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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6A0B6 it is the complementary color #595F49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6A0B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6A0B6 shade: #ABA0B1, #BCB2C4, #CDC4D7, #DED6EA and #EFE8FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6A0B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6A0B6 shade: #A6A0B6, #958EA3, #847C90, #736A7D and #62586A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6A0B6 shade: #A6A0B6, #ACA0B6, #B2A0B6, #B6A0B4 and #B6A0AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6A0B6 shade: #A6A0B6 and #A0A0B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6A0B6 shade matches the following richer shades: #A6A0B6, #A092C3, #9985D1, #9377DF and #8D69EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6A0B6 shade: #A6A0B6, #ACAEA8, #B2BB9B, #B8C98D and #BFD67F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6A0B6 shade: #A0A6B6, #A0A0B6, #A6A0B6, #ACA0B6 and #B1A0B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6A0B6 shade: #7A7192, #9089A4, #A6A0B6, #BCB7C8 and #D2CFDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6A0B6 shade: #A6A0B6, #B6A0AC and #A3B6A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6A0B6 shade: #A6A0B6, #B6A6A0 and #A0B6A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6A0B6 shade: #A6A0B6, #B6A0AC, #B0B6A0 and #A0B6AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6A0B6 shade: #A6A0B6, #B6A0A5, #B0B6A0 and #A0B6B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

Complementary color

CMYK 6 / 0 / 23 / 63

HEX #595F49

RGB 89 95 73

HSL 76.36, 0.13%, 0.33%

LAB 39.22, -6.69, 11.83

 

CMYK 3 / 10 / 0 / 31

HEX #ABA0B1

RGB 171 160 177

HSL 278.82, 0.1%, 0.66%

LAB 67.26, 7.2, -7.35

 

CMYK 4 / 9 / 0 / 23

HEX #BCB2C4

RGB 188 178 196

HSL 273.33, 0.13%, 0.73%

LAB 73.88, 6.91, -7.85

 

CMYK 5 / 9 / 0 / 16

HEX #CDC4D7

RGB 205 196 215

HSL 268.42, 0.19%, 0.81%

LAB 80.38, 6.65, -8.34

 

CMYK 5 / 9 / 0 / 8

HEX #DED6EA

RGB 222 214 234

HSL 264, 0.32%, 0.88%

LAB 86.78, 6.39, -8.82

 

CMYK 6 / 8 / 0 / 1

HEX #EFE8FD

RGB 239 232 253

HSL 260, 0.84%, 0.95%

LAB 93.08, 6.16, -9.3

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 9 / 13 / 0 / 36

HEX #958EA3

RGB 149 142 163

HSL 260, 0.1%, 0.6%

LAB 60.23, 6.78, -10.14

 

CMYK 8 / 14 / 0 / 44

HEX #847C90

RGB 132 124 144

HSL 264, 0.08%, 0.53%

LAB 53.31, 7.1, -9.7

 

CMYK 8 / 15 / 0 / 51

HEX #736A7D

RGB 115 106 125

HSL 268.42, 0.08%, 0.45%

LAB 46.22, 7.45, -9.26

 

CMYK 8 / 17 / 0 / 58

HEX #62586A

RGB 98 88 106

HSL 273.33, 0.09%, 0.38%

LAB 38.93, 7.85, -8.82

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 5 / 12 / 0 / 29

HEX #ACA0B6

RGB 172 160 182

HSL 272.73, 0.13%, 0.67%

LAB 67.49, 8.54, -9.78

 

CMYK 2 / 12 / 0 / 29

HEX #B2A0B6

RGB 178 160 182

HSL 289.09, 0.13%, 0.67%

LAB 68.01, 10.62, -8.95

 

CMYK 0 / 12 / 1 / 29

HEX #B6A0B4

RGB 182 160 180

HSL 305.45, 0.13%, 0.67%

LAB 68.3, 11.64, -7.37

 

CMYK 0 / 12 / 4 / 29

HEX #B6A0AE

RGB 182 160 174

HSL 321.82, 0.13%, 0.67%

LAB 68.13, 10.52, -4.29

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 12 / 12 / 0 / 29

HEX #A0A0B6

RGB 160 160 182

HSL 240, 0.13%, 0.67%

LAB 66.51, 4.45, -11.34

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 18 / 25 / 0 / 24

HEX #A092C3

RGB 160 146 195

HSL 257.14, 0.29%, 0.67%

LAB 63.32, 15.21, -23.46

 

CMYK 27 / 36 / 0 / 18

HEX #9985D1

RGB 153 133 209

HSL 255.79, 0.45%, 0.67%

LAB 60.02, 23.85, -36.47

 

CMYK 34 / 47 / 0 / 13

HEX #9377DF

RGB 147 119 223

HSL 256.15, 0.62%, 0.67%

LAB 56.81, 33.83, -49.44

 

CMYK 40 / 56 / 0 / 7

HEX #8D69EC

RGB 141 105 236

HSL 256.49, 0.78%, 0.67%

LAB 53.84, 43.8, -61.5

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 1 / 0 / 3 / 32

HEX #ACAEA8

RGB 172 174 168

HSL 80, 0.04%, 0.67%

LAB 70.78, -1.82, 2.82

 

CMYK 5 / 0 / 17 / 27

HEX #B2BB9B

RGB 178 187 155

HSL 76.88, 0.19%, 0.67%

LAB 74.43, -8.79, 15.17

 

CMYK 8 / 0 / 30 / 21

HEX #B8C98D

RGB 184 201 141

HSL 77, 0.36%, 0.67%

LAB 78.4, -15.85, 28.13

 

CMYK 11 / 0 / 41 / 16

HEX #BFD67F

RGB 191 214 127

HSL 75.86, 0.51%, 0.67%

LAB 82.22, -21.45, 40.38

 

CMYK 12 / 9 / 0 / 29

HEX #A0A6B6

RGB 160 166 182

HSL 223.64, 0.13%, 0.67%

LAB 68.11, 1.14, -8.96

 

CMYK 12 / 12 / 0 / 29

HEX #A0A0B6

RGB 160 160 182

HSL 240, 0.13%, 0.67%

LAB 66.51, 4.45, -11.34

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 5 / 12 / 0 / 29

HEX #ACA0B6

RGB 172 160 182

HSL 272.73, 0.13%, 0.67%

LAB 67.49, 8.54, -9.78

 

CMYK 3 / 12 / 0 / 29

HEX #B1A0B6

RGB 177 160 182

HSL 286.36, 0.13%, 0.67%

LAB 67.92, 10.28, -9.09

 

CMYK 16 / 23 / 0 / 43

HEX #7A7192

RGB 122 113 146

HSL 256.36, 0.13%, 0.51%

LAB 49.52, 10.53, -16.68

 

CMYK 12 / 16 / 0 / 36

HEX #9089A4

RGB 144 137 164

HSL 255.56, 0.13%, 0.59%

LAB 58.51, 8.12, -13.34

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 6 / 9 / 0 / 22

HEX #BCB7C8

RGB 188 183 200

HSL 257.65, 0.13%, 0.75%

LAB 75.28, 4.99, -7.95

 

CMYK 4 / 5 / 0 / 15

HEX #D2CFDA

RGB 210 207 218

HSL 256.36, 0.13%, 0.83%

LAB 83.65, 3.06, -5.08

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 0 / 12 / 5 / 29

HEX #B6A0AC

RGB 182 160 172

HSL 327.27, 0.13%, 0.67%

LAB 68.07, 10.16, -3.26

 

CMYK 10 / 0 / 12 / 29

HEX #A3B6A0

RGB 163 182 160

HSL 111.82, 0.13%, 0.67%

LAB 72.08, -10.75, 8.99

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 0 / 9 / 12 / 29

HEX #B6A6A0

RGB 182 166 160

HSL 16.36, 0.13%, 0.67%

LAB 69.3, 4.76, 5.19

 

CMYK 12 / 0 / 9 / 29

HEX #A0B6A6

RGB 160 182 166

HSL 136.36, 0.13%, 0.67%

LAB 72.02, -10.69, 5.59

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 0 / 12 / 5 / 29

HEX #B6A0AC

RGB 182 160 172

HSL 327.27, 0.13%, 0.67%

LAB 68.07, 10.16, -3.26

 

CMYK 3 / 0 / 12 / 29

HEX #B0B6A0

RGB 176 182 160

HSL 76.36, 0.13%, 0.67%

LAB 73.04, -6.07, 10.48

 

CMYK 12 / 0 / 7 / 29

HEX #A0B6AA

RGB 160 182 170

HSL 147.27, 0.13%, 0.67%

LAB 72.12, -9.92, 3.54

 

CMYK 9 / 12 / 0 / 29

HEX #A6A0B6

RGB 166 160 182

HSL 256.36, 0.13%, 0.67%

LAB 67, 6.49, -10.57

 

CMYK 0 / 12 / 9 / 29

HEX #B6A0A5

RGB 182 160 165

HSL 346.36, 0.13%, 0.67%

LAB 67.88, 8.91, 0.36

 

CMYK 3 / 0 / 12 / 29

HEX #B0B6A0

RGB 176 182 160

HSL 76.36, 0.13%, 0.67%

LAB 73.04, -6.07, 10.48

 

CMYK 12 / 0 / 3 / 29

HEX #A0B6B1

RGB 160 182 177

HSL 166.36, 0.13%, 0.67%

LAB 72.3, -8.54, -0.02

 

Description

Color code: HEX #A6A0B6 | qconv.com Color code: HEX #A6A0B6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 160 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 160 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 12 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 12% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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