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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6B8C0 it is the complementary color #59473F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6B8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6B8C0 shade: #ABB8BB, #BCCACE, #CDDCE1, #DEEEF4 and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6B8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6B8C0 shade: #A6B8C0, #95A6AD, #84949A, #738287 and #627074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6B8C0 shade: #A5B8C0, #A5B0C0, #A5A9C0, #A9A5C0 and #B0A5C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6B8C0 shade: #A5B8C0, #A5B0C0, #A5A9C0 and #A5A5C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6B8C0 shade matches the following richer shades: #A5B8C0, #99BCCC, #8DC1D8, #80C6E5 and #74CBF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6B8C0 shade: #A5B8C0, #B2B3B3, #BEAEA7, #CBA99A and #D7A48E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6B8C0 shade: #A5C0B9, #A5BFC0, #A5B8C0, #A5B1C0 and #A5AAC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6B8C0 shade: #75919D, #8DA4AE, #A5B8C0, #BECBD1 and #D6DEE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6B8C0 shade: #A6B8C0, #B3A5C0 and #C0BDA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6B8C0 shade: #A6B8C0, #C0A5B8 and #B8C0A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6B8C0 shade: #A6B8C0, #B3A5C0, #C0ADA5 and #B3C0A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6B8C0 shade: #A6B8C0, #BAA5C0, #C0ADA5 and #ABC0A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 4 / 0 / 25

HEX #A6B8C0

RGB 166 184 192

HSL 198.46, 0.17%, 0.7%

LAB 73.67, -4.53, -6.16

 

Complementary color

CMYK 0 / 20 / 29 / 65

HEX #59473F

RGB 89 71 63

HSL 18.46, 0.17%, 0.3%

LAB 31.78, 6.29, 7.7

 

CMYK 9 / 2 / 0 / 27

HEX #ABB8BB

RGB 171 184 187

HSL 191.25, 0.11%, 0.7%

LAB 73.89, -3.89, -3.07

 

CMYK 9 / 2 / 0 / 19

HEX #BCCACE

RGB 188 202 206

HSL 193.33, 0.16%, 0.77%

LAB 80.4, -3.96, -3.63

 

CMYK 9 / 2 / 0 / 12

HEX #CDDCE1

RGB 205 220 225

HSL 195, 0.25%, 0.84%

LAB 86.8, -4.04, -4.18

 

CMYK 9 / 2 / 0 / 4

HEX #DEEEF4

RGB 222 238 244

HSL 196.36, 0.5%, 0.91%

LAB 93.11, -4.12, -4.72

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 14 / 4 / 0 / 25

HEX #A6B8C0

RGB 166 184 192

HSL 198.46, 0.17%, 0.7%

LAB 73.67, -4.53, -6.16

 

CMYK 14 / 4 / 0 / 32

HEX #95A6AD

RGB 149 166 173

HSL 197.5, 0.13%, 0.63%

LAB 67.04, -4.47, -5.64

 

CMYK 14 / 4 / 0 / 40

HEX #84949A

RGB 132 148 154

HSL 196.36, 0.1%, 0.56%

LAB 60.26, -4.41, -5.11

 

CMYK 15 / 4 / 0 / 47

HEX #738287

RGB 115 130 135

HSL 195, 0.08%, 0.49%

LAB 53.34, -4.36, -4.56

 

CMYK 16 / 3 / 0 / 55

HEX #627074

RGB 98 112 116

HSL 193.33, 0.08%, 0.42%

LAB 46.24, -4.32, -4

 

CMYK 14 / 4 / 0 / 25

HEX #A5B8C0

RGB 165 184 192

HSL 197.78, 0.18%, 0.7%

LAB 73.6, -4.86, -6.27

 

CMYK 14 / 8 / 0 / 25

HEX #A5B0C0

RGB 165 176 192

HSL 215.56, 0.18%, 0.7%

LAB 71.46, -0.54, -9.46

 

CMYK 14 / 12 / 0 / 25

HEX #A5A9C0

RGB 165 169 192

HSL 231.11, 0.18%, 0.7%

LAB 69.6, 3.28, -12.23

 

CMYK 12 / 14 / 0 / 25

HEX #A9A5C0

RGB 169 165 192

HSL 248.89, 0.18%, 0.7%

LAB 68.86, 6.82, -13.31

 

CMYK 8 / 14 / 0 / 25

HEX #B0A5C0

RGB 176 165 192

HSL 264.44, 0.18%, 0.7%

LAB 69.43, 9.17, -12.4

 

CMYK 14 / 4 / 0 / 25

HEX #A5B8C0

RGB 165 184 192

HSL 197.78, 0.18%, 0.7%

LAB 73.6, -4.86, -6.27

 

CMYK 14 / 8 / 0 / 25

HEX #A5B0C0

RGB 165 176 192

HSL 215.56, 0.18%, 0.7%

LAB 71.46, -0.54, -9.46

 

CMYK 14 / 12 / 0 / 25

HEX #A5A9C0

RGB 165 169 192

HSL 231.11, 0.18%, 0.7%

LAB 69.6, 3.28, -12.23

 

CMYK 14 / 14 / 0 / 25

HEX #A5A5C0

RGB 165 165 192

HSL 240, 0.18%, 0.7%

LAB 68.54, 5.49, -13.82

 

CMYK 14 / 4 / 0 / 25

HEX #A5B8C0

RGB 165 184 192

HSL 197.78, 0.18%, 0.7%

LAB 73.6, -4.86, -6.27

 

CMYK 25 / 8 / 0 / 20

HEX #99BCCC

RGB 153 188 204

HSL 198.82, 0.33%, 0.7%

LAB 74.25, -8.12, -11.93

 

CMYK 35 / 11 / 0 / 15

HEX #8DC1D8

RGB 141 193 216

HSL 198.4, 0.49%, 0.7%

LAB 75.3, -11.35, -16.94

 

CMYK 44 / 14 / 0 / 10

HEX #80C6E5

RGB 128 198 229

HSL 198.42, 0.66%, 0.7%

LAB 76.46, -13.98, -22.27

 

CMYK 52 / 16 / 0 / 5

HEX #74CBF1

RGB 116 203 241

HSL 198.24, 0.82%, 0.7%

LAB 77.74, -16, -26.81

 

CMYK 14 / 4 / 0 / 25

HEX #A5B8C0

RGB 165 184 192

HSL 197.78, 0.18%, 0.7%

LAB 73.6, -4.86, -6.27

 

CMYK 1 / 0 / 0 / 30

HEX #B2B3B3

RGB 178 179 179

HSL 180, 0.01%, 0.7%

LAB 72.87, -0.35, -0.13

 

CMYK 0 / 8 / 12 / 25

HEX #BEAEA7

RGB 190 174 167

HSL 18.26, 0.15%, 0.7%

LAB 72.23, 4.54, 5.66

 

CMYK 0 / 17 / 24 / 20

HEX #CBA99A

RGB 203 169 154

HSL 18.37, 0.32%, 0.7%

LAB 71.83, 10.11, 12.37

 

CMYK 0 / 24 / 34 / 16

HEX #D7A48E

RGB 215 164 142

HSL 18.08, 0.48%, 0.7%

LAB 71.52, 15.83, 18.7

 

CMYK 14 / 0 / 4 / 25

HEX #A5C0B9

RGB 165 192 185

HSL 164.44, 0.18%, 0.7%

LAB 75.58, -10.52, 0.44

 

CMYK 14 / 1 / 0 / 25

HEX #A5BFC0

RGB 165 191 192

HSL 182.22, 0.18%, 0.7%

LAB 75.49, -8.57, -3.48

 

CMYK 14 / 4 / 0 / 25

HEX #A5B8C0

RGB 165 184 192

HSL 197.78, 0.18%, 0.7%

LAB 73.6, -4.86, -6.27

 

CMYK 14 / 8 / 0 / 25

HEX #A5B1C0

RGB 165 177 192

HSL 213.33, 0.18%, 0.7%

LAB 71.72, -1.09, -9.06

 

CMYK 14 / 11 / 0 / 25

HEX #A5AAC0

RGB 165 170 192

HSL 228.89, 0.18%, 0.7%

LAB 69.86, 2.73, -11.84

 

CMYK 25 / 8 / 0 / 38

HEX #75919D

RGB 117 145 157

HSL 198, 0.17%, 0.54%

LAB 58.48, -6.99, -9.59

 

CMYK 19 / 6 / 0 / 32

HEX #8DA4AE

RGB 141 164 174

HSL 198.18, 0.17%, 0.62%

LAB 65.96, -5.79, -7.86

 

CMYK 14 / 4 / 0 / 25

HEX #A5B8C0

RGB 165 184 192

HSL 197.78, 0.18%, 0.7%

LAB 73.6, -4.86, -6.27

 

CMYK 9 / 3 / 0 / 18

HEX #BECBD1

RGB 190 203 209

HSL 198.95, 0.17%, 0.78%

LAB 80.88, -3.23, -4.51

 

CMYK 5 / 2 / 0 / 11

HEX #D6DEE2

RGB 214 222 226

HSL 200, 0.17%, 0.86%

LAB 87.98, -1.93, -2.9

 

CMYK 14 / 4 / 0 / 25

HEX #A6B8C0

RGB 166 184 192

HSL 198.46, 0.17%, 0.7%

LAB 73.67, -4.53, -6.16

 

CMYK 7 / 14 / 0 / 25

HEX #B3A5C0

RGB 179 165 192

HSL 271.11, 0.18%, 0.7%

LAB 69.68, 10.18, -11.99

 

CMYK 0 / 2 / 14 / 25

HEX #C0BDA5

RGB 192 189 165

HSL 53.33, 0.18%, 0.7%

LAB 76.26, -3.07, 12.52

 

CMYK 14 / 4 / 0 / 25

HEX #A6B8C0

RGB 166 184 192

HSL 198.46, 0.17%, 0.7%

LAB 73.67, -4.53, -6.16

 

CMYK 0 / 14 / 4 / 25

HEX #C0A5B8

RGB 192 165 184

HSL 317.78, 0.18%, 0.7%

LAB 70.58, 13.15, -6.11

 

CMYK 4 / 0 / 14 / 25

HEX #B8C0A5

RGB 184 192 165

HSL 77.78, 0.18%, 0.7%

LAB 76.44, -7.57, 12.68

 

CMYK 14 / 4 / 0 / 25

HEX #A6B8C0

RGB 166 184 192

HSL 198.46, 0.17%, 0.7%

LAB 73.67, -4.53, -6.16

 

CMYK 7 / 14 / 0 / 25

HEX #B3A5C0

RGB 179 165 192

HSL 271.11, 0.18%, 0.7%

LAB 69.68, 10.18, -11.99

 

CMYK 0 / 10 / 14 / 25

HEX #C0ADA5

RGB 192 173 165

HSL 17.78, 0.18%, 0.7%

LAB 72.1, 5.49, 6.59

 

CMYK 7 / 0 / 14 / 25

HEX #B3C0A5

RGB 179 192 165

HSL 88.89, 0.18%, 0.7%

LAB 76.07, -9.38, 12.1

 

CMYK 14 / 4 / 0 / 25

HEX #A6B8C0

RGB 166 184 192

HSL 198.46, 0.17%, 0.7%

LAB 73.67, -4.53, -6.16

 

CMYK 3 / 14 / 0 / 25

HEX #BAA5C0

RGB 186 165 192

HSL 286.67, 0.18%, 0.7%

LAB 70.28, 12.57, -11.03

 

CMYK 0 / 10 / 14 / 25

HEX #C0ADA5

RGB 192 173 165

HSL 17.78, 0.18%, 0.7%

LAB 72.1, 5.49, 6.59

 

CMYK 11 / 0 / 14 / 25

HEX #ABC0A5

RGB 171 192 165

HSL 106.67, 0.18%, 0.7%

LAB 75.5, -12.23, 11.21

 

Description

Color code: HEX #A6B8C0 | qconv.com Color code: HEX #A6B8C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 184 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 184 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 4 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 4% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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