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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 18 / 25 / 0 / 24 it is the complementary color CMYK 13 / 0 / 45 / 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 18 / 25 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 18 / 25 / 0 / 24: CMYK 13 / 23 / 0 / 26, CMYK 13 / 22 / 0 / 18, CMYK 13 / 20 / 0 / 11, CMYK 13 / 19 / 0 / 4 and CMYK 9 / 15 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 18 / 25 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 18 / 25 / 0 / 24: CMYK 18 / 25 / 0 / 24, CMYK 19 / 27 / 0 / 31, CMYK 20 / 30 / 0 / 39, CMYK 21 / 34 / 0 / 46 and CMYK 23 / 38 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 25 / 0 / 24

HEX #9F91C2

RGB 159 145 194

HSL 257.14, 0.29%, 0.66%

LAB 62.94, 15.23, -23.49

 

Complementary color

CMYK 13 / 0 / 45 / 57

HEX #606E3D

RGB 96 110 61

HSL 77.14, 0.29%, 0.34%

LAB 44.2, -14.04, 25.54

 

CMYK 13 / 23 / 0 / 26

HEX #A491BD

RGB 164 145 189

HSL 265.91, 0.25%, 0.65%

LAB 63.19, 15.74, -20.25

 

CMYK 13 / 22 / 0 / 18

HEX #B5A3D0

RGB 181 163 208

HSL 264, 0.32%, 0.73%

LAB 69.88, 15.28, -20.52

 

CMYK 13 / 20 / 0 / 11

HEX #C6B5E3

RGB 198 181 227

HSL 262.17, 0.45%, 0.8%

LAB 76.44, 14.86, -20.81

 

CMYK 13 / 19 / 0 / 4

HEX #D7C7F6

RGB 215 199 246

HSL 260.43, 0.72%, 0.87%

LAB 82.89, 14.47, -21.1

 

CMYK 9 / 15 / 0 / 0

HEX #E8D9FF

RGB 232 217 255

HSL 263.68, 1%, 0.93%

LAB 88.92, 12.12, -16.62

 

CMYK 18 / 25 / 0 / 24

HEX #9F91C2

RGB 159 145 194

HSL 257.14, 0.29%, 0.66%

LAB 62.94, 15.23, -23.49

 

CMYK 19 / 27 / 0 / 31

HEX #8E7FAF

RGB 142 127 175

HSL 258.75, 0.23%, 0.59%

LAB 56.11, 15.74, -23.31

 

CMYK 20 / 30 / 0 / 39

HEX #7D6D9C

RGB 125 109 156

HSL 260.43, 0.19%, 0.52%

LAB 49.13, 16.31, -23.16

 

CMYK 21 / 34 / 0 / 46

HEX #6C5B89

RGB 108 91 137

HSL 262.17, 0.2%, 0.45%

LAB 41.96, 16.96, -23.04

 

CMYK 23 / 38 / 0 / 54

HEX #5B4976

RGB 91 73 118

HSL 264, 0.24%, 0.37%

LAB 34.59, 17.7, -22.97

 

CMYK 18 / 25 / 0 / 24

HEX #9F91C2

RGB 159 145 194

HSL 257.14, 0.29%, 0.66%

LAB 62.94, 15.23, -23.49

 

CMYK 15 / 26 / 0 / 24

HEX #A58FC1

RGB 165 143 193

HSL 266.4, 0.29%, 0.66%

LAB 62.92, 18.08, -22.91

 

CMYK 10 / 26 / 0 / 24

HEX #AE8FC1

RGB 174 143 193

HSL 277.2, 0.29%, 0.66%

LAB 63.75, 21.02, -21.57

 

CMYK 6 / 26 / 0 / 24

HEX #B68FC1

RGB 182 143 193

HSL 286.8, 0.29%, 0.66%

LAB 64.52, 23.67, -20.33

 

CMYK 2 / 26 / 0 / 24

HEX #BE8FC1

RGB 190 143 193

HSL 296.4, 0.29%, 0.66%

LAB 65.31, 26.33, -19.05

 

CMYK 18 / 25 / 0 / 24

HEX #9F91C2

RGB 159 145 194

HSL 257.14, 0.29%, 0.66%

LAB 62.94, 15.23, -23.49

 

CMYK 18 / 25 / 0 / 4

HEX #C9B7F5

RGB 201 183 245

HSL 257.42, 0.76%, 0.84%

LAB 77.8, 18.56, -28.41

 

CMYK 17 / 24 / 0 / 84

HEX #221F29

RGB 34 31 41

HSL 258, 0.14%, 0.14%

LAB 12.48, 4.03, -6.2

 

CMYK 18 / 25 / 0 / 64

HEX #4B455C

RGB 75 69 92

HSL 255.65, 0.14%, 0.32%

LAB 30.7, 7.91, -12.68

 

CMYK 18 / 25 / 0 / 44

HEX #756B8F

RGB 117 107 143

HSL 256.67, 0.14%, 0.49%

LAB 47.34, 11.71, -18.28

 

CMYK 18 / 25 / 0 / 24

HEX #9F91C2

RGB 159 145 194

HSL 257.14, 0.29%, 0.66%

LAB 62.94, 15.23, -23.49

 

CMYK 0 / 26 / 12 / 24

HEX #C18FA9

RGB 193 143 169

HSL 328.8, 0.29%, 0.66%

LAB 64.84, 23.02, -6.22

 

CMYK 23 / 0 / 26 / 24

HEX #95C18F

RGB 149 193 143

HSL 112.8, 0.29%, 0.66%

LAB 73.88, -24.23, 20.56

 

CMYK 18 / 25 / 0 / 24

HEX #9F91C2

RGB 159 145 194

HSL 257.14, 0.29%, 0.66%

LAB 62.94, 15.23, -23.49

 

CMYK 0 / 19 / 26 / 24

HEX #C19D8F

RGB 193 157 143

HSL 16.8, 0.29%, 0.66%

LAB 67.6, 11.22, 12.35

 

CMYK 26 / 0 / 19 / 24

HEX #8FC19D

RGB 143 193 157

HSL 136.8, 0.29%, 0.66%

LAB 73.81, -23.75, 12.89

 

CMYK 18 / 25 / 0 / 24

HEX #9F91C2

RGB 159 145 194

HSL 257.14, 0.29%, 0.66%

LAB 62.94, 15.23, -23.49

 

CMYK 0 / 26 / 12 / 24

HEX #C18FA9

RGB 193 143 169

HSL 328.8, 0.29%, 0.66%

LAB 64.84, 23.02, -6.22

 

CMYK 7 / 0 / 26 / 24

HEX #B3C18F

RGB 179 193 143

HSL 76.8, 0.29%, 0.66%

LAB 75.89, -13.38, 23.63

 

CMYK 26 / 0 / 13 / 24

HEX #8FC1A7

RGB 143 193 167

HSL 148.8, 0.29%, 0.66%

LAB 74.04, -21.81, 7.81

 

CMYK 18 / 25 / 0 / 24

HEX #9F91C2

RGB 159 145 194

HSL 257.14, 0.29%, 0.66%

LAB 62.94, 15.23, -23.49

 

CMYK 0 / 26 / 20 / 24

HEX #C18F9A

RGB 193 143 154

HSL 346.8, 0.29%, 0.66%

LAB 64.42, 20.58, 1.62

 

CMYK 7 / 0 / 26 / 24

HEX #B3C18F

RGB 179 193 143

HSL 76.8, 0.29%, 0.66%

LAB 75.89, -13.38, 23.63

 

CMYK 26 / 0 / 6 / 24

HEX #8FC1B6

RGB 143 193 182

HSL 166.8, 0.29%, 0.66%

LAB 74.42, -18.69, 0.22

 

Description

Color code: CMYK 18 / 25 / 0 / 24 | qconv.com Color code: CMYK 18 / 25 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 145 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 145 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 25 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 25% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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