 213

HSL 206.25, 0.36%, 0.74%

LAB 76.38, -4.54, -13.55

 

CMYK 41 / 0 / 3 / 27

HEX #6DBAB4

RGB 109 186 180

HSL 175.32, 0.36%, 0.58%

LAB 70.64, -25.23, -4.44

 

CMYK 31 / 0 / 3 / 22

HEX #89C7C2

RGB 137 199 194

HSL 175.16, 0.36%, 0.66%

LAB 76.11, -20.83, -3.85

 

CMYK 23 / 0 / 2 / 16

HEX #A5D5D1

RGB 165 213 209

HSL 175, 0.36%, 0.74%

LAB 81.94, -16.34, -3.14

 

CMYK 15 / 0 / 1 / 11

HEX #C1E2DF

RGB 193 226 223

HSL 174.55, 0.36%, 0.82%

LAB 87.51, -11.36, -2.17

 

CMYK 8 / 0 / 1 / 6

HEX #DDEFED

RGB 221 239 237

HSL 173.33, 0.36%, 0.9%

LAB 93.11, -6.28, -1.08

 

CMYK 22 / 0 / 2 / 16

HEX #A6D5D1

RGB 166 213 209

HSL 174.89, 0.36%, 0.74%

LAB 82, -16.04, -3.05

 

CMYK 20 / 23 / 0 / 16

HEX #AAA5D5

RGB 170 165 213

HSL 246.25, 0.36%, 0.74%

LAB 69.65, 11.77, -23.7

 

CMYK 0 / 11 / 23 / 16

HEX #D5BDA5

RGB 213 189 165

HSL 30, 0.36%, 0.74%

LAB 78.03, 4.77, 15.25

 

CMYK 22 / 0 / 2 / 16

HEX #A6D5D1

RGB 166 213 209

HSL 174.89, 0.36%, 0.74%

LAB 82, -16.04, -3.05

 

CMYK 2 / 23 / 0 / 16

HEX #D0A5D5

RGB 208 165 213

HSL 293.75, 0.36%, 0.74%

LAB 72.97, 24.06, -18.34

 

CMYK 0 / 2 / 23 / 16

HEX #D5D0A5

RGB 213 208 165

HSL 53.75, 0.36%, 0.74%

LAB 82.9, -5.17, 22.02

 

CMYK 22 / 0 / 2 / 16

HEX #A6D5D1

RGB 166 213 209

HSL 174.89, 0.36%, 0.74%

LAB 82, -16.04, -3.05

 

CMYK 20 / 23 / 0 / 16

HEX #AAA5D5

RGB 170 165 213

HSL 246.25, 0.36%, 0.74%

LAB 69.65, 11.77, -23.7

 

CMYK 0 / 23 / 20 / 16

HEX #D5A5AA

RGB 213 165 170

HSL 353.75, 0.36%, 0.74%

LAB 72.2, 18.41, 4.23

 

CMYK 2 / 0 / 23 / 16

HEX #D0D5A5

RGB 208 213 165

HSL 66.25, 0.36%, 0.74%

LAB 83.82, -9.59, 23.22

 

CMYK 22 / 0 / 2 / 16

HEX #A6D5D1

RGB 166 213 209

HSL 174.89, 0.36%, 0.74%

LAB 82, -16.04, -3.05

 

CMYK 14 / 23 / 0 / 16

HEX #B8A5D5

RGB 184 165 213

HSL 263.75, 0.36%, 0.74%

LAB 70.81, 16.21, -21.84

 

CMYK 0 / 23 / 20 / 16

HEX #D5A5AA

RGB 213 165 170

HSL 353.75, 0.36%, 0.74%

LAB 72.2, 18.41, 4.23

 

CMYK 9 / 0 / 23 / 16

HEX #C1D5A5

RGB 193 213 165

HSL 85, 0.36%, 0.74%

LAB 82.72, -15.08, 21.54

 

Description

Color code: HEX #A6D5D1 | qconv.com Color code: HEX #A6D5D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 213 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 213 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 2 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 2% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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