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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A65D5E it is the complementary color #59A2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A65D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A65D5E shade: #AB5D59, #BC6F6C, #CD817F, #DE9392 and #EFA5A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A65D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A65D5E shade: #A65D5E, #954B4B, #843938, #732725 and #621512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A65D5E shade: #A65D5E and #A65D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A65D5E shade: #A65D5E, #A65D72, #A65D85, #A65D99 and #9F5DA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A65D5E shade matches the following richer shades: #A65D5E, #BA494B, #CE3537, #E22123 and #F70C10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A65D5E shade: #A65D5E, #927272, #7D8686, #699A99 and #55AEAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A65D5E shade: #A65D85, #A65D72, #A65D5F, #A66F5D and #A6835D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A65D5E shade: #723F3F, #8D4D4E, #A65D5E, #B47879 and #C39393

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A65D5E shade: #A65D5E, #98A65D and #5D7CA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A65D5E shade: #A65D5E, #5FA65D and #5D5FA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A65D5E shade: #A65D5E, #98A65D, #5DA6A5 and #6B5DA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A65D5E shade: #A65D5E, #83A65D, #5DA6A5 and #805DA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

Complementary color

CMYK 45 / 0 / 1 / 36

HEX #59A2A1

RGB 89 162 161

HSL 179.18, 0.29%, 0.49%

LAB 62.12, -23, -6.59

 

CMYK 0 / 46 / 48 / 33

HEX #AB5D59

RGB 171 93 89

HSL 2.93, 0.33%, 0.51%

LAB 48.52, 31.25, 16.47

 

CMYK 0 / 41 / 43 / 26

HEX #BC6F6C

RGB 188 111 108

HSL 2.25, 0.37%, 0.58%

LAB 55.22, 30.13, 14.85

 

CMYK 0 / 37 / 38 / 20

HEX #CD817F

RGB 205 129 127

HSL 1.54, 0.44%, 0.65%

LAB 61.84, 29.11, 13.44

 

CMYK 0 / 34 / 34 / 13

HEX #DE9392

RGB 222 147 146

HSL 0.79, 0.54%, 0.72%

LAB 68.37, 28.19, 12.2

 

CMYK 0 / 31 / 31 / 6

HEX #EFA5A5

RGB 239 165 165

HSL 0, 0.7%, 0.79%

LAB 74.81, 27.35, 11.08

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 0 / 50 / 50 / 42

HEX #954B4B

RGB 149 75 75

HSL 0, 0.33%, 0.44%

LAB 41.1, 30.97, 14.32

 

CMYK 0 / 57 / 58 / 48

HEX #843938

RGB 132 57 56

HSL 0.79, 0.4%, 0.37%

LAB 34.23, 32.18, 16.48

 

CMYK 0 / 66 / 68 / 55

HEX #732725

RGB 115 39 37

HSL 1.54, 0.51%, 0.3%

LAB 27.38, 33.32, 19.26

 

CMYK 0 / 79 / 82 / 62

HEX #621512

RGB 98 21 18

HSL 2.25, 0.69%, 0.23%

LAB 20.74, 34.03, 22.88

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 0 / 44 / 44 / 35

HEX #A65D5D

RGB 166 93 93

HSL 0, 0.29%, 0.51%

LAB 47.91, 29.71, 13.13

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 0 / 44 / 31 / 35

HEX #A65D72

RGB 166 93 114

HSL 342.74, 0.29%, 0.51%

LAB 48.45, 32.32, 1.28

 

CMYK 0 / 44 / 20 / 35

HEX #A65D85

RGB 166 93 133

HSL 327.12, 0.29%, 0.51%

LAB 49.04, 35.12, -9.23

 

CMYK 0 / 44 / 8 / 35

HEX #A65D99

RGB 166 93 153

HSL 310.68, 0.29%, 0.51%

LAB 49.78, 38.48, -20

 

CMYK 4 / 44 / 0 / 35

HEX #9F5DA6

RGB 159 93 166

HSL 294.25, 0.29%, 0.51%

LAB 49.44, 38.7, -28.26

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 0 / 61 / 60 / 27

HEX #BA494B

RGB 186 73 75

HSL 358.94, 0.45%, 0.51%

LAB 46.59, 45.8, 22.68

 

CMYK 0 / 74 / 73 / 19

HEX #CE3537

RGB 206 53 55

HSL 359.22, 0.61%, 0.51%

LAB 46.9, 59.24, 35.67

 

CMYK 0 / 85 / 85 / 11

HEX #E22123

RGB 226 33 35

HSL 359.38, 0.77%, 0.51%

LAB 48.73, 69.58, 49.59

 

CMYK 0 / 95 / 94 / 3

HEX #F70C10

RGB 247 12 16

HSL 358.98, 0.94%, 0.51%

LAB 51.92, 77.45, 61.57

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 0 / 22 / 22 / 43

HEX #927272

RGB 146 114 114

HSL 0, 0.13%, 0.51%

LAB 51.11, 12.58, 4.82

 

CMYK 7 / 0 / 0 / 47

HEX #7D8686

RGB 125 134 134

HSL 180, 0.04%, 0.51%

LAB 55.21, -3.29, -1.14

 

CMYK 32 / 0 / 1 / 40

HEX #699A99

RGB 105 154 153

HSL 178.78, 0.2%, 0.51%

LAB 60.26, -16.54, -4.73

 

CMYK 51 / 0 / 1 / 32

HEX #55AEAD

RGB 85 174 173

HSL 179.33, 0.35%, 0.51%

LAB 65.92, -26.77, -7.67

 

CMYK 0 / 44 / 20 / 35

HEX #A65D85

RGB 166 93 133

HSL 327.12, 0.29%, 0.51%

LAB 49.04, 35.12, -9.23

 

CMYK 0 / 44 / 31 / 35

HEX #A65D72

RGB 166 93 114

HSL 342.74, 0.29%, 0.51%

LAB 48.45, 32.32, 1.28

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5F

RGB 166 93 95

HSL 358.36, 0.29%, 0.51%

LAB 47.96, 29.94, 12

 

CMYK 0 / 33 / 44 / 35

HEX #A66F5D

RGB 166 111 93

HSL 14.79, 0.29%, 0.51%

LAB 52.14, 19.62, 18.91

 

CMYK 0 / 21 / 44 / 35

HEX #A6835D

RGB 166 131 93

HSL 31.23, 0.29%, 0.51%

LAB 57.2, 8.29, 25.64

 

CMYK 0 / 45 / 45 / 55

HEX #723F3F

RGB 114 63 63

HSL 0, 0.29%, 0.35%

LAB 32.9, 22.19, 9.75

 

CMYK 0 / 45 / 45 / 45

HEX #8D4D4E

RGB 141 77 78

HSL 359.06, 0.29%, 0.43%

LAB 40.44, 26.99, 11.37

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 0 / 33 / 33 / 29

HEX #B47879

RGB 180 120 121

HSL 359, 0.29%, 0.59%

LAB 56.6, 23.63, 9.09

 

CMYK 0 / 25 / 25 / 24

HEX #C39393

RGB 195 147 147

HSL 0, 0.29%, 0.67%

LAB 65.42, 18.07, 7.04

HEX #C39393

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 8 / 0 / 44 / 35

HEX #98A65D

RGB 152 166 93

HSL 71.51, 0.29%, 0.51%

LAB 65.54, -16.58, 36.04

 

CMYK 44 / 25 / 0 / 35

HEX #5D7CA6

RGB 93 124 166

HSL 214.52, 0.29%, 0.51%

LAB 51.26, 0.39, -25.9

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 43 / 0 / 44 / 35

HEX #5FA65D

RGB 95 166 93

HSL 118.36, 0.29%, 0.51%

LAB 62.08, -37.52, 30.94

 

CMYK 44 / 43 / 0 / 35

HEX #5D5FA6

RGB 93 95 166

HSL 238.36, 0.29%, 0.51%

LAB 43.16, 18.11, -38.59

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 8 / 0 / 44 / 35

HEX #98A65D

RGB 152 166 93

HSL 71.51, 0.29%, 0.51%

LAB 65.54, -16.58, 36.04

 

CMYK 44 / 0 / 1 / 35

HEX #5DA6A5

RGB 93 166 165

HSL 179.18, 0.29%, 0.51%

LAB 63.6, -23.01, -6.61

 

CMYK 36 / 44 / 0 / 35

HEX #6B5DA6

RGB 107 93 166

HSL 251.51, 0.29%, 0.51%

LAB 43.81, 23.14, -37.48

 

CMYK 0 / 44 / 43 / 35

HEX #A65D5E

RGB 166 93 94

HSL 359.18, 0.29%, 0.51%

LAB 47.94, 29.82, 12.57

 

CMYK 21 / 0 / 44 / 35

HEX #83A65D

RGB 131 166 93

HSL 88.77, 0.29%, 0.51%

LAB 64.07, -24.89, 33.88

 

CMYK 44 / 0 / 1 / 35

HEX #5DA6A5

RGB 93 166 165

HSL 179.18, 0.29%, 0.51%

LAB 63.6, -23.01, -6.61

 

CMYK 23 / 44 / 0 / 35

HEX #805DA6

RGB 128 93 166

HSL 268.77, 0.29%, 0.51%

LAB 45.87, 29.23, -34.1

 

Description

Color code: HEX #A65D5E | qconv.com Color code: HEX #A65D5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 93 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 93 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 43 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 43% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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