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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A678DB it is the complementary color #598724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A678DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A678DB: #AB78D6, #BC8AE9, #CD9CFC, #DEAEFF and #EFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A678DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A678DB: #A678DB, #9566C8, #8454B5, #7342A2 and #62308F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 45 / 0 / 14

HEX #A678DB

RGB 166 120 219

HSL 267.88, 0.58%, 0.66%

LAB 58.65, 37.38, -44.15

 

Complementary color

CMYK 34 / 0 / 73 / 47

HEX #598724

RGB 89 135 36

HSL 87.88, 0.58%, 0.34%

LAB 51.36, -32.05, 45.69

 

CMYK 20 / 44 / 0 / 16

HEX #AB78D6

RGB 171 120 214

HSL 272.55, 0.53%, 0.65%

LAB 58.92, 37.63, -40.88

 

CMYK 19 / 41 / 0 / 9

HEX #BC8AE9

RGB 188 138 233

HSL 271.58, 0.68%, 0.73%

LAB 65.55, 36.82, -40.94

 

CMYK 19 / 38 / 0 / 1

HEX #CD9CFC

RGB 205 156 252

HSL 270.63, 0.94%, 0.8%

LAB 72.08, 36.06, -41.01

 

CMYK 13 / 32 / 0 / 0

HEX #DEAEFF

RGB 222 174 255

HSL 275.56, 1%, 0.84%

LAB 77.89, 31.98, -33.5

 

CMYK 6 / 25 / 0 / 0

HEX #EFC0FF

RGB 239 192 255

HSL 284.76, 1%, 0.88%

LAB 83.58, 27.6, -24.63

 

CMYK 24 / 45 / 0 / 14

HEX #A678DB

RGB 166 120 219

HSL 267.88, 0.58%, 0.66%

LAB 58.65, 37.38, -44.15

 

CMYK 26 / 49 / 0 / 22

HEX #9566C8

RGB 149 102 200

HSL 268.78, 0.47%, 0.59%

LAB 51.91, 38.28, -44.17

 

CMYK 27 / 54 / 0 / 29

HEX #8454B5

RGB 132 84 181

HSL 269.69, 0.4%, 0.52%

LAB 45.06, 39.22, -44.17

 

CMYK 29 / 59 / 0 / 36

HEX #7342A2

RGB 115 66 162

HSL 270.63, 0.42%, 0.45%

LAB 38.11, 40.17, -44.13

 

CMYK 31 / 66 / 0 / 44

HEX #62308F

RGB 98 48 143

HSL 271.58, 0.5%, 0.37%

LAB 31.1, 41.03, -43.97

 

CMYK 24 / 45 / 0 / 14

HEX #A678DB

RGB 166 120 219

HSL 267.88, 0.58%, 0.66%

LAB 58.65, 37.38, -44.15

 

CMYK 17 / 46 / 0 / 15

HEX #B476DA

RGB 180 118 218

HSL 277.2, 0.57%, 0.66%

LAB 59.64, 42.18, -41.94

 

CMYK 10 / 46 / 0 / 15

HEX #C476DA

RGB 196 118 218

HSL 286.8, 0.57%, 0.66%

LAB 61.44, 46.73, -38.98

 

CMYK 2 / 46 / 0 / 15

HEX #D576DA

RGB 213 118 218

HSL 297, 0.57%, 0.66%

LAB 63.48, 51.61, -35.65

 

CMYK 0 / 46 / 6 / 15

HEX #DA76CE

RGB 218 118 206

HSL 307.2, 0.57%, 0.66%

LAB 63.61, 50.95, -28.68

 

CMYK 24 / 45 / 0 / 14

HEX #A678DB

RGB 166 120 219

HSL 267.88, 0.58%, 0.66%

LAB 58.65, 37.38, -44.15

 

CMYK 27 / 47 / 0 / 94

HEX #0B080F

RGB 11 8 15

HSL 265.71, 0.3%, 0.05%

LAB 2.52, 1.87, -2.65

 

CMYK 24 / 45 / 0 / 74

HEX #322442

RGB 50 36 66

HSL 268, 0.29%, 0.2%

LAB 17.15, 13.9, -16.56

 

CMYK 24 / 45 / 0 / 54

HEX #594075

RGB 89 64 117

HSL 268.3, 0.29%, 0.35%

LAB 31.98, 22.48, -26.46

 

CMYK 24 / 45 / 0 / 34

HEX #7F5CA8

RGB 127 92 168

HSL 267.63, 0.3%, 0.51%

LAB 45.63, 30.01, -35.67

 

CMYK 24 / 45 / 0 / 14

HEX #A678DB

RGB 166 120 219

HSL 267.88, 0.58%, 0.66%

LAB 58.65, 37.38, -44.15

 

CMYK 0 / 46 / 30 / 15

HEX #DA7699

RGB 218 118 153

HSL 339, 0.57%, 0.66%

LAB 61.79, 42.91, -1.28

 

CMYK 46 / 0 / 44 / 15

HEX #76DA7B

RGB 118 218 123

HSL 123, 0.57%, 0.66%

LAB 79.29, -48.55, 37.81

 

CMYK 24 / 45 / 0 / 14

HEX #A678DB

RGB 166 120 219

HSL 267.88, 0.58%, 0.66%

LAB 58.65, 37.38, -44.15

 

CMYK 0 / 25 / 46 / 15

HEX #DAA376

RGB 218 163 118

HSL 27, 0.57%, 0.66%

LAB 71.15, 14.85, 31.26

 

CMYK 46 / 0 / 25 / 15

HEX #76DAA3

RGB 118 218 163

HSL 147, 0.57%, 0.66%

LAB 79.98, -41.66, 18.15

 

CMYK 24 / 45 / 0 / 14

HEX #A678DB

RGB 166 120 219

HSL 267.88, 0.58%, 0.66%

LAB 58.65, 37.38, -44.15

 

CMYK 0 / 46 / 30 / 15

HEX #DA7699

RGB 218 118 153

HSL 339, 0.57%, 0.66%

LAB 61.79, 42.91, -1.28

 

CMYK 21 / 0 / 46 / 15

HEX #ADDA76

RGB 173 218 118

HSL 87, 0.57%, 0.66%

LAB 82.02, -31.15, 44.31

 

CMYK 46 / 0 / 16 / 15

HEX #76DAB7

RGB 118 218 183

HSL 159, 0.57%, 0.66%

LAB 80.41, -37.5, 8.19

 

CMYK 24 / 45 / 0 / 14

HEX #A678DB

RGB 166 120 219

HSL 267.88, 0.58%, 0.66%

LAB 58.65, 37.38, -44.15

 

CMYK 0 / 46 / 44 / 15

HEX #DA767B

RGB 218 118 123

HSL 357, 0.57%, 0.66%

LAB 61.04, 39.38, 14.87

 

CMYK 21 / 0 / 46 / 15

HEX #ADDA76

RGB 173 218 118

HSL 87, 0.57%, 0.66%

LAB 82.02, -31.15, 44.31

 

CMYK 46 / 0 / 2 / 15

HEX #76DAD5

RGB 118 218 213

HSL 177, 0.57%, 0.66%

LAB 81.18, -30.48, -6.65

 

Description

Color code: HEX #A678DB | qconv.com Color code: HEX #A678DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 120 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 120 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 45 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 45% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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