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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDEFED it is the complementary color #221012. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDEFED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDEFED shade: #E2EFE8, #F3FFFB and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDEFED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDEFED shade: #DDEFED, #CCDDDA, #BBCBC7, #AAB9B4 and #99A7A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDEFED shade: #DCEFED, #DCEFE8, #DCEFE3, #DCEFDE and #E0EFDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDEFED shade: #DCEFED, #DCECEF, #DCE7EF, #DCE2EF and #DCDDEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDEFED shade matches the following richer shades: #DCEFED, #D8F3F0, #D4F7F3 and #D0FBF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDEFED shade: #DCEFED, #E0EBE9, #E5E6E6, #E9E2E3 and #EDDEE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDEFED shade: #DCEFE3, #DCEFE8, #DCEFED, #DCECEF and #DCE7EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDEFED shade: #A4D4CF, #C0E1DE, #DCEFED, #F8FCFB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDEFED shade: #DDEFED, #DEDCEF and #EFE5DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDEFED shade: #DDEFED, #EDDCEF and #EFEDDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDEFED shade: #DDEFED, #DEDCEF, #EFDCDE and #EDEFDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDEFED shade: #DDEFED, #E3DCEF, #EFDCDE and #E8EFDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 1 / 6

HEX #DDEFED

RGB 221 239 237

HSL 173.33, 0.36%, 0.9%

LAB 93.11, -6.28, -1.08

 

Complementary color

CMYK 0 / 53 / 47 / 87

HEX #221012

RGB 34 16 18

HSL 353.33, 0.36%, 0.1%

LAB 6.81, 9.53, 2.2

 

CMYK 5 / 0 / 3 / 6

HEX #E2EFE8

RGB 226 239 232

HSL 147.69, 0.29%, 0.91%

LAB 93.33, -5.56, 1.89

 

CMYK 5 / 0 / 2 / 0

HEX #F3FFFB

RGB 243 255 251

HSL 160, 1%, 0.98%

LAB 99.04, -4.63, 0.54

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 1 / 6

HEX #DDEFED

RGB 221 239 237

HSL 173.33, 0.36%, 0.9%

LAB 93.11, -6.28, -1.08

 

CMYK 8 / 0 / 1 / 13

HEX #CCDDDA

RGB 204 221 218

HSL 169.41, 0.2%, 0.83%

LAB 86.81, -6.23, -0.49

 

CMYK 8 / 0 / 2 / 20

HEX #BBCBC7

RGB 187 203 199

HSL 165, 0.13%, 0.76%

LAB 80.4, -6.18, 0.12

 

CMYK 8 / 0 / 3 / 27

HEX #AAB9B4

RGB 170 185 180

HSL 160, 0.1%, 0.7%

LAB 73.89, -6.14, 0.75

 

CMYK 8 / 0 / 4 / 35

HEX #99A7A1

RGB 153 167 161

HSL 154.29, 0.07%, 0.63%

LAB 67.26, -6.1, 1.41

 

CMYK 8 / 0 / 1 / 6

HEX #DCEFED

RGB 220 239 237

HSL 173.68, 0.37%, 0.9%

LAB 93.04, -6.6, -1.19

 

CMYK 8 / 0 / 3 / 6

HEX #DCEFE8

RGB 220 239 232

HSL 157.89, 0.37%, 0.9%

LAB 92.92, -7.54, 1.23

 

CMYK 8 / 0 / 5 / 6

HEX #DCEFE3

RGB 220 239 227

HSL 142.11, 0.37%, 0.9%

LAB 92.79, -8.45, 3.65

 

CMYK 8 / 0 / 7 / 6

HEX #DCEFDE

RGB 220 239 222

HSL 126.32, 0.37%, 0.9%

LAB 92.67, -9.34, 6.07

 

CMYK 6 / 0 / 8 / 6

HEX #E0EFDC

RGB 224 239 220

HSL 107.37, 0.37%, 0.9%

LAB 92.9, -8.35, 7.48

 

CMYK 8 / 0 / 1 / 6

HEX #DCEFED

RGB 220 239 237

HSL 173.68, 0.37%, 0.9%

LAB 93.04, -6.6, -1.19

 

CMYK 8 / 1 / 0 / 6

HEX #DCECEF

RGB 220 236 239

HSL 189.47, 0.37%, 0.9%

LAB 92.33, -4.7, -3.28

 

CMYK 8 / 3 / 0 / 6

HEX #DCE7EF

RGB 220 231 239

HSL 205.26, 0.37%, 0.9%

LAB 91.05, -2.14, -5.15

 

CMYK 8 / 5 / 0 / 6

HEX #DCE2EF

RGB 220 226 239

HSL 221.05, 0.37%, 0.9%

LAB 89.79, 0.44, -7.02

 

CMYK 8 / 8 / 0 / 6

HEX #DCDDEF

RGB 220 221 239

HSL 236.84, 0.37%, 0.9%

LAB 88.52, 3.03, -8.89

 

CMYK 8 / 0 / 1 / 6

HEX #DCEFED

RGB 220 239 237

HSL 173.68, 0.37%, 0.9%

LAB 93.04, -6.6, -1.19

 

CMYK 11 / 0 / 1 / 5

HEX #D8F3F0

RGB 216 243 240

HSL 173.33, 0.53%, 0.9%

LAB 93.88, -9.34, -1.55

 

CMYK 14 / 0 / 2 / 3

HEX #D4F7F3

RGB 212 247 243

HSL 173.14, 0.69%, 0.9%

LAB 94.73, -12.02, -1.88

 

CMYK 17 / 0 / 2 / 2

HEX #D0FBF6

RGB 208 251 246

HSL 173.02, 0.84%, 0.9%

LAB 95.6, -14.66, -2.19

 

CMYK 8 / 0 / 1 / 6

HEX #DCEFED

RGB 220 239 237

HSL 173.68, 0.37%, 0.9%

LAB 93.04, -6.6, -1.19

 

CMYK 5 / 0 / 1 / 8

HEX #E0EBE9

RGB 224 235 233

HSL 169.09, 0.22%, 0.9%

LAB 92.2, -4.01, -0.31

 

CMYK 0 / 0 / 0 / 10

HEX #E5E6E6

RGB 229 230 230

HSL 180, 0.02%, 0.9%

LAB 91.22, -0.33, -0.13

 

CMYK 0 / 3 / 3 / 9

HEX #E9E2E3

RGB 233 226 227

HSL 351.43, 0.14%, 0.9%

LAB 90.44, 2.55, 0.35

 

CMYK 0 / 6 / 5 / 7

HEX #EDDEE0

RGB 237 222 224

HSL 352, 0.29%, 0.9%

LAB 89.69, 5.46, 0.86

 

CMYK 8 / 0 / 5 / 6

HEX #DCEFE3

RGB 220 239 227

HSL 142.11, 0.37%, 0.9%

LAB 92.79, -8.45, 3.65

 

CMYK 8 / 0 / 3 / 6

HEX #DCEFE8

RGB 220 239 232

HSL 157.89, 0.37%, 0.9%

LAB 92.92, -7.54, 1.23

 

CMYK 8 / 0 / 1 / 6

HEX #DCEFED

RGB 220 239 237

HSL 173.68, 0.37%, 0.9%

LAB 93.04, -6.6, -1.19

 

CMYK 8 / 1 / 0 / 6

HEX #DCECEF

RGB 220 236 239

HSL 189.47, 0.37%, 0.9%

LAB 92.33, -4.7, -3.28

 

CMYK 8 / 3 / 0 / 6

HEX #DCE7EF

RGB 220 231 239

HSL 205.26, 0.37%, 0.9%

LAB 91.05, -2.14, -5.15

 

CMYK 23 / 0 / 2 / 17

HEX #A4D4CF

RGB 164 212 207

HSL 173.75, 0.36%, 0.74%

LAB 81.56, -16.57, -2.64

 

CMYK 15 / 0 / 1 / 12

HEX #C0E1DE

RGB 192 225 222

HSL 174.55, 0.35%, 0.82%

LAB 87.16, -11.37, -2.18

 

CMYK 8 / 0 / 1 / 6

HEX #DCEFED

RGB 220 239 237

HSL 173.68, 0.37%, 0.9%

LAB 93.04, -6.6, -1.19

 

CMYK 2 / 0 / 0 / 1

HEX #F8FCFB

RGB 248 252 251

HSL 165, 0.4%, 0.98%

LAB 98.65, -1.49, 0.01

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 1 / 6

HEX #DDEFED

RGB 221 239 237

HSL 173.33, 0.36%, 0.9%

LAB 93.11, -6.28, -1.08

 

CMYK 7 / 8 / 0 / 6

HEX #DEDCEF

RGB 222 220 239

HSL 246.32, 0.37%, 0.9%

LAB 88.42, 4.21, -9.03

 

CMYK 0 / 4 / 8 / 6

HEX #EFE5DC

RGB 239 229 220

HSL 28.42, 0.37%, 0.9%

LAB 91.49, 1.87, 5.58

 

CMYK 8 / 0 / 1 / 6

HEX #DDEFED

RGB 221 239 237

HSL 173.33, 0.36%, 0.9%

LAB 93.11, -6.28, -1.08

 

CMYK 1 / 8 / 0 / 6

HEX #EDDCEF

RGB 237 220 239

HSL 293.68, 0.37%, 0.9%

LAB 89.59, 9.15, -7.17

 

CMYK 0 / 1 / 8 / 6

HEX #EFEDDC

RGB 239 237 220

HSL 53.68, 0.37%, 0.9%

LAB 93.49, -2.22, 8.46

 

CMYK 8 / 0 / 1 / 6

HEX #DDEFED

RGB 221 239 237

HSL 173.33, 0.36%, 0.9%

LAB 93.11, -6.28, -1.08

 

CMYK 7 / 8 / 0 / 6

HEX #DEDCEF

RGB 222 220 239

HSL 246.32, 0.37%, 0.9%

LAB 88.42, 4.21, -9.03

 

CMYK 0 / 8 / 7 / 6

HEX #EFDCDE

RGB 239 220 222

HSL 353.68, 0.37%, 0.9%

LAB 89.3, 6.85, 1.37

 

CMYK 1 / 0 / 8 / 6

HEX #EDEFDC

RGB 237 239 220

HSL 66.32, 0.37%, 0.9%

LAB 93.84, -3.92, 8.95

 

CMYK 8 / 0 / 1 / 6

HEX #DDEFED

RGB 221 239 237

HSL 173.33, 0.36%, 0.9%

LAB 93.11, -6.28, -1.08

 

CMYK 5 / 8 / 0 / 6

HEX #E3DCEF

RGB 227 220 239

HSL 262.11, 0.37%, 0.9%

LAB 88.8, 5.84, -8.42

 

CMYK 0 / 8 / 7 / 6

HEX #EFDCDE

RGB 239 220 222

HSL 353.68, 0.37%, 0.9%

LAB 89.3, 6.85, 1.37

 

CMYK 3 / 0 / 8 / 6

HEX #E8EFDC

RGB 232 239 220

HSL 82.11, 0.37%, 0.9%

LAB 93.47, -5.64, 8.37

 

Description

Color code: HEX #DDEFED | qconv.com Color code: HEX #DDEFED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 239 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 239 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 1 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 1% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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