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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A659D2 it is the complementary color #59A62D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A659D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A659D2: #AB59CD, #BC6BE0, #CD7DF3, #DE8FFF and #EFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A659D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A659D2: #A659D2, #9547BF, #8435AC, #732399 and #621186

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 58 / 0 / 18

HEX #A659D2

RGB 166 89 210

HSL 278.18, 0.57%, 0.59%

LAB 51.73, 51.98, -50.04

 

Complementary color

CMYK 46 / 0 / 73 / 35

HEX #59A62D

RGB 89 166 45

HSL 98.18, 0.57%, 0.41%

LAB 61.3, -44.82, 52.27

 

CMYK 17 / 57 / 0 / 20

HEX #AB59CD

RGB 171 89 205

HSL 282.41, 0.54%, 0.58%

LAB 52.07, 52.17, -46.6

 

CMYK 16 / 52 / 0 / 12

HEX #BC6BE0

RGB 188 107 224

HSL 281.54, 0.65%, 0.65%

LAB 58.59, 51.46, -46.9

 

CMYK 16 / 49 / 0 / 5

HEX #CD7DF3

RGB 205 125 243

HSL 280.68, 0.83%, 0.72%

LAB 65.06, 50.69, -47.12

 

CMYK 13 / 44 / 0 / 0

HEX #DE8FFF

RGB 222 143 255

HSL 282.32, 1%, 0.78%

LAB 71.14, 48.48, -43.99

 

CMYK 6 / 37 / 0 / 0

HEX #EFA1FF

RGB 239 161 255

HSL 289.79, 1%, 0.82%

LAB 76.72, 44, -35.17

 

CMYK 21 / 58 / 0 / 18

HEX #A659D2

RGB 166 89 210

HSL 278.18, 0.57%, 0.59%

LAB 51.73, 51.98, -50.04

 

CMYK 22 / 63 / 0 / 25

HEX #9547BF

RGB 149 71 191

HSL 279, 0.48%, 0.51%

LAB 45.16, 52.63, -49.72

 

CMYK 23 / 69 / 0 / 33

HEX #8435AC

RGB 132 53 172

HSL 279.83, 0.53%, 0.44%

LAB 38.6, 53.02, -49.19

 

CMYK 25 / 77 / 0 / 40

HEX #732399

RGB 115 35 153

HSL 280.68, 0.63%, 0.37%

LAB 32.14, 52.87, -48.3

 

CMYK 27 / 87 / 0 / 47

HEX #621186

RGB 98 17 134

HSL 281.54, 0.77%, 0.3%

LAB 25.92, 51.69, -46.77

 

CMYK 21 / 58 / 0 / 18

HEX #A659D2

RGB 166 89 210

HSL 278.18, 0.57%, 0.59%

LAB 51.73, 51.98, -50.04

 

CMYK 11 / 57 / 0 / 18

HEX #BA5AD2

RGB 186 90 210

HSL 288, 0.57%, 0.59%

LAB 54.45, 56.53, -45.56

 

CMYK 2 / 57 / 0 / 18

HEX #CE5AD2

RGB 206 90 210

HSL 298, 0.57%, 0.59%

LAB 57.16, 61.65, -41.11

 

CMYK 0 / 57 / 8 / 18

HEX #D25AC2

RGB 210 90 194

HSL 308, 0.57%, 0.59%

LAB 56.99, 60.01, -32.22

 

CMYK 0 / 57 / 17 / 18

HEX #D25AAE

RGB 210 90 174

HSL 318, 0.57%, 0.59%

LAB 56.16, 56.91, -21.98

 

CMYK 21 / 58 / 0 / 18

HEX #A659D2

RGB 166 89 210

HSL 278.18, 0.57%, 0.59%

LAB 51.73, 51.98, -50.04

 

CMYK 17 / 50 / 0 / 98

HEX #050306

RGB 5 3 6

HSL 280, 0.33%, 0.02%

LAB 1, 0.94, -0.95

 

CMYK 21 / 58 / 0 / 78

HEX #2D1839

RGB 45 24 57

HSL 278.18, 0.41%, 0.16%

LAB 12.65, 17.86, -17.36

 

CMYK 21 / 57 / 0 / 58

HEX #552E6C

RGB 85 46 108

HSL 277.74, 0.4%, 0.3%

LAB 26.64, 29.98, -29.2

 

CMYK 21 / 58 / 0 / 38

HEX #7E439F

RGB 126 67 159

HSL 278.48, 0.41%, 0.44%

LAB 39.5, 41.76, -40.03

 

CMYK 21 / 58 / 0 / 18

HEX #A659D2

RGB 166 89 210

HSL 278.18, 0.57%, 0.59%

LAB 51.73, 51.98, -50.04

 

CMYK 0 / 57 / 48 / 18

HEX #D25A6E

RGB 210 90 110

HSL 350, 0.57%, 0.59%

LAB 54.17, 49.12, 12.7

 

CMYK 57 / 0 / 44 / 18

HEX #5AD276

RGB 90 210 118

HSL 134, 0.57%, 0.59%

LAB 75.81, -53.29, 35.66

 

CMYK 21 / 58 / 0 / 18

HEX #A659D2

RGB 166 89 210

HSL 278.18, 0.57%, 0.59%

LAB 51.73, 51.98, -50.04

 

CMYK 0 / 21 / 57 / 18

HEX #D2A65A

RGB 210 166 90

HSL 38, 0.57%, 0.59%

LAB 70.67, 7.43, 44.99

 

CMYK 57 / 0 / 21 / 18

HEX #5AD2A6

RGB 90 210 166

HSL 158, 0.57%, 0.59%

LAB 76.69, -44.09, 11.81

 

CMYK 21 / 58 / 0 / 18

HEX #A659D2

RGB 166 89 210

HSL 278.18, 0.57%, 0.59%

LAB 51.73, 51.98, -50.04

 

CMYK 0 / 57 / 48 / 18

HEX #D25A6E

RGB 210 90 110

HSL 350, 0.57%, 0.59%

LAB 54.17, 49.12, 12.7

 

CMYK 36 / 0 / 57 / 18

HEX #86D25A

RGB 134 210 90

HSL 98, 0.57%, 0.59%

LAB 77.22, -44.38, 51.24

 

CMYK 57 / 0 / 10 / 18

HEX #5AD2BE

RGB 90 210 190

HSL 170, 0.57%, 0.59%

LAB 77.27, -38.41, -0.21

 

CMYK 21 / 58 / 0 / 18

HEX #A659D2

RGB 166 89 210

HSL 278.18, 0.57%, 0.59%

LAB 51.73, 51.98, -50.04

 

CMYK 0 / 50 / 57 / 18

HEX #D26A5A

RGB 210 106 90

HSL 8, 0.57%, 0.59%

LAB 56.83, 39.54, 27.9

 

CMYK 36 / 0 / 57 / 18

HEX #86D25A

RGB 134 210 90

HSL 98, 0.57%, 0.59%

LAB 77.22, -44.38, 51.24

 

CMYK 57 / 8 / 0 / 18

HEX #5AC2D2

RGB 90 194 210

HSL 188, 0.57%, 0.59%

LAB 73.16, -25.45, -17.13

 

Description

Color code: HEX #A659D2 | qconv.com Color code: HEX #A659D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 89 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 89 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 58 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 58% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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